SEPTEMBER 2026 NEW ON NAXOS
About This Series The series The Music of Brazil is part of the project Brasil em Concerto , developed by the Brazilian Ministry of Foreign Affairs in order to promote music by Brazilian composers dating back to the 18th century. Around 100 orchestral works from the 19th and 20th centuries will be recorded by the Minas Gerais Philharmonic Orchestra, the Goiás Philharmonic Orchestra and the São Paulo Symphony Orchestra. Further recordings of chamber and vocal music will gradually be added to this collection. The works were selected according to their historical importance for Brazilian music and the existence of recordings. Most of the works recorded for the series have never had recordings available outside Brazil; many others will have their world premiere recordings. An important part of the project is the preparation of new or even first editions of the works to be recorded, many of which, despite their relevance, have only been available in the composer’s manuscript. This work will be carried out by the Brazilian Academy of Music and by musicologists working together with the orchestras.
The Music of Brazil
‘This collection of works for piano and orchestra showcases the composer’s startling musical imagination and is performed with mastery and poise by Brazilian pianist Sonia Rubinsky and the Minas Gerais Philharmonic Orchestra (MGPO).’ – BBC Music Magazine
‘Emmanuele Baldini… produces an alluring tone that taps into the natural resonances of his instrument and phrases with a natural instinct… this elusive yet deeply rewarding music is among the finest ever written for violin and piano.’ – BBC Music Magazine
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Remy Franck’s Journal about Classical Music
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‘The music is varied and attractive. …violinist Emmanuele Baldini and cellist Rafael Cesario capture its friendly qualities.’ – AllMusic.com
‘This is very good playing and a serious rendering of composers who take their craft seriously. Huge culminations where the limits of the instrument are tested – yet retain their beauty – set this apart.’ – American Record Guide
Remy Franck’s Journal about Classical Music
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