Combining augmented reality technology with traditional set design and painting, the multi-sensory exhibition offers a unique insight into one of the bloodiest battles in history. Following sell out exhibitions in Greenwich and Liverpool, Scarlett Raven continues her journey of remembrance with the opening of her The Danger Tree exhibition in Manchester Central Library.
Manchester
SCARLETT RAVEN | MARC MAROT
The Royal British Legion presents The Danger Tree by Scarlett Raven and Marc Marot.
THE STORY SO FAR…
On 1st July 2016, to commemorate the 100th anniversary of the start of the Battle of the Somme, The Danger Tree augmented reality art exhibition opened in Greenwich. A 2,500 square foot unit a short walk from the Cutty Sark was transformed into the scene of a blown out building from the French/Belgium borders of 1916, thanks to award-winning film set designer, Kave Quinn. Stepping through a shattered shop front of broken walls, rubble and barbed wire, and with the sound of cannon fire in the distance, the audience was transported back 100 years to a war-ravaged Flanders village. Still standing and hanging from the walls were the initial 10 paintings from The Danger Tree collection, each beautifully lit, inviting the audience to enter beneath the canvas through Augmented Reality technology. Each of the 10 paintings were carefully positioned to take viewers on a
deliberate journey; starting at a replica of The Danger Tree and via a walkway of duckboards, to the penultimate destination painting ‘Black Poppy’ which, by the audience’s reactions, was proven to be one of the most disturbing moments in modern art, and finally to the ultimate painting ‘Rupert Brookes The Soldier’, which reflects upon patriotism, idealism and optimism in the face of war. The Danger Tree exhibition garnered plaudits from the media, perhaps best summarised by the following quote from The New European newspaper: “It’s this combination of grief both personal and national, contemporary and historical that lends substance to this moving, unforgettable exhibition.” Following the critical and commercial success of the Greenwich exhibition, which ran throughout July, the exhibition moved
to Liverpool, opening on 18th November to commemorate the end of the Battle of the Somme. Moving the entire installation and reassembling it inside the ground floor of the Martin Luther King Jnr Building (part of the National Museums of Liverpool) on the city’s prestigious Albert Dock, the exhibition was expanded to 15 paintings and featured five new works of art. Now, in 2018, Scarlett and Marc are showcasing The Danger Tree at Manchester Central Library to mark the anniversary of the end of WWI. Councillor Luthfur Rahman, Executive Member for Schools, Culture and Leisure at Manchester City Council, said: ‘’The Danger Tree paintings created by Scarlett and Marc are truly symbolic and the methods used to bring each piece to life are astounding. “We’re looking forward to opening the exhibition at Manchester Central Library, to recognise those who lost their lives and hope that it will help our visitors to understand and remember a crucial moment in history.” Scarlett Raven said: “It’s a privilege to be bringing The Danger Tree to a venue as iconic as Manchester Central Library.
This exhibition is particularly poignant as we mark 100 years since the end of conflict, and I want to give the centenary due recognition. “I’m inviting people to view painting in a completely different way and hope that viewers will engage with the work beyond the canvas, beyond the wall and beyond the library. I want each piece to become an event in itself - a very personal and intimate event.” The Danger Tree has already touched the hearts and minds of thousands of people; young and old, rich and poor, and this can be substantiated by reading the exhibition’s visitors’ books that contain over 4000 messages of appreciation and remembrance. Some of which are represented on the back pages of this brochure. Washington Green Fine Art is proud to announce a new collection of hand signed, limited edition prints for 2018. Available as either a Giclée or a hand embellished boxed canvas, the four new pieces will also be available to buy as a portfolio set.
LIMITED EDITION MANCHESTER ARTWORKS
Hand Embellished Boxed Canvas Pictured:
A Man Of Dust Limited Edition Giclée Of 195 | Framed Size 22” x 23” | Framed £250 Limited Edition Hand Embellished Boxed Canvas Of 50 | Framed Size 44” x 44” | Framed £1950
Framed Giclée On Paper Pictured:
Blood Suckers Limited Edition Giclée Of 195 | Framed Size 22” x 23” | Framed £250 Limited Edition Hand Embellished Boxed Canvas Of 50 | Framed Size 44” x 44” | Framed £1950
Hand Embellished Boxed Canvas Pictured:
I Went Over Limited Edition Giclée Of 195 | Framed Size 22” x 23” | Framed £250 Limited Edition Hand Embellished Boxed Canvas Of 50 | Framed Size 44” x 44” | Framed £1950
Framed Giclée On Paper Pictured:
The Verdicts Limited Edition Giclée Of 195 | Framed Size 22” x 23” | Framed £250 Limited Edition Hand Embellished Boxed Canvas Of 50 | Framed Size 44” x 44” | Framed £1950
Portfolio Of 4 Signed Limited Edition Prints Image Size 12” x 12” | In Presentation Portfolio £575 | Set Of Framed Prints £950
ORIGINAL ARTWORKS
A Triggers Warmth Oil on Canvas | Framed Size 122cm x 122cm
Dr. Brightons Pavillion Oil on Canvas | Framed Size 122cm x 122cm
A Drawing Down of Blinds Oil on Canvas | Framed Size 122cm x 122cm
Futility Oil on Canvas | Framed Size 122cm x 122cm
Some Corner of a Foreign Field Oil on Canvas | Framed Size 122cm x 122cm
SCARLETT RAVEN & MARC MAROT THE ARTISTS WHO ARE CHANGING THE WAY YOU VIEW ART
AUGMENTED REALITY: HERE’S HOW IT WORKS
Scarlett Raven, 30, is a successful landscape painter, graduating from the prestigious Central St Martins School of Art in 2009, shortly before becoming one of the youngest artists ever to have had a solo exhibition in London’s esteemed Cork Street Galleries, aged 21. Her high profile collectors and supporters include Lord Jonathan Marland, Duffy, Take That, Roxy Music and Orlando Bloom. Working predominantly in oil, using her hands rather than a brush, to watch her paint is like watching a conductor: sweeping gestures, arms deep in the momentum of orchestrating paint and whatever else comes to hand. The sculptural nuances of her paintings nod towards Anselm Kiefer. The layers of medium float somewhere between impressionism and expressionism, and Scarlett’s animated style of delivery and free-form manipulation of paint call to mind the canvas-hovering antics of Jackson Pollock.
Marc Marot, 57, has been one of the most consistently successful executives in the UK music industry. He was appointed managing director of Blue Mountain Music (representing Bob Marley and U2 amongst others) aged 24. He became the president of The Island Universal group of record companies aged 29 and remained at the helm for 18 years working with many of the UK’s most successful recording artists including Pulp, The Cranberries, Elbow, P.J Harvey and super group U2.
Collaborating under the banner Maven Art, Scarlett Raven and Marc Marot are acknowledged to be amongst the world’s first augmented reality fine artists, deconstructing the process of painting via the mediated realities of modern technology. Within their method, digital meets analogue and paint collaborates with pixels. Branding themselves ‘the Augmentists’, their work appears conventional on the surface utilising the medium of oil paint, however if you look beneath the surface you will find animated layers, stories, poetry, film and music; taking the viewer on a journey mapping the multiple stages through which a blank canvas becomes a repository for unfettered emotional impulses.
or the Google Play Store for Android and simply scan the art. By digitally stripping away the countless layers of paint, viewers are able to reveal the creative journey beneath and see the Great War re-imagined. Try it for yourself ! It’s a fascinating process that throws into sharp relief that great question of whether a work of art is ever truly finished. Their poignant undertaking pits the past against the present, re-framing history and classic painting techniques through the increasingly magical lens of 21st century technology. They say a picture paints a thousand words, and yet under the surface of Scarlett & Marc’s augmented reality paintings are tens of thousands of other images, overlaid and layered with thought and inspiration.
To unlock the multiple layers in Scarlett’s work, download the free Blippar or Artivive app through the iOS app store
A thousand words doesn’t begin to cover it.
Propaganda Oil on Canvas | Framed Size 122cm x 122cm
Under A Green Sea Oil on Canvas | Framed Size 122cm x 122cm
Night Patrol Oil on Canvas | Framed Size 122cm x 122cm
The Dugout Oil on Canvas | Framed Size 122cm x 122cm
THE ORIGINAL DANGER TREE
Scarlett and Marc struggled to articulate the devastating loss caused by the battles of WWI, which resulted in such widespread ramifications, so they decided to look for one story that could solve the problem by speaking for every other action in the battle. The exhibition takes its name from the only tree left standing on the battlefield during the fighting, one that lay in No Man’s Land roughly halfway between British and German front lines. When the 800 men of the Newfoundland regiment were ordered over the top at 7:30am on July 1st 1916, it was used as a marker where the men were directed to pass through a narrow cut in the wire to make an assault on the German line. The Germans, however, had already identified the location
minutes later, only 67 men had survived the onslaught.
The repercussions for Newfoundland as a country were enormous, not just from an emotional perspective, but by the end of the war the country had lost so
many of its young men that they struggled to repopulate their industries. This British colony lost its ‘dominion’ status and entered bankruptcy, eventually becoming a province of Canada. Scarlett and Marc felt that both on a micro and on a macro level this is a story worthy of the title of the exhibition. This collection challenges us to view alternative versions of the multi-layered, immersive work, seen through the words of the war poets and movingly expressed by leading British actors, Sean Bean, Christopher Eccleston, Stephen Graham, Vicky McClure, Karen David and Sophie Okonedo.
and had their machine guns trained on it and, by the time the retreat was called 30
Suicide in The Trenches Oil on Canvas | Framed Size 101cm x 101cm
Years Ahead Oil on Canvas | Framed Size 122cm x 122cm
Hand Embellished Boxed Canvas Pictured:
The Last Post Oil on Canvas | Framed Size 101cm x 101cm
Of Languid Seemed His Mood Oil on Canvas | Framed Size 122cm x 122cm
Annie Ruddy - Aigburth, Liverpool.
Jo Hanna - Greenwich, London.
Paul & Maria - Camberley, Surrey.
Jihang Shi - Beijing, China.
The images contained within this literature are an artistic representation of the collection. To best experience our art, we recom- mend you contact your local gallery to arrange a viewing. ©Washington Green 2018. The content of this brochure is subject to copyright and no part can be reproduced without prior permission. washingtongreen.co.uk
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