Biola_Catalog_19660101NA

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F I N E A RT S - M U S I C 201. THEORY OF NINETEENTH CENTURY MUSIC. (2) Basic principles of harmonic organization in the style of the nineteenth century composers. Prerequisites: 101, 102 202 . THEORY OF EIGHTEENTH CENTURY MUSIC. (2) Chorales, eighteenth century counterpoint. Prerequisite: 201 211. DICTATION AND SIGHT SINGING III. (1) Dictation and reading of two-part music. Prerequisite: 112 212. DICTATION AND SIGHT SINGING IV. (1) Dictation and reading of three and four-part mnsic. Prerequisite: 211 301. THEORY OF SIXTEENTH CENTURY MUSIC. (2) Modal harmony, sixteenth century counterpoint. Prerequisite: 202 302. THEORY OF TWENTIETH CENTURY MUSIC. (2) Twentieth century harmony and counterpoint . Prerequisite: 301 311. KEYBOARD HARMONY I. (1) Review of diatonic harmony with keyboard exercises. Prerequisite: 212 312. KEYBOARD HARMONY II. (1) Review of chromatic harmony with keyboard exercises. Prerequisite: 311 401, 402. ORCHESTRATION I & II. (2, 2) Range, technique, and transposition of orchestral instru­ ments, exercises in orchestration. Prerequisite: 302 403, 404 . COMPOSING AND ARRANGING FOR THE EVANGELICAL CHURCH I & II. (2, 2) The composing of anthems, cantatas, and oratorios suitable for ensembles of varying proficiency in the evangelical church. Includes composing in the vocal and instrumental performance media.

410. FORM AND ANALYSIS. (2)

Analysis of music: motive, phrase, period; binary, tenary, rondo, and sonata-allegro forms. Prerequisite: 302

413, 411. COMPOSITION I & II. (2, 2)

Original work in vocal and instrumenta l forms including rondos and sonatas. Prerequisite: 401, 402, 410

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