Exclusive interview with a quarter of Abba! CHRISTMAS CHRISTMAS EDITION EDITION
Faith Matters
CHRISTMAS EDITION Issue 18
Editors’ Comments The front cover says it all, doesn’t it? We are really excited to have an exclusive feature with Björn Ulvaeus of supergroup Abba, who has given us an interview different to what might be typical of a pop/rock star. Very many thanks to Abba’s manager, Görel Hanser, who secured the
The interview: Björn Ulvaeus
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report on the pain of those struggling to survive in South Sudan. It doesn’t make easy reading in the run up to Christmas but then, this is why God came into our world, as the Christ-child, to bring a message of peace in the midst of conflict as the Roman Empire continued to expand 2,000 years ago. May those in power, hear and respond to that call of peace for our world today.
Crossword
8
The history of the Angelus
9
Christmas number 1s
15
Baking with Nicci
16
Focus on South Sudan
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interview and to Björn for being so generous in responding to our request. We’re sure you’ll find the feature on Björn a really interesting read. You’ll find the usual mix of articles in the rest of this issue, including a
‘Let the waters teem’
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Music Review
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HRH The Duchess of Kent
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Cover photo: Wallpapers.com & Michael Ochs
Dancing Queens, Pretty Ballerinas, Money, Money, Money, but what of politics and music? Read on to find out what Björn Ulvaeus has to say. 3
CHRISTMAS INTERVIEW
Björn Ulvaeus
As a quarter of one of the greatest pop bands of all time, Björn Ulvaeus is instantly recognised for his catchy tunes and enduring lyrics. However, behind the Aha !s and My, my !s lies a deep thinker, just listen to the tracks Soldiers and Eagle .
The Deep Dive
We wanted to probe a little deeper.
Music Week
Interview by Isabella Fletcher and the A Level Politics students at St John Bosco College 4
Björn Ulvaeus
Interview
Do you think that music and politics can work well together?
No.
Do you think that true freedom of speech should allow controversial lyrics in music that promote harm or hatred? No, ideally not, but it's very difficult to define ‘harm’ and ‘hatred’, so it's better to avoid listening to or generally ignore such lyrics if they come your way.
Marija Zaric
What impact have conflict and immigration made on music?
The influence from different cultures on one's native culture (if there is one) because of immigration is of course immense. I find that the creative communities are more open to those influences than people in general.
Michael Umoh
On a higher level... I think artists should let their voices be heard.
NMPlive
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GREAT INTERVIEWS WITH FAITH MATTERS
I hope it’s going to galvanise Europe...
Does a fostering of community spirit within society, or individualism encourage creativity in artists? Creative collaboration has been instrumental in my career, so you could say that I've been fostering a kind of ‘community spirit’ even if it sometimes has been a community of two! But joking aside, individualism seems to be a must in a big star. That doesn't mean that the star has to be a diva. I've met many big stars who are as normal as me, but I think you can be an ‘individualist light’ in a society that fosters community spirit. Have you noticed a shift in EU politics following the most recent election in the US and can strong leadership and democracy ever work? Yes, I think that we've come to, or are beginning to come to, realise that America is not what it used to be. Awareness on every level. We've woken up to a reality where we have to defend ourselves without the help of the US. I hope it's going to galvanise Europe against autocracy and dictatorship. Yes, there are many examples of strong leaders (not strongmen) in democracies. But why would we want ‘strong’
leaders? Why not intelligent, empathetic, knowledgeable and efficient leaders? Why not intelligent, empathetic leaders?
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Do you think that artists have a moral duty to encourage political participation?
I've always avoided getting involved in national party politics but, on a higher level, where equality between men and women, free speech and, indeed, democracy sit, I think artists should let their voices be heard.
To what extent should music artists be free to sample the work of others?
They should ask first.
As theatre and music are very personal experiences, is there any point in having art/music critics?
As long as they are knowledgeable and give an accurate picture of what it is they have seen to begin with, they have a function. They can then give their own opinion on it and if you've learned to trust this critic, he/she can be useful. You mentioned in an interview with The Times , that human relationships are very important. What would you say are the most important qualities for humans to develop in themselves?
Empathy, kindness, an ability to forgive, and critical thinking.
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ACROSS 1. Faith Matters' baking expert. 4. Which cathedral did HRH the Duchess of Kent visit regularly to help provide meals for the homeless? 6. A destructive kind of trawling. 7. This Pope kissed the feet of South Sudan's warring political leaders. 9. The prayer based on the Annunciation.
DOWN 2. What kind of spirit is important for Björn Ulvaeus? 3. Popularised In Dulci Jubilo . 5. One of the qualities that Björn Ulvaeus values in people. 8. The name of the angel that visited Mary. 8
The Angelus
1,000 years old Sahar Hanafi 9
In our fast-paced lives, we often race from one thing to the next without stopping to reflect. Something that’s always struck me about Catholic tradition is the Angelus, a prayer that invites exactly that kind of pause. Being a Muslim in a Catholic school, I find it fascinating how this devotion tells a story of faith, time, art, and shared humanity. I hope in this article to explore what the Angelus is, how it came to be, and especially how it has inspired art in ways that cross boundaries of culture, religion, and history. A prayer that invites exactly that kind of pause What is the Angelus? The Angelus is a short Catholic prayer, traditionally said three times a day: morning, noon, and evening. It remembers the moment when the Angel Gabriel told Mary she would give birth to Jesus. The title ‘Angelus’ comes from the first words in Latin: Angelus Domini nuntiavit Mariae (‘The Angel of the Lord declared unto Mary’).
The angel of the
L ord
declared
M ary
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History: How It Developed
pray. In a world crammed with constant notifications and demands, this kind of ritual is powerful. It is a shared and connected prayer. Even if people aren’t physically in the same place, the bell or the knowledge of all those
The Angelus didn’t come fully formed; it evolved over centuries. Its roots are in medieval monastic practice, where monks or friars would say three Hail Marys during Compline as a way of calling to mind Mary and the Incarnation.
Certain themes are universal
Cultivating Oaks Press: Painting by John Collier
Over time, this devotion was extended to morning, noon, and evening. Bells ringing from churches, monasteries and abbeys reminded people to stop briefly to pray. By the 14th century, praying three Hail Marys every evening in response to a church bell had become quite commonplace throughout Europe. The version of the Angelus, more or less, in use today (verses, Hail Marys and a concluding prayer) was standardised in documents like Venetian catechisms from around the 16th century.
who pray connects individuals in faith.
It centres humility, obedience, listening, and acceptance through Mary’s example. Her role (in Catholic belief) is to accept what was asked of her with faith. For someone outside Christianity, certain themes are universal: openness, duty, surrendering ego.
Religious Art Inspired by the Angelus
This aspect I find especially interesting because art has a unique way of capturing what words sometimes cannot. One of the most famous works is The Angelus by Jean-François Millet (1857-59). The painting shows two peasants in a field, pausing work (tools down) to say the Angelus prayer, prompted by the distant ringing church bell.
Significance
The Angelus turns time into something sacred. The bells at fixed hours mark moments in the day for reflection, for example, Christians stop their daily tasks to
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Millet doesn’t present a glorious religious scene; it’s humble. The people are ordinary, the setting is rural. But there is dignity in their total simplicity, which communicates how prayer and faith connect with everyday life, not just in grand cathedrals. Notice the atmosphere: light, fields, a church in the distance, a sense of space. You are drawn into both a stillness, a tangible peace and something far deeper. There is the sense of a ritual that makes you want to reflect. The painting has inspired many interpretations. For example, Salvador Dalí was obsessed with it. He explored a much darker psychological reading of it touching on grief, memory, and symbolism. Some of his theories even suggested hidden meanings in the basket at the feet of the peasants, possibly a coffin. While those interpretations are not ‘official’, they show how art invites multiple perspectives.
He explored a much darker, psychological reading of it
Alongside Millet, many other artists have depicted the Annunciation. Paintings such as The Annunciation with Saint Emidius by Carlo Crivelli or works by Fra Angelico also explore light, divine presence, the human response, and the beauty of prayer through symbolism and visual detail. The fascination with the Angelus in artistic circles is endless.
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What The Angelus Means to Me
As a Muslim in a Catholic school, I see points of connection. In Islam, prayer, remembrance (dhikr), the prophetic tradition of angels, and Mary (Maryam) are respected and significant. The idea of setting aside moments in the day for remembrance of God mirrors the Angelus in a way that feels accessible. It’s not about believing the exact same teachings and beliefs, but it’s about recognising that faith can provide structure, peace, reflection. Also, reflecting on religious art reminds me that faith has inspired humans across cultures to express their deepest feelings, hopes, doubts, and longings in images, in colours, in silence. Art becomes a bridge for humans who don’t know how, or are unable, to communicate through words alone.
Art becomes a bridge for humans who don’t know how to communicate through words alone.
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A Pause Worth Having
The Angelus reminds us that life isn’t only about what we do, but also about how we pause. It’s prayer, history, art and ritual all rolled into a few moments each day. Respecting traditions like this doesn’t require full agreement on every belief. Rather than that, it’s about appreciating the beauty and meaning in pause, in presence, in reflection. If nothing else, maybe we could all benefit from just stopping for a minute or two, however and wherever we can, and letting the world settle. Sometimes that’s where real growth, real peace, real insight begins.
Life isn’t only
about what we do
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Christmas number one albums in the UK at the start of each decade from 1960 to 2020
Can you match the Christmas topping album with the correct year?
Take That: Progress
1960
The Beatles: 1
1970
Andy Williams: Greatest Hits
1980
South Pacific: Soundtrack
1990
ABBA: Super Trouper
Madonna: The Immaculate Collection
2000
Paul McCartney: McCartney III
2010
2020
Christmas No 1s
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Baking with Nicci
at Christmas
Ingredients
1 packet Cheerios (340g) 1 packet pretzels (175g) 1 packet salted peanuts (180g) 2 packets M&Ms/Smarties (2 x 112g) 3 bars of white chocolate (300g)
Optional add ons: Christmas sprinkles, other nuts, popcorn, marshmallows.
All quantities can be adjusted to personal preference.
SERVING
COOLING TIME
HOURS 1 - 2
8 - 12
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Method
Lay out long strips of parchment paper on kitchen counter or trays.
Put all the ingredients into a large bowl and mix.
Melt white chocolate in microwave or double boiler until smooth.
Quickly pour the melted chocolate into the bowl with the other ingredients and mix until everything is covered in chocolate. Pour the mixture onto the prepared parchment paper and spread out so that it is one layer thick. Leave to dry for 1 - 2 hours or until the mixture has hardened. Once hard, break into chunks and store in an airtight container.
Crossword answers Across: 1 Nicci, 4 Westminster, 6 Bottom, 7 Francis, 9 Angelus Down: 2 Community, 3 Praetorius, 5 Empathy, 8 Gabriel
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F o cus
on
So u th
Sud a n
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How much more...
Stefanie Glinski
blood?
South Sudan is the youngest country in the world, but instead of enjoying peace after gaining independence in 2011, it’s been stuck in years of violence and hardship. What was supposed to be a new beginning has turned into a long struggle for survival for millions of people. The civil war that broke out in 2013 has been devastating. Families have been torn apart, whole communities displaced, and countless lives lost. Many people have been forced to leave their homes, ending up in camps or even other countries. This
constant instability makes it almost impossible for South Sudan to build a strong government or improve everyday life. But it’s not just about politics and fighting; ordinary people face the toughest challenges. Hunger is a huge problem, with food shortages affecting millions. Children grow up without proper schooling, and healthcare is so limited that even basic illnesses can become life- threatening. It’s heart breaking
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What was supposed to be a new beginning has turned into a long struggle for survival for millions of people.
to realise that so many children in South Sudan don’t get the chance to live a normal, safe childhood. Even in the midst of all this suffering, religion can play a vital role. Catholic communities, for example, have been a source of strength and hope. Priests and church groups try to care for the people and call for peace, even when they don’t have much to give. In 2019, Pope Francis kissed the feet of South Sudan’s previously warring political leaders, a powerful plea for the need to work for peace in that country. South Sudan’s story is painful to hear. It’s a place brimming with potential, but its people are trapped in a cycle of war and poverty. Still, the resilience of communities, especially their faith and hope, shows that change is possible. What South Sudan needs most is peace, because without it, the country can’t move forward. Fr Kalathipullatt Michael Jacob, a priest with the Salesians of Don Bosco, is working with his fellow Salesians to bring hope to a people weary of war. Our own Becky Mouboungoulou, from Faith Matters, put a few questions to him.
Article on South Sudan by Natalia Lis.
Interview with Fr Kalathipullatt Michael Jacob SDB by Becky Mouboungoulou.
With thanks to Fr Francis Preston SDB for facilitating this interview.
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How does your faith in Jesus Christ give you hope in terms of what is currently happening in South Sudan? youngest country in the world today, got her independence in 2011, after nearly 25 years of civil war with the predominantly Muslim North Sudan (Sudan). Nevertheless, the joy of independence was South Sudan, the extremely short-lived as tribal clashes broke out in the new country, shattering all hopes of the young people, who constitute the majority of the population. After ten years of senseless war, and because of much pressure from the international community, especially thanks to the mediatory role played by the Holy Father Pope Francis, the nation’s leaders from rival tribes put an end to the ongoing war. Fourteen years of independence, tragically, had not significantly improved the fortunes of the poorest country in the world, and the label of a ‘failed country’ was hard to shake off. It is in these circumstances that we have found a reason to work here, because of our faith in Jesus Christ. We have found a
reason to work here
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We, the Salesians of Don Bosco, currently have five flourishing communities, and shortly we will be reopening another community that was temporarily suspended due to the war. We have plans to open even more communities in different dioceses, where Bishops have been inviting us for a long time to open presences for young people. In spite of the many hardships in our mission, we still see the Hand of God leading us to give hope to the young people of this nation. Their response to our work of evangelisation and education gives us hope to live out our faith in Jesus Christ. As Don Bosco in his time, so too we believe that only Jesus and only the values of the Gospel can bring lasting joy to this country. In the morning we are all busy running schools and reaching out to thousands of young people, whilst in the evening we go into the villages to evangelise and to celebrate together, with the small Christian communities the joy of living the sacramental life. Here education and evangelisation go hand in hand.
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What is the most important message you could give to those who are afraid of losing their lives at this moment? When we truly live for Christ, there is no loss to life; even death is a gain. We are gaining life in Christ. We are all here to live and work together with the people struggling to make their society a better place to live. We believe that education is the key to development and transformation, and so we do our very best in this field of education and evangelisation.
Priscilla du Preez
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We need to be very smart to live out our faith without falling into the many traps around us.
IS TRUST IN GOD SUFFICIENT WHEN CAUGHT UP IN A CONFLICT AS SEVERE AS IN SOUTH SUDAN?
Jesus said ‘I am sending you out like sheep among wolves. Therefore, be as shrewd as snakes and as innocent as doves’. Living in society where Christian morality is very low and corruption is widespread, we need to be smart to live out our faith without falling into the many traps
around us.
With trust in God, we need to interpret the signs of the times and to act shrewdly to uplift the people and transform society. With trust in God, we continue with our mission even in the midst of insecurity and other challenges.
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Focus on South Sudan
In has experienced so many horrors, what does forgiveness look like? a country that It is not easy to answer this question. As I was reflecting on this question, I was reminded of an incident that took place some time back. A student from one of our schools was hit by his companion and, having grown up in our educational system being constantly reminded by the Salesians about forgiveness, the boy decided not to retaliate. When he got home, his family heard about the incident and told him that he was a coward and didn’t fit well into the family traditions, so they went to the family of the companion who hit their son to retaliate. A family quarrel had begun. It is just not easy to forgive. We have miles to go to truly embrace the teachings and examples of Jesus and our father Don Bosco. We do not give up but keep insisting, with lots of patience, to walk the Gospel values.
Can you see any green shoots of hope for peace and reconciliation in South Sudan? Our dream is to see a South Sudan rid of all these petty quarrels between tribes and among leaders, who are not concerned about the welfare of the people but only making themselves and their families and extended families rich. For the past few years there was apparent peace in the country. Since the house arrest of one of the four vice- presidents of the country at the beginning of this year, tensions have seriously emerged in different parts of the country. Churchmen were kidnapped and killed, aeroplanes shot down, innocent people travelling were ambushed and killed, civilians robbed of the little they had by the very people who should have given them protection and security. Despite of all these unpleasant incidents, there are armies of people of goodwill sowing seeds of hope through education and through being peacemakers. In this Jubilee Year we remain people of hope, hoping for a better future for this land blessed by God with fertile soil and many other resources.
Innocent people travelling were ambushed
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What is the single greatest challenge you face on a daily basis?
My direct answer to this question is: ‘to make the impossible, possible’. To see the land around us so fertile but having to till it and cultivate it without necessary machinery, is a great challenge. We are doing the little that is possible. The families around us cultivate their land just for their survival. Within our two parishes we have a secondary school, three primary schools and two nursery schools. To keep all the students motivated to complete their studies and to be able to pay all the staff their due salaries at the end of every month, from the minimum school fees that we collect, is a great challenge. To have decent chapels in all our prayer centres and parishes, and to pay all the 15 catechists who assist us in all the seven centres from the weekly church collection that is below thirty Euros, is a great challenge. But our God is a God of Surprises and He surprises us every day in many ways and He keeps us going in spite of all the impossibilities. With God’s intervention we are about to complete the construction of two chapels and our main Parish Church. To be able to send ten candidates for the Pre- Novitiate from our Aspirantate is, again, a sign that God loves our Mission.
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Let the water teem
with living creatures 27
ETHICAL OR UNETHICAL?
Bottom trawling is a fishing method whereby heavy fishing nets are dragged along the seabed to catch marine species such as cod, haddock, and shrimp. However, these nets also catch everything that is in their path, bulldozing underwater habitats which release carbon from beneath the seabed, contributing to climate change. Since this method aims to catch a small amount of fish species, everything else that bottom trawling may pick up and damage is then thrown away. This is known as ‘discards’ and results in the wastage of animal life and the destruction of habitats. Marine Protected Areas are areas in the ocean that are made to keep animal life legally protected. Unfortunately, bottom trawling still happens in some of these places, and whether a species is being targeted or not, it could be caught in the process then simply thrown away. This needlessly leads to the death of many species. There are massive amounts of carbon held within the seafloor, and bottom trawling picks up dirt, causing the release of carbon into the environment. The process also uses fossil fuels to drag these nets along, worsening the effects of climate change. the release of carbon into the environment
Bottom trawling causes
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Ethics with Faith Matters Bottom trawling is one of the most destructive fishing methods possible, both from an ecological and environmental view point. Dragging heavy nets across the seafloor destroys marine life, and beautiful aspects of the sea, such as coral reefs and ecosystems. These are habitats that have taken thousands of years to form. In the longer term, it leads to the end of food chains, which are dependent on coral reefs and this, in turn, results in the reduction of fish stock. To compound the destructive nature of bottom trawling, species that aren’t even targeted are caught up in the process and are then thrown back, dead, into the sea. There are more sustainable ways to catch fish with selective fishing gear, that would provide food and jobs without destroying the planet in the process. Protecting biodiversity is vital for the planet and follows the command in Genesis to be good stewards. By any stretch of the imagination, bottom trawling does not promote good stewardship of the earth.
Research and article by Blessing Ndombele
Picture credits from left to right: Eva Tillmann, Francesco Ungaro, Diego San
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Music Review
Doug Wells
In Dulci Jubilo: 700 years of history
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The Progressive - ‘In Dulci Jubilo’
In Dulci Jubilo (In Sweet Rejoicing) as a hymn dates back to the early 14th Century in Germany; the text being in Macaronic (a lingua misto, in this case a mix of Latin and German, with a hint of Greek, according to Wikipedia ). It was possibly written by the German mystic Heinrich Seuse circa 1328. Used for rejoicing and dancing for a festive occasion, it is quite appropriate for Advent and Christmas. Its infectious melody and vibrancy makes you want to tap your feet. Unsurprisingly, then, it is still likely the most easily recognised carol, often featured in the Nine Lessons & Carols from King’s College, Cambridge , at Christmas. However, to get here, we move back to the early days of Lutheran Protestantism of the 16th – 17th Century, to find the individual who made this lovely melody famous, two hundred years after the tune’s inception - but good tunes are long living. Catholic composers were around at this time and in great abundance, but the man responsible for popularising In Dulci Jubilo stood out as an innovator using established hymn melodies and working them into motets and canons. Michael Praetorius is our man; born Michael Schultze around 1571. After education in Divinity, Philosophy and Music, and becoming fluent in a number of languages, he became kapellmeister to the Duke of Brunswick-Luneburg at Wolfenbittel, in lower Saxony, Germany.
The Fitzwilliam Museum
Good tunes are long living
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Praetorius’ creations, often in acapella form with no accompaniment to the mixed voices, require the performers to choose to add a form of continuo, or not. As part of his Musae Sioniae II, composed in 1607, it is the one tune of his that we still all know today. The three verses from this piece using the musical theme are In Dulci Jubilo, O Jesu Parvule & O Patris Caritas . A century later J S Bach used the theme in his organ chorale prelude from the Orgelbuchlein, BWV608 , beautifully adapted for organ, and then coming forward a further 200 years we are into the Victorian period and, once again, we have a carol, Good Christian Men Rejoice , a favourite of that time, based on the same tune and still used today, mostly in the Church of England. John Mason Neale adapted the original words to appeal to a congregation of the day, the tune being wiggled a bit by Thomas Helmore, but still very recognisable as In Dulci Jubilo . 120 years further along bringing us into the 20th century, we have Mike Oldfield, the Tubular Bells’ composer, producing his own version, in a rather folksy, prog rock fashion with recorder, guitar, piano and even a kazoo, all played by him, which bounces along very much in the way it was first intended to 700 years ago.
This time not intended as a carol, just an instrumental, although released as a single at Christmas, alongside On Horseback and reaching number four in the UK pop charts just after Christmas in January 1976. So, we have the tune that keeps on giving and is still loved today, used in all its varied forms but offering the same joyful Christmas message. There may be more; let me know if you unearth one.
It bounces along very much in the way it was first intended to 700 years ago
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Fandom
HRH The Duchess of Kent RIP
The Sun
22 February 1933 – 4 September 2025 33
How did it feel to be the first Royal to publicly convert to Roman Catholicism? The decision to convert to Roman Catholicism was entirely personal. Nevertheless, I had wonderful support and understanding from family and friends and just felt happy that I had done the right thing in my life.
Exactly three years ago, we featured an exclusive interview with HRH the Duchess of Kent in our Christmas edition of Faith Matters . In the light of her death, it was suggested to us that we should re-run part of our interview with her from 2022 in this edition. It is well known that the Duchess of Kent became a Roman Catholic in January 1994. Whilst her decision hit the headlines, it also revealed a woman deeply engaged with her faith and her personal relationship with God. A window into her thinking came up in an interview with Mary Riddell in the 1990s, when she commented, ‘I just love people, I value them. What’s the world about? Not possessions but people caring for one another. I think it’s important for people to keep a sense of wonder.’ This sense of the importance of people and faith came across when the Duchess contacted us in response to our request for an interview. Her warmth and the kindness in her voice was evident. We put a few questions to her:
Photograph provided by the household of the Duchess of Kent
Was your conversion something completely personal to you or did you meet anyone or read/listen to anything that inspired you to become a Catholic? I had been going regularly to Westminster Cathedral to help out with providing meals for homeless people and I made many friends there. Cardinal Hume was one of them and he
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BBC
played a big part in my decision. He was a wonderful man. We went to Lourdes every year with him and I met many people in Lourdes who inspired me. What inspired you to encourage young children to be interested in a musical career, and did you see your charity, Future Talent, make an impact? I went to Hull every week to teach music in a primary school and it was wonderful. I think it was very important, the difference it made to the children and how their confidence grew. Everyone should have music in their lives or should have the opportunity to do so. The whole point of Future Talent was to make an impact and to encourage gifted young children who did not have the chance to take up music. We are 20 years old now so we must be doing something right, inspiring talented young people. In fact, it is the other way round, they inspire us to help them. was conducted by Jude Goodwin and Cherry Crawford. The original interview
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visit https://www.indcatholicnews.com for daily Catholic news ICN independent catholic news
Faith Matters is written and produced by the sixth formers of SJBC
St John Bosco College is a thriving, 11-18, Roman Catholic school, located a short distance from Clapham Junction, in the heart of Battersea. The school opened in 2011 and moved into a brand-new building in 2015. Not only do we benefit from excellent modern facilities, but we are also part of a long tradition of excellence in education on this site, one which began with the
foundation of Salesian College back at the end of the 19th century. We are open for visits. Simply call us on 0207 924 8310 or email tours@sjbc.wandsworth.sch.uk to book your tour.
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