401. ORCHESTRATION. (2) Range, technique, and transposition of orchestral instruments, exercises in orches tration. Prerequisite: 302. 402. FORM AND ANALYSIS. (2) Analysis of music: motive, phrase, period; binary, ternary, rondo, and sonata allegro forms. Prerequisite: 302. 406. COMPOSITION. (2) Original work in vocal and instrumental forms including rondos, sonatas, other forms and ensemble. Prerequisite: 401 and 402. 410. ADVANCED THEORY. (2) Special problems in music theory. Prerequisite: 401 and 402.
CHURCH MUSIC
303. HYMNOLOGY I. (2) The great Christian hymns and hymn tunes studied in historical context; types and their uses; analysis and interpretation of hymns; evaluation of standard hymnals. 304. HYMNOLOGY II. (2) Continuation of 203. J13. MUSIC IN CHRISTIAN WORSHIP. (3) Historical development of the use of music in the Jewish, Graeco-Russian, Eastern Orthodox, Catholic, Lutheran, and Protestant Episcopal liturgies; music in non-liturgi. cal forms of worship. 403. CHURCH MUSIC ADMINISTRATION. (2) Developing the music program of the church: relation of the ministry of music to the congregation, music committee, and pastor; graded choir system; equipment; general organization; music of the church school. 404. CANTATA AND ORATORIO LITERATURE. (2) Survey and analysis of major Christian cantatas and oratorios; emphasis on con ducting and interpretation.
CONDUCTING
207. CHORAL CONDUCTING I. (1) Fundamental use and development of conducting skills, principles of interpreta tion, and rehearsal techniques. 19th Century choral literature. Prerequisites: 101, 102, 111, 112.
208. CHORAL CONDUCTING II. (1) Continuation of 207. 18th Century choral literature. 307. CHORAL CONDUCTING III. (1) Continuation of 208. 16th and 17th century choral literature. 308. CHORAL CONDUCTING IV. (1) Continuation of 307. 20th century choral literature. 50
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