CHROMATIC-FUSIONISM Shooster coined this term in 2023 to create a fresh artistic lexicon that explains his work. Chromatic-Fu- sionism refers to a bridge between the tangible and the intangible, the scientific and the soulful. Chromatic: This facet delves into the scientific realm of art. It encompasses the cre- ation of pigments, materials, and the intricate chemistry behind visual ex- pression. From the vibrant hues on canvas to the subtle interplay of light, Chromatic-Fusionism celebrates the technical foundation that un- derpins artistic creation. It extends beyond the canvas, to all aspects of the arts. For example reso- nance of the electrified gear musicians use. Fusionism: Here lies the heart of purpose. Fu- sionism intertwines the humanities with materiality. It’s not merely about technique; it’s about intention. The purpose applied to each stroke, each note, each texture. Fusionism acknowledges that art transcends mere aesthetics—it car- ries meaning, emotion, and connec- tion.
FRENETIC DRAWING Shooster coined Frenetic Drawing a few years ago to explain his method of sketching musicians as they play. You will find many examples in this book. Frenetic Drawing thrives on spontaneity and energy. It can't be done in a quiet room. It is a form of speed draw- ing that embraces the moment's immediacy. The heartbeat of frenetic drawing lies in its synergy with live music. When the band strikes its first chord, his pen starts dancing. The rhythm and emotion of the music establishes the tone of the work. Shooster draws as often as possible, especially when he is on a tour. You can find him frequently at musuems or temples drawing during the day or at a bar in the evening surrounded by live music. He frequently incorporates the daytime draw- ings into his night work. Other times, he may incorporate something he is studying. The point is that whatever is in his mind mixes with the music, and his hand captures the whole thing. This method of sketching has rules. They are not hardfast. The first is the start-stop rule. The drawing begins when the band starts and stops when the band finishes. This temporal constraint fuels the frenzy. Second, he accepts mistakes as conceptual ideas. The imper- fections become signatures of the experience. Frenetic draw- ing revels in serendipity. Each "mistake" contributes to the raw authenticity. Third, conceptual exploration. Let whatever is in your mind mix with the drawing. Accept spontaneous ideas. Just let go make marks and study them later. Drawing sharpens your mind and enhances focus. Your hand may move fast, but your mind will slow in contemplation. Shooster has years of experience doing this type of Draw- ing. He almost exclusively uses Pilot V7 precise needlepoint pens. He claims they are the fastest pens he has ever found. It is crucial to use tools that keep your pace moving. The outcome? A visual symphony—an amalgamation of mu- sic, movement, and creativity. Frenetic drawing captures the pulse of live performance, translating sound waves into ink blots. Armed with a pen and paper, my hand dances to the rhythm, embraces the chaos, and etchs moments that echo the band's melodies, as well as my artistic spirit, feeding my imagination. - Shooster
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