In this dream sequence scene at the end of the film, Papua New Guineans wearing different bilas (cultural dress) appear on a ridge
“ Papa Buka is a movie of the common people, simple village people who struggle a lot in life, but with this movie, they did something big... they contributed to something that is for PNG, for a movie that will open up the film industry for PNG”
Dusava and consultant anthropologist Dr Andrew Moutu, the former chief curator of the National Museum & Art Gallery. About 60 young people, mainly POM uni students, were selected as film industry interns, and a further 45 Sogeri villagers worked on building a village
set inside Varirata National Park. The realistic set included seven thatched huts, fireplaces and footpaths, was furnished with a range of props, and populated by extras sourced from the surrounding community, along with dogs, chickens
and a pig that is ceremoniously killed at a cultural welcome feast for the visitors. Although this was Sine’s acting debut, the film’s PNG producer Noelene Wunum said he brought a unique authenticity to the role due to the fact his age and experience as a respected Koiari
community leader perfectly matched that of his character. In fact, Sine’s commitment to his character – and his tireless stamina – is something Noelene makes special mention of while describing the gruelling 18-day shoot that started in downtown POM, then
VOLUME 43 2025
11
Made with FlippingBook Learn more on our blog