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Carpenter’s influence was considerable, taking in Virginia Woolf, D. H. Lawrence, Rupert Brooke, and countless early socialists, including Elbert Hubbard, who in 1895 founded the Roycroft artisan community in East Aurora, New York. The “Roycrofters”, as they called themselves, also took inspiration from the arts and crafts movement, establishing a fine bindery, a furniture shop, and a private press. This volume is from their limited edition of Whitman’s work. Octavo. Publisher’s presentation binding of red half morocco, marbled sides, spine with five raised bands, lettered and decorated in gilt, top edge gilt, marbled endpapers, red silk bookmarker. Couple of small marks to head of front cover, touch of finger-soiling to recto of frontispiece, contents otherwise bright and clean. An excellent copy in a very attractive binding. ¶ Edward Carpenter, Days with Walt Whitman , 1906; Edward Carpenter, My Days and Dreams , 1916; Winston Leyland, ed., Gay Sunshine Interviews , 2 vols, 1978–82; Horace Traubel, With Walt Whitman in Camden , 2 vols, 1906–15. £4,500 [157776] 125 WILDE, Oscar. The Importance of Being Earnest. London: Leonard Smithers and Co, 1899 “Presentation” copy to the author’s official bankruptcy receiver First edition, first impression, number 74 of 1,000 copies, additionally signed “Oscar Wilde” and with the ownership inscription “Spencer Grey, from” added in Egerton Spencer Grey’s hand. A touching and evocative copy of the author’s comic masterpiece. The barrister Egerton Spencer Grey (1863–1950) was Assistant Official Receiver at the Bankruptcy Court, Carey Street, when Wilde was bankrupted in 1895. Grey had been promoted to Official Receiver in Bankruptcy by the time Wilde’s estate was discharged from bankruptcy in July 1906 and had some correspondence with Wilde’s publishers at that time. The catalogue of manuscripts and letters of Oscar Wilde and his literary circle held in the Williams Andrews Clark Memorial Library (University of California) lists,
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for example, a copy of an indenture made on 3 January 1906 between Grey and Methuen. Under the circumstances, it is unlikely that Wilde presented this copy to Grey. More probable is that Grey obtained a previously signed copy from Wilde’s chattels, either at the time of the bankruptcy or at its discharge, and added his own name as if he were its recipient. It is touching that Grey seems anxious to record his association with Wilde. The book, as presented in the original publisher’s binding, does not include a preliminary blank. The present copy, bound by Hatchards, has two preliminary blanks on two different stocks of paper. The blank with Wilde’s signature matches the paper of the text with chain lines running horizontally. It is assumed, therefore, that Wilde originally signed the front free endpaper of the book as originally issued. We have previously sold a copy of An Ideal Husband in which Grey also added his name as the recipient above Wilde’s signature. Quarto (206 × 151 mm). Early 20th-century green half morocco for Hatchards, spine lettered in gilt, green cloth sides, marbled green endpapers, top edge gilt, original covers and spine bound in at end. Bookplate of C. W. Clementine, dated 1901, on front free pastedown. Spine faded, one corner slightly rubbed, some spotting and browning, a very good and attractive copy. ¶ Mason 381. £30,000 [158239]
All items are fully described and photographed at peterharrington.co.uk
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