“The Simple Bard, unbroke by rules of Art”
24 BURNS, Robert. Poems, chiefly in the Scottish dialect. Kilmarnock: by John Wilson, 1786 £85,000 Octavo (200 × 124 mm). Late 19th- century red crushed morocco, spine with five raised bands, lettered gilt in two compartments, the others richly gilt with flower tools, leaf sprays, dots, and circlets, sides with single line rule, massed tools repeated from spine compartments [ 159873 ] at corners, dark greenish-blue coated endpapers, turn-ins with gilt rule either side and flower tools at corners, gilt edges, by Riviere & Son, signed in gilt at foot of front turn-in. Housed in a modern cloth folding case and chemise. Bookplate of John Whipple Frothingham to first binder’s blank. The occasional very minor blemish, a fine copy, well margined and without paper restoration. ¶ Egerer 1; Printing and the Mind of Man 231; Rothschild 555. John Ross, The Story of the Kilmarnock Burns , 1933, pp. 48–51.
First edition of his first and most important single collection. The printed proposal for “publishing by subscription ‘Scotch Poems’ by Robert Burns” appeared on 14 April 1786, and publication followed swiftly on 31 July. Of the edition of 612 copies, priced at 3 shillings, 350 had been subscribed for. By 28 August, all but 13 copies had been sold, and Burns was ready to grasp the profit of “near twenty pounds” as a means of emigrating to Jamaica, far from the complications of his love affair with Jean Armour. John Wilson (1758–1821) was one of a new breed of small-town printers and booksellers in 18th-century Scotland. By 1780, aged 22, he had established a book and stationery shop in his hometown of Kilmarnock, Ayrshire, then the largest town in the county, where he undertook jobbing work on a printing press he had taken over from another bookseller, Peter M‘Arthur. From 1782 he branched out into printing books, all religious and conservative titles at first. Once established, he began to print new works. He printed these either at the author’s expense or, as with Burns’s poems, by raising subscriptions from friends and well-wishers. In 1790 he moved the press, under the supervision of his brother and partner Peter, to the county town. The firm continued in various permutations for another 30 years, but the Kilmarnock imprint itself lasted only a decade. Wilson served the poet well by producing “a volume that is very charming in appearance, and not without reminders of the French press-work of the period” (Grolier). The book’s rise in value up to 1933 is traced by John Ross, who observes that up to the 1850s it could be had for close to or even less than its original price of 3 shillings, the benchmark only changing in 1858 when “a copy was sold by auction in Edinburgh for 3–10–0, and one in Glasgow, the year following, realised 8.” When a copy in original boards sold for £72 in February 1898, it became “the most amazing price ever realised for a modern book” (Grolier English ). Provenance: John Whipple Frothingham (1878–1935), nephew of William Augustus White (1843–1927), the great collector of Elizabethan literature and William Blake. Following his uncle’s death, Frothingham inherited a portion of White’s library, which he removed to France and added to, where it remained until his sale, Bibliothèque d’un amateur (2eme partie), Yann Le Mouel, Drouot, Paris 8 April 2015, lot 20.
SIXTY FINE ITEMS
All items are fully described and photographed at peterharrington.co.uk
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