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First, the Forests 4 October 2012 to 6 January 2013, Octagonal Gallery

First, the Forests examines some unexplored relationships between forestry, planning and design. Reframing forestry as an activity that creates highly designed environments with unprecedented scale, ambition and precision, the exhibition proposes an expanded understanding of the connections between natural resources, production processes, and designed form. First, the Forests highlights four productive, culturally specific modes of managing forests: bureaucratic forestry, scientific forestry, tropical forestry and economic forestry. Each of these corresponds to specific geographies and phases in the evolution of modern forestry, from 16th century lists of forests and their owners in the republic of Venice, to architectural experiments in 1960s America. The categories are comprised of historical materials and contemporary artworks or design projects, which provide reflections on their main themes. The exhibition seeks to surpass existing disciplinary preconceptions of relationships between architecture, cities and forests by focusing on the abstract nature of forestry systems, and the curious disciplining of natural environments to the logic of artificial organizations. curator: Dan Handel.

Composite picture comparing the mighty Douglas-fir with a ten-storey office building. From Durable Douglas Fir, America’s Permanent Lumber Supply, by Bror L. Grondal. (Seattle: West Coast Lumber Trade Extension Bureau, 1926), page 16- 17. CCA Collection. TC ID:89-B2041

www.cca.qc.ca

Santiago de Chile 17 October – 11 November 2012 GAM Cultural Centre Bratislava 5 – 23 November 2012 Faculty of Architecture, Slovak Technical University, Slovakia Dublin 15 November 2012 – 12 January 2013 Irish Architecture Foundation Venice (event) 21 November 2012 ARCHIZINES LIVE: Publishing Provocations, hosted by Salon Suisse

ARCHIZINES celebrates the resurgence of alternative and independent architectural publishing around the world. The touring exhibition, curated by Elias Redstone and initiated in collaboration with the Architectural Association, features architecture magazines, fanzines and journals from over twenty countries that provide an alternative to the established architectural press. Edited by architects, artists and students, these publications provide new platforms for commentary, criticism and research into the spaces we inhabit and the practice of architecture. They make an important and often radical addition to architectural discourse and demonstrate a residual love for printed matter in the digital age. The exhibition features titles from the collection alongside video interviews with their creators. Each publication has selected one issue to present in the exhibition and make available for visitors to read. The exhibition is accompanied by a catalogue, published by Bedford Press, and ARCHIZINES LIVE events, bringing ARCHIZINES editors together for debate and discussion.

www.archizines.com

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