“Today, there’s a unique opportunity to have an independent space that is not in downtown,” Mónica says. The move, perhaps inadvertently, brought a more plugged-in and intentional audience. There’s no stumbling onto this spot after a margarita at Caesar’s. The current exhibition, which runs through July, is BRAKE AND TAKE OFF, prototypes for failure . It features the work of Omar Khâlid, a former student at the Autonomous University of Baja California. Of the works that the Arreolas host in the gallery, about “90 percent come from university [alumni],” Mónica says. Khâlid is soft-spoken but assured as we chat through his interpreter, Guillermo Estrada. Estrada is a fellow artist in the Arreolas’ orbit who moonlights as Memo Navajas in his band, Rancho Shampoo & The Indian Dub Orchestra. “The idea of the work is the alien aesthetic,” Estrada explains, or “martiana” in Spanish. Looking around the gallery, you’re met with small, unframed vignettes of rust-hued extraterrestrial life forms and their broken- down airships. A prototype lies in the center of the space, untouched and unusable. Khâlid also created an alien script that adorns the walls, draped on canvas in a carven, stela-like style. The script translates to nothing, so the Martians keep their secrets, or viewers invent their own.
A selection of pieces from Omar Khâlid's BRAKE AND TAKE OFF, prototypes for failure at 206 Arte Contemporáneo in Tijuana.
37 SAN DIEGO MAGAZINE 31
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