meredith carruthers
4 Natatorium 8 Avenue Fortin
What would Montréal sound like if played on a vast turntable? Montréal Phonographe is a record of what might be heard as a needle traces across the island’s varied surfaces, cuts through its snow banks and jumps its highway barriers. It is a document of a landscape transduced into sound. A spiral trajectory was plotted across the island, from the wet edge of the coastline, across snowy November plots and inwards to the quiet centre of Parc Mont-Royal. Twenty-five sites were selected along a volute path sectioning the island into smaller and smaller segments. Each mark of the pin on the map revealed its own ragged circle of terrain: a distinct amalgam of surface textures and weather conditions. A one-minute recording was executed at each site by moving a stylus across the chosen locations. A path was drawn across hard-packed snow, slick asphalt, spalling concrete, heavy mud, tidy brickwork, glassy ice and brittle leaves. The rough-hewn, but sensitive, all-terrain stylus was built out of landscaping tools, plumbing parts and poplar lumber. The balsa-wood needle was shaped and mounted in an anti-shock chassis. The needle was fitted with a pair of contact microphones then jacked into the recorder. The resulting twenty-five tracks were lightly edited for release. There is no post-processing, other than the ears of the artist, the mastering engineer and the engineer who cut the dub-plate, who all adjusted the equalisation and final levels. Montréal Phonographe becomes a kind of map, resisting the shifts of scale between physical observation and cartographic notation. Any attempt to navigate with this map demands that one stops and listens while every curve, crack and furrow are revisted once more, in turn. c
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