TRANSFORM YELLOW SPOT, OTHERS WHO, OF THEIR AR INTELLIGENCE YELLOW SP
HE SUN TO A UT THERE ARE ITH THE HELP AND THEIR TRANSFORM A T INTO SUN.
ARTIST NOTES: ‘Cattle Grid’ bears many of the hallmarks seen in my Spring work; rich, luxurious backgrounds created by applying thick layers of texture paste and bold oil colour using a palette knife, which I then embellish further with glazes, gems, glitter and iridescent shimmer gel. The humorous tongue in cheek title is unmistakably a Shotton trademark!”
If my pieces make people smile, then I have succeeded, because that is always my
Moo7 Boxed Canvas | 30” x 30” Edition of 95 | Framed: £750
CATTLE GRID Boxed Canvas | 32” x 48” (unframed) Edition of 150 | Unframed: £895
“For children, I can imagine the thrall of the Mad Hatter’s Tea Party… With lots of delicious treats, no need to sit up nicely or observe the usual social niceties, and with all manner of madness going on in the background, it is every child’s dream!”
Craig Davison imagined worlds of children; there are no limits, no restrictions, no rules and anything is possible. “ ” As always, I derive inspiration for my collections from the
WHO ARE YOU!? Giclée on Paper | 26” x 20” Edition of 295 | Framed: £250
CURIOUSER AND CORIOUSER! Giclée on Paper | 26” x 20” Edition of 295 | Framed: £250
TWINKLE, TWINKLE, LITTLE BAT… Giclée on Paper | 26” x 20” Edition of 295 | Framed: £250
IT’S ALWAYS TEA TIME! Giclée on Paper | 26” x 20” Edition of 295 | Framed: £250
WE’RE ALL MAD HERE, I’M MAD, YOU’RE MAD Canvas on Board | 30” x 36” Edition of 195 | Framed: £495
Boxed Canvas | 39” x 48” Edition of 50 | Framed: £995
ARTIST NOTES: This painting is a close copy of Monet’s of the harbour at Le Havre called ‘Impression Sunrise’ – the painting that gave its name to Impressionism. It is the balance of cool and warm tones from a very restricted palette that makes the painting work so well. I love it.
This is a classic example from the ‘less is more’ school of painting. The detail of the boats in the busy harbour is missing, but imagination fills in the gaps.
IMPRESSION SUNRISE Stretched Canvas | 30” x 36” Edition of 50 | Framed: £1,750
ARTIST NOTES: “In the age we live in, it has never been more important to remember and take responsibility for the fact that thinking, creating and writing have more influence on people and events than the use of force or violence.”
THE PEN IS MIGHTIER THAN THE SWORD Wall Sculpture | 17” x 17” Edition of 90 | Framed £695
ARTIST NOTES: I guess my inspiration has been a personal need for progression as an artist, and I’m really happy with the results so far. Orange Dawn is my favourite piece from this collection. It really opened up my eyes as to what is possible going forwards with these new methods of painting that I’m experimenting with. I’d have loved for this original to be hanging on my own walls. It was sad to see it leave, but also exciting that many others will get to enjoy it in their homes.
Over the last six months or so I have been experimenting with ideas to take my work in a new direction, whilst still retaining the core style for which I’m known.
- Paul Corfield
SPRINGTIME BLOSSOM Canvas on Board | 24” x 41” Edition of 150 | Framed: £595
ORANGE DAWN Canvas on Board | 24” x 41” Edition of 150 | Framed: £595
MORNING’S MISTY VEIL Canvas on Board | 34” x 41” Edition of 150 | Framed: £750
WHEN THE RIVER MEETS THE SEA
Canvas on Board | 34” x 41” Edition of 150 | Framed: £750
A CAT’S LIFE Giclée on Paper | 20” x 19” Edition of 295 | Framed: £225
FOR YOUR GOOD HEART Giclée on Paper | 27” x 26” Edition of 195 | Framed: £395
OUR FAITHFUL FRIEND Giclée on Paper | 20” x 19” Edition of 295 | Framed: £225
IT’S WRITTEN IN THE STARS Canvas on Board | 22” x 43” Edition of 195 | Framed: £595
WE BELONG TO THE SEA Giclée on Paper | 34” x 29” Edition of 195 | Framed: £595
ARTIST NOTES: “Night time in the city” is a mosaic of six individual pictures. Together, I wanted the paintings to describe a busy and exciting adventure in London. London after dark is an enthralling playground, and a night in the city is a multi-sensory and multi-faceted experience which I hope the collage brings to life.
For me, this quote says it all:
“When a man is tired of London, he is tired of Life”
- Samuel Johnson
- Neil Dawson
NIGHT TIME IN THE CITY Boxed Canvas | 36” x 52” Edition of 95 | Framed: £1,150
All the pieces use bronze/copper/metallics and black and white colours to create a sepia palette.
Brooklyn Jazz / New York Brooklyn is well known for its jazz scene, so I have incorporated this influence with the Jazz man in the right corner. In all of my paintings, perspective plays a key part. Here the Empire State Building is framed perfectly by the Brooklyn bridge. Chez Francis Here we see people take shelter, sipping red wine under the canopy of the famous corner café, whilst watching the comings and goings of commuters at the nearby metro. Angel of the South / London An atmospheric, moody sky prevails. The vignette of the scene drawing us in to the focal point - the statue framed by two iconic red buses. Passers-by dodge the rain showers, shopping till they drop.
I’m a keen photographer and take a lot of black and white shots everywhere I go. Some of the shots are pre-meditated and some are totally spontaneous.
- Paul Kenton
CHEZ FRANCIS Boxed Canvas | 36” x 48” (unframed) Edition of 150 | Unframed: £850
DOUBLE DOUBLE DECKER Boxed Canvas | 38” x 38” (unframed) Edition of 150 | Unframed: £750
JAZZ HANDS Boxed Canvas | 36” x 55.5” (unframed) Edition of 150 | Unframed: £950
THE G EXPRESSI SUNSHI LIGHT OF SIMP
RY OF N AND TH E OF THE ETTERS, IS ICITY.
The images contained within this literature are an artistic representation of the collection. To best experience our art, we recommend you contact your local gallery to arrange a viewing. © Washington Green 2015. The content of this brochure is subject to copyright and no part can be reproduced without prior permissionPage 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48 Page 49 Page 50 Page 51 Page 52 Page 53 Page 54 Page 55 Page 56 Page 57 Page 58 Page 59 Page 60 Page 61 Page 62 Page 63 Page 64 Page 65 Page 66
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