U TRENDINGU / TRENDING
IZLOŽBA / EXHIBITION
„Semantičke senke“ Saše Pančića Semantic Shadows by Saša Pančić
M uzej savremene umetnosti predstavlja „Semantičke sen- ke“ Saše Pančića u Galeriji-le- gatu Milice Zorić i Rodoljuba Čolakovića. Ova izložba predstavlja pregled Panči- ćevog likovnog stvaralaštva tokom po- slednjih dvadesetak godina, uključuju- ći i najnoviju produkciju koja obuhvata objekte, skulpture, crteže i video-radove. Od sredine devedesetih godina Pančić razvija autentičan vizuelni izraz zasno- van na temeljnim istraživanjima jezika apstrakcije kao složenog i otvorenog si- stema formi i znakova, koji varira od kulturnog nasleđa različitih civilizaci- ja, filozofskih učenja Istoka i Zapada do avangardnih i neoavangardnih umetnič- kih eksperimenata. U prepoznatljivom Pančićevom rukopisu vrtložnih prepli- tanja, bilo manuelno ili na druge načine iscrtanih, isečenih, savijanih elemena- ta, u međuigri njihovih površina i mo- delovanih praznina, nastaju perceptivno kompleksna likovna ostvarenja. Izložba će biti otvorena do 23. februara.
T he Museum of Contemporary Art is presenting Saša Pančić’s exhibi- tion Semantic Shadows at the Gal- lery Legacy of Milica Zorić and Rodoljub Čolaković. This exhibition presents a ret- rospective of Pančić’s work over the past twenty years, including his latest produc- tions that encompass objects, sculptures, drawings and video works. Pančić has been developing his own authen- tic visual expression since the mid-1990s, grounded in rigorous explorations of the language of abstraction as a complex, open system of forms and signs—one that ranges from the cultural traditions of various civ- ilisations and the philosophical teachings of East and West to avant-garde and neo- avant-garde artistic experiments. In Pančić’s distinctive vocabulary of vortex-like inter- weaving – whether drawn manually or pro- duced through cutting, bending, or other methods – the interplay of surfaces and shaped voids generates perceptually com- plex works. The exhibition remains open until 23 rd February.
I zložba „Lazar Vujaklija: Protest prema sebi“ može se pogledati u Mu- zeju naivne i marginalne umetnosti u Jagodini. Predstavlja prvi in- stitucionalni, sveobuhvatni, retrospektivni prikaz opusa ovog značaj- nog umetnika, te otvara prostor za nova čitanja Vujaklijinog jedinstvenog stvaralačkog jezika u svetlu savremene istorije umetnosti. Izložba oku- plja 170 radova, prezentujući umetnikov opus kroz sve medije u kojima je stvarao i zasniva se na temeljnom istraživanju umetnikovog opusa, čiji je naslov inspirisan citatom iz njegove samizdat monografije: „Ove bezi- mene slike primite kako vam drago, kao moj protest prema sebi ali i kao moju čežnju za lepotom smisla života“. Izložba će biti otvorena do 24. ma- ja, a njenim otvaranjem obeležen je i jubilej – 65 godina Muzeja naivne i marginalne umetnosti. T he exhibition Lazar Vujaklija: Self-Protest is currently on display at Ja- godina’s Museum of Naive and Marginal Art. It represents the first in- stitutional, comprehensive retrospective presentation of the oeuvre of this important artist, and create space for new interpretations of Vujaklija’s unique creative language in the light of contemporary art history. The exhi- bition brings together 170 works, presenting the artist’s oeuvre through all the media in which he created. It is also based on thorough research of the artist’s oeuvre, while the exhibition title itself is inspired by a quote from his self-published monograph: “Accept these nameless pictures as you please, as my self-protest, but also as my yearning for the beauty of the meaning of life”. The exhibition runs until 24 th May 2026 and also markes the 65 th anniversa- ry of the opening of the Museum of Naive and Marginal Art.
JUBILEJ / JUBILEE
Naiva u Jagodini Naïve art in Jagodina
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