[L-T] Moon Cabin, 2025. This image of a cabin in Iceland with the moon was taken at sunset using a 400mm lens. © David Eliud Gil Samaniego Maldonado, Mexico, Shortlist, Open Competition, Architecture, 2025 Sony World Photography Awards. Castle in the Sky, 2025. [L-B] At dawn, Mont Saint-Michel in France is covered by soft morning mist, like a sleeping princess quietly waiting for the kiss of the sun. The ancient monastery appears mysterious and dreamy in the haze, just like the world in a fairytale. © Zhu Yang, China Mainland, Shortlist, Open Competition, Landscape, 2025 Sony World Photography Awards. [R] Whisper, 2025. This self-portrait was inspired by Zachary Hunter’s poem, To Whisper in Her Ear. © Vida Khani, Iran, Islamic Republic Of, Shortlist, Open Competition, Creative, 2025 Sony World Photography Awards
All and Everything, 2025. Being ‘normal’ can become boring, and yet that is what people often unconsciously strive to achieve: to blend in with the crowd. The photographer’s ongoing series, Normal Is Boring, seeks to explore the extraordinary – the uniqueness that defines us and sets us apart – by presenting ordinary situations in an unusual context. © Martin Stranka, Czechia, Shortlist, Open Competition, Landscape, 2025 Sony World Photography Awards
لوالِـــــب رحميّـــــة من دون علم أو موافقة. وقد أشـــــارت مونيكا ألّندي إلى أن لجنة التّحكيم قدّرت في عمل بافي: “قدرتها على تقديم شخصيّاتها بحس إنساني عميقٍ، وبأسلوب يجمع بين الكرامة والحميميّة.” وفي فئة الطـــــلاّب، حازت ميكايلا فالديفيا مدينا مـــــن بيرو على جائزة عن مشـــــروعها: “ذا لاست داي وي ســـــو ذي ماونتنز آند ذي 2025 عام ، الذي The Last Day We Saw the Mountains and the Sea سي” يتناول حياة السّـــــجينات في تشـــــيلي، ويبحث طبيعة علاقاتهن داخل السّجن وخارجه.
الصّورة كأنّها نابضة بالحركة: ســـــحب الغبـــــار تتعالى، وصوت الخيول يكاد يُســـــمع، وصدى ســـــقوط الفارس الوشيك يتردّد في الإطار. ، فقد تُوِّجت جولييـــــت بافي بلقب 2024 أمّـــــا في دورة عـــــام : المنع Spiralkampagnen “مُصوِّرة العام” عن سلســـــلتها: “ القســـــري للحمل والتّعقيم غير المقصـــــود في غرينلاند”، التي تكشف فصلا منسيًّا من سياســـــات الدنمارك الاستعماريّة في غرينلاند. ويوثّق مشـــــروعها ما تعرّضت له فتيات ونساء من ، حيـــــن زُرعت لهن 1975 و 1966 شـــــعب الإنويت بين عامَـــــي
Pavy’s “empathetic portrayal of her subjects, capturing them in a manner that is both digni- fied and profoundly intimate.” FromtheStudentcompetition,2025winnerMicaela Valdivia Medina [Peru] was recognised for her project The Last Day We Saw the Mountains and the Sea , which explores female prison spaces within Chile and the dynamics between the incarcerated women and their wider communities.
mance. The image, though still, almost reverberates with motion, dust and the imminent impact of the fall. In the 2024 edition, Juliette Pavy was named Photogra- pher of the Year for her series Spiralkampagnen: Forced Con- traception and Unintended Sterilisation of Greenlandic Women . Her project unearths a long-suppressed chapter of Danish colonial policy in Greenland, where Inuit girls and wom- en were fitted with IUDs without consent between 1966 and 1975. As Monica Allende noted, the jury recognised
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