T he Sava Centre’s Blue Hall will host a true musical spectacle for Valentine’s Day on 14 th February! One of the region’s most renowned artistic couples, Jelena Tomašević and Ivan Bosiljčić, will hold their first joint concert in Belgrade, accompanied by the Big Band of Radio Tel- evision Serbia. For the first time in their distinguished ca- reers, Jelena and Ivan will take to the stage together, providing the audience with an evening filled with emotion, music, and unforgettable moments. Both have capti- vated audiences for years: she with one of the most splendid voices on the domes- tic pop scene, he with his talent and deep sensitivity to poetry and music. The au- dience will now see them performing to- gether in a concert marking Valentine’s Day in Belgrade. The programme will include Jelena’s ma- jor hits like Jutro, Ime moje, Da mi je da mi se vrati, Okeani and Oro, as well as Ivan’s popular interpretations of famous poets’ verses and evergreen songs belov- ed by the audience, including Dušo mo- ja, Žute dunje, Pukni zoro, Ciganočka. N a Dan zaljubljenih, 14. februara, u Plavoj dvorani Centra „Sava“ publiku očekuje pravi muzički spektakl! Jedan od najpoznatijih umet- ničkih parova u regionu, Jelena Toma- šević i Ivan Bosiljčić, održaće svoj prvi zajednički koncert u Beogradu, uz prat- nju „Big Benda“ Radio-televizije Srbije. Po prvi put u svojim bogatim karije- rama Jelena i Ivan će zajedno stati na scenu i publici prirediti veče puno emo- cija, muzike i nezaboravnih trenutaka. Njih dvoje već godinama osvajaju pu- bliku: ona jednim od najraskošnijih vo- kala domaće pop scene, a on talentom i dubokim osećanjem poezije i muzi- ke. Sada će ih publika videti na zajed- ničkom koncertu koji će obeležiti Dan zaljubljenih u Beogradu. Na repertoaru će se naći Jelenini veli- ki hitovi „Jutro“, „Ime moje“, „Da mi je da mi se vrati“, „Okeani“, „Oro“, kao i Ivanove popularne izvedbe stihova ču- venih pesnika i evergrin pesama ko- je publika obožava: „Dušo moja“, „Žu- te dunje“, „Pukni zoro“, „Ciganočka“...
POZORIŠTE / THEATRE „Kralj Ibi“ otvara sezonu Ubu Roi opens season
N ovu sezonu Beogradskog dramskog pozorišta otvara predstava „Kralj Ibi“ Alfreda Žarija, u adaptaciji i režiji Staše Koprivice, na Velikoj sce- ni „Olivera i Rade Marković“. Premijera je zakazana za 20. februar, na Dan Beogradskog dramskog pozorišta, koji podseća na početke i prvu predsta- vu koja je odigrana na taj datum 1948. godine. Bila je to „Mladost otaca“, u re- žiji Petra S. Petrovića, po tekstu Borisa Gorbatova. Novo pozorište je pomoglo da se upoznamo sa onim što se dešavalo na vode- ćim svetskim pozornicama, te je ohrabrivalo prevode savremenog dramskog repertoara, ali i uspostavljalo novi pozorišni jezik. Beogradsko dramsko pozo- rište, najstarije gradsko pozorište, postalo je primer modernog teatra i uživalo je veliku ljubav publike. Danas Beogradsko dramsko pozorište nastoji da omo- gući autorima i glumcima da na njegovim scenama razvijaju savremeni pozoriš- ni repertoar. Uvećani broj produkcija i česta gostovanja omogućavaju da scen- ska izvođenja novih drama budu široko dostupna publici. T he new season at the Belgrade Drama Theatre opens with Alfred Jarry’s play Ubu Roi, adapted and directed by Staša Koprivica, on the Olivera and Rade Marković Great Stage. The premiere has been scheduled for 20 th February, marking Belgrade Drama Theatre Day and commemorating the beginnings and first performance that was staged on the same date in 1948. The play performed back then was Youth of Fathers, directed by Petar S. Petrović and based on the text by Boris Gorbatov. The new theatre helped familiarise audiences with what was happening on lead- ing world stages, encouraged translations of the contemporary dramatic reper- toire and established a new theatrical language. The Belgrade Drama Theatre, as the city’s oldest theatre, became an example of modern theatre and enjoyed great public affection. It today strives to provide authors and actors with opportunities to develop a contemporary theatrical repertoire on its stages. An increased num- ber of productions and frequent guest appearances ensure that performances of new plays are widely accessible to the public.
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