FINE ARTS-MUSIC
111. DICTATION AND SIGHT SINGING I. (1) Dictation and reading of melodies bas ed on the harmonic material of 101. Corequisite: 101 112. DICTATION AND SIGHT SINGING II. (1) Dictation and reading of melodies bas ed on the harmonic material of 102. Corequisite: 102 201. THEORY OF NINETEENTH CENTURY MUSIC. (2) Basic princ ipl es of harmonic organization in the style of the nin e teenth century composers . Prerequisites : 101, 102 202. THEORY OF EIGHTEENTH CENTURY MUSIC. (2) Chorales, e ighteenth century counterpoint. Prerequisite : 201. 211. DICTATION AND SIGHT SINGING III. (1) Dictation and reading of two-part music. Prerequisite: 112. 212. DICTATION AND SIGHT SINGING IV. (1) Dictation and reading of three and four-part music. Prerequisite : 211. 301. THEORY OF SIXTEENTH CENTURY MUSIC. (2) Modal harmony, sixteenth century counte rpoint. Prerequisite: 202. 302. THEORY OF TWENTIETH CENTURY MUSIC. (2) Twentieth century harmony and counterpo int. Prerequisite: 301. 311 . KEYBOARD HARMONY I. (1 ) Revi ew of diatonic harmony with keyboard exercises . Prerequisite: 212. 312. KEYBOARD HARMONY II. (1) Revi ew of chromatic harmon y with keyboard exercises. Prerequisite: 311 . 401. ORCHESTRATION. (2) Range, technique, and transposition of orches tral in struments, ex e rcis es in orchestration. Prerequisite : 302. 402. FORM AND ANALYSIS. (2) Ana lys is of music: motive, phrase, period; binary, te nary, rondo, and sonata-allegro forms. Prerequisite: 302. 406. COMPOSITION. (2) Original work in vocal and instrume ntal forms including rondos,
57
Made with FlippingBook flipbook maker