The Sleeping Beauty Program

FIRST POSITION ANATOMY OF A SCENE p. 11 | EN POINTE p. 12 | UPLIFT p. 13

THE TERM DIVERTISSEMENT (French fuosre “de fnotre rt ht aei ns omnegnst a” )n wd adsa no cr iegsi n a l l y fset aa gt uerpe edrifno r1m8 tahn cceesn. tTuor dy aEyu, trho ep ewaonr d rl ienfke er sd tboyaascuoi tme mo fodnatnhceems , eu, st uh aa ltl y abrael l eptesr. fAo rl lmt herdewe oi tfhtihnecllaatses i1c 9sttho r y cceonnttuairny dbiavlelerttsisssceomreedntbsy. Tchaikovsky Swan Lake includes a suite of “National Dances”

ianc tt.hTehbeasl lercooonmd saccet noef o f t h e t h i r d The Nutcracker irse pd roems ei nnat it ne gd db iyf fae rseenr ti esswoef edt as .nIcne s The Sleeping Beauty , fairy tale characters po fe rPfroi rnmc eas ss Ap aurrtoor af tahnedcPe rl ei nbcr ea t i o n Florimund’s wedding in the final act. Hv aorui as tt ioonn Bs af ol lre Pt ’ su svse-ri ns i-oBno iont cs l au nd de sT h e WFlohritine eC, aatn, dThTeheBlIuveabnisr.d and Princess

Bonus Tales A closer look at the Act III fairy tale divertissements.

By Elizabeth Klett

HOUSTON BALLET

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