111. DICTATION AND SIGHT SINGING I. (1) Dictation and reading of melodies based on the harmonic material of 101. Corequisite: 101 11Z. DICTATION AND SIGHT SINGING II. (1) Dictation and reading of melodies based on the harmonic material of 102. Corequisite: 102 201. THEORY OF NINETEENTH CENTURY MUSIC. (2) Basic principles of harmonic organization in the style of the nineteenth century composers. Corequisites : 205,207,211 202. THEORY OF EIGHTEENTH CENTURY MUSIC. (2) Chorales, eighteenth century counterpoint. Corequisites: 206,208,212 211. DICTATION AND SIGHT SINGING III. (1) Dictation and reading of two-part music. Corequisites: 201, 205, 207 212. DICTATION AND SIGHT SINGING IV. (1) Dictation and reading of three and four-part music. Corequisites: 202,206,208 301. THEORY OF SIXTEENTH CENTURY MUSIC. (2) Modal harmony, sixteenth century counterpoint. Corequisites: 305,307,311 302. THEORY OF TWENTIETH CENTURY MUSIC. (2) Twentieth century harmony and counterpoint. Corequisites: 306,308,312 311. KEYBOARD HARMONY I. (1) Review of diatonic harmony with keyboard exercises. Corequisites: 301, 305, 307 312. KEYBOARD HARMONY II. (1) Review of chromat ic harmony with keyboard exercises. Corequisites: 302, 306, 308 401. ORCHESTRATION. (2) Range, technique, and transposition of orchestral instruments, exercises in orches tration. 402. FORM AND ANALYSIS. (2) Analysis of music: motive, phrase, period; binary, ternary, rondo, and sonata allegro forms.
CHURCH MUSIC
303. HYMNOLOGY I. (2) The great Christian hymns and hymn tunes studied in historical context; types and their uses; analysis and interpretation of hymns; evaluation of standard hymnals. 304. HYMNOLOGY II. (2) Continuation of 203. 313. MUSIC IN CHRISTIAN WORSHIP. (3) Historical development of the use of music in the Jewish, Graeco-Russian. Eastern Orthodox, Catholic, Lutheran, and Protestant Episcopal liturgies; music in non-liturgi cal forms of worship. 49
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