AUTUMN 2023
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table of CONTENTS
From the Director p.3
Exhibitions p.4
Gallery Spotlight p.8
Increasing Museum Accessibility p.10
Meet the New Board of Advisors Chair p.12
The Art of Giving p.13
Volunteer of the Year Award p.14
Museum Impact in Fiscal Year 2023 p.16
In the Shop p.18
Museum Notes p.19
Hours Tuesday and Wednesday: 10 a.m. – 5 p.m. Thursday: 10 a.m. – 9 p.m. Friday and Saturday: 10 a.m. – 5 p.m. Sunday: 1 – 5 p.m. Closed Mondays. Museum Shop closes 15 minutes prior. Free tickets required.
706.542.4662
Department of Publications Hillary Brown and Jessica Luton
Design Noelle Shuck
Interns Adeline Bryant, Kristina Durkin and Kristen Locke
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from the DIRECTOR
board of ADVISORS
Carl. W. Mullis III * Gloria B. Norris*** Randall S. Ott Sylvia Hillyard Pannell Gordhan L. Patel Janet W. Patterson Christopher R. Peterson, chair Rutledge Robinson Margaret A. Rolando * Julie M. Roth Alan F. Rothschild * Bert Russo Sarah P. Sams **
B. Heyward Allen Jr. * Rinne Allen Amalia K. Amaki ** June M. Ball Linda N. Beard Karen L. Benson** Jeanne L. Berry Sally Bradley Devereux C. Burch * Lacy Middlebrooks Camp Shannon I. Candler * Wes Cochran Harvey J. Coleman James Cunningham Martha Randolph Daura *** Todd Emily James B. Fleece John M. Greene ** Judith F. Hernstadt Marion E. Jarrell ** Jane Compton Johnson * George-Ann Knox * Shell H. Knox * Andrew Littlejohn D. Hamilton Magill, chair-elect David W. Matheny, immediate past chair Marilyn M. McMullan * Marilyn D. McNeely Ibby Mills
I am thankful for many things in my still-new position here at the Georgia Museum of Art.
D. Jack Sawyer Jr. * Henry C. Schwob ** Margaret R. Spalding Dudley R. Stevens Anne Wall Thomas *** Brenda A. Thompson William E. Torres Carol V. Winthrop * Gregory Ann Woodruff
Every day, I collaborate with an incredibly talented team of museum professionals, dedicated volunteers and brilliant students. Our gener- ous supporters help us bring our work to a diverse range of audiences, from students of all ages to community members from all walks of life. During my daily wanderings through our galleries, whether to find a new friend on the wall or to visit a familiar piece, I am reminded of how fortunate I am to be surrounded by the creative output of some of the world’s greatest artists. The museum has gathered these works of art for your quiet contemplation, spirited debate or pure pleasure. The other day, as I took advantage of a break between meetings to see a few works in one of our current exhibitions, “Decade of Tradition: Highlights from the Larry D. and Brenda A. Thompson Collection,” I was struck by Louis Delsarte’s “The Gift” (pictured above). The complex explosion of color in Delsarte’s beautifully layered acryl- ic painting completely energized me and elevated my mood, while the enigmatic expression (if one can even call it an expression) of the central figure left me wanting to know more. Delsarte typically created his work over multiple sessions, and knowing this has always enhanced my appreciation for his art. It is also a strong reminder that creativity doesn’t necessarily arrive in a single burst like a bolt of lightning. As I contemplated Delsarte’s painting and his process, I suddenly thought of Katsushika Hokusai’s famous poem “A Poppy Blooms”:
Ex-Officio Linda C. Chesnut Bree Hayes S. Jack Hu David Odo Jeanette Taylor
* Lifetime member
** Emeritus member
*** Honorary member
Mission Statement: The Georgia Museum of Art shares the mission of the University of Georgia to support and to promote teaching, research and service. Specifically, as a repository and educational instrument of the visual arts, the museum exists to collect, preserve, exhibit and interpret significant works of art. The W. Newton Morris Charitable Foundation Fund and the Friends of the Georgia Museum of Art support exhibitions and programs at the Georgia Museum of Art. The Georgia Council for the Arts also provides support through the appropriations of the Georgia General Assembly. GCA receives support from its partner agency, the National Endowment for the Arts. Individuals, foundations and corporations provide additional museum support through their gifts to the University of Georgia Foundation. The Georgia Museum of Art is ADA compliant; the M. Smith Griffith Auditori- um is equipped for deaf and hard-of-hearing visitors. The University of Georgia does not discriminate on the basis of race, sex, religion, color, national or ethnic origin, age, disability, sexual orientation, gender identity, genetic information or mili- tary service in its administrations of educational policies, programs or activities; its admissions policies; scholarship and loan programs; athletic or other University-administered programs; or employment. Inquiries or complaints should be directed to the Equal Opportunity Office 119 Holmes-Hunter Academic Building, University of Georgia, Athens, GA 30602. Telephone 706-542- 7912 (V/TDD). Fax 706-542-2822. https://eoo.uga.edu/.
I write, erase, rewrite Erase again, and then A poppy blooms.
Hokusai was a highly accomplished poet, but he is better known for his stunningly creative woodblock prints, including “The Great Wave of Kanagawa,” which you can view an impression of in our collection. (Some of his prints are included in our traveling exhibition “Fleeting Pleasures: Japanese Woodblock Prints from the Georgia Museum of Art.”) This poem of his feels particularly well suited to the museum, where we are part of a thriving, creative community of artists, students, teachers, researchers and others who work and rework their ideas until their poppies bloom. We hope you will visit us again soon, so that our exhibitions and programs may serve as inspiration for your own creativ- ity to bloom as Hokusai’s and Delsarte’s did.
Front and back cover: Nancy Baker Cahill, “Slipstream 006-01 AP” (detail), 2021. Archival pigment print, 38 x 38 inches.
David Odo, Director
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Nancy Baker Cahill: Through Lines October 28, 2023 – May 19, 2024
“Southern/Modern” is the first project to comprehensively survey the rich array of paintings and works on paper created in the American South during the first half of the 20th century.
“Nancy Baker Cahill: Through Lines” highlights the artist’s interdisciplinary artistic practice and the role of emerging technologies in contemporary art.
Nancy Baker Cahill’s work examines ideas of systemic power, conscious- ness, the human body and the impact of humans on the biosphere.
This mid-career survey exhibition is Baker Cahill’s first solo museum show. Expanding on her background in traditional media, the artist rede- fines the possibilities of drawing in contemporary art. She begins with finely rendered graphite drawings that evolve into torn paper sculptures, then scans and animates them into 3D digital immersive videos. The drawings, altered by software, later reappear as single cinematic frames in the form of fine art prints.
“Through Lines” moves across spatial dimensions and media, following Baker Cahill as she investigates materiality and immateriality through her progression from drawing into digital works of art in augmented reality (AR). Featuring drawings, sculptural installations and single- and multichan- nel videos, the exhibition traces Baker Cahill’s mark-making from traditional modes of artistic production into technolo- gized ones. The works invite reconsiderations of fine art and the art historical canon in the face of emerging technologies while examining site, time and space as they relate to the physical body, the digital, the permanent and the ephemeral. “Through Lines” invites guests and viewers to interact with art outside traditional brick-and-mortar exhibition spaces with an animated, geolocated AR installation in the museum’s Jane and Harry Willson Sculpture Garden. This monumental artwork, “Margin of Errors,” imagines an inevitable and toxic outcome created by humans’ impact on the environment. The title references the statistical probability of an event to occur, in this instance the occurrence of environmental disaster. By placing this work in the museum’s sculpture garden, the exhi- bition underscores the consequences of the impending biolog- ical, chemical and geological disasters that will take place in our own backyards. In the gallery, Baker Cahill’s prints “Slipstream 17” and “Slipstream 18” trigger their own AR animations, bringing static images to life as related videos. The artist’s AR works bridge the physical and virtual worlds through 4th Wall, Baker Cahill’s free AR art platform, allowing viewers to interact with and document themselves with the work. Through their visceral and temporal qualities, Baker Cahill’s AR works help viewers visualize what philosopher Timothy Morton calls “hyperob- jects”: entities of such monumental scale and complexity that they often defy conventional modes of human understanding. By rendering the invisible visible, the artist challenges percep- tion and reveals the unmarked, untold and unimagined.
Nancy Baker Cahill, “Slipstream 100,” 2021 – 23. Graphite on paper and mixed media.
This exhibition will travel in 2024 to two other venues, to be announced.
Curator: Kathryn Hill, curatorial assistant in contemporary art Sponsors: The Willson Center for Humanities and Arts, John and Sara Shlesinger, the W. Newton Morris Charitable Foundation Fund and the Friends of the Georgia Museum of Art.
Nancy Baker Cahill, “Slipstream 18,” 2022. Archival pigment print on paper, printed by Master Printer Lapis Press.
Nancy Baker Cahill, “Slipstream 006-01 AP” (detail), 2021. Archival pigment print, 38 x 38 inches.
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exhibitions
Southern/Modern June 17 – December 10, 2023
“Southern/Modern” is the first project to comprehensively survey the rich array of paintings and works on paper created in the American South during the first half of the 20th century.
Featuring more than 100 works of art drawn from public and private collections across the country, it brings together a generation’s worth of scholarship. The exhibition takes a broad view of the South, considering artists who worked in states below the Mason-Dixon line and as far west as those bordering the Mississippi River. Structured around key themes that cut across state lines, it takes an inclusive view of the artists working in the region. It also includes a num- ber of major artists from outside the region who produced significant bodies of work while visiting. “Southern/Modern” provides the fullest, richest and most accurate overview to date of the artistic activity in the South during this period and illuminates the important and hitherto overlooked role that it played in American art history.
“Southern/Modern” is organized by the Mint Museum in collabora - tion with the Georgia Museum of Art and is accompanied by a fully illustrated publication featuring essays by leading scholars in the field and produced in collaboration with the University of North Carolina Press.
Curator: Dr. Jonathan Stuhlman (senior curator of American art, Mint Museum) and independent scholar Martha R. Severens In-house curators: Shawyna L. Harris, Larry D. and Brenda A. Thompson Curator of African American and African Diasporic Art, and Jeffrey Richmond-Moll, curator of American art Sponsors: Lead support for “Southern/Modern” is provided by the Luce Foundation for American Art. Additional support from the Terra Foundation for American Art; the Wyeth Foundation for American Art; the National Endowment for the Arts; and the Betsy and Alfred Brand Fund at the Mint Museum.
Pierre Daura (American, b. Spain, 1896 – 1976), “Still Life with Luster Plate and Pitcher,” n.d. Watercolor on paper, 15 × 22 1/8 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. GMOA 2017.31.
Power Couple: Pierre and Louise Daura in Paris June 24, 2023 – February 11, 2024
In 1928, Pierre Daura and Louise Heron Blair married in Paris.
Their social sphere included artists, writers, musicians, gallery owners and critics. Among their entourage was Uruguayan artist Joaquín Torres-García (1874 – 1949), whom Pierre had befriended and helped settle in Paris in 1926. The Torres and Daura families lived in the same apartment complex in the famed Montmartre district known for its vibrant artistic life full of studios, salons and cafés. During this period, Louise painted several portraits of Torres-García’s daughters, Olimpia and Ifigenia, while Pierre produced several engravings of the young girls, a testament to the families’ friendship and affection. This exhibition is part of our “In Dialogue” series of installations in which the Georgia Museum of Art’s curators create focused, innovative conversations around works of art from the perma- nent collection. The series brings these familiar works to life by placing them in dialogue with objects by influential peers, related sketches and studies or even objects from other periods.
Curator: Nelda Damiano, Pierre Daura Curator of European Art
Louise Heron Blair (American, 1905 – 1972), “Ifigenia Torres,” 1929. Oil on paper mounted on board, 24 1/8 × 19 1/8 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. GMOA 2003.886.
DON’T MISS
Where Shadows Cross THROUGH OCTOBER 8, 2023
Decade of Tradition: Highlights from the Larry D. and Brenda A. Thompson Collection THROUGH JULY 3, 2024
Power and Piety in 17th-Century Spanish Art THROUGH FEBRUARY 11, 2024
Jim Fiscus, “Hit with a Stone, 8/28/21, 9:24 a.m.–10:29 a.m. Clarksdale, Coahoma County, Mississippi (the in- tersection of Issaquena Ave and Blues Alley)." Archival pigment print on cotton paper, 31 3/4 × 23 3/4 inches. Collection of the artist. Jim Fiscus, “All We Are, 2/8/22, 5:49 – 6:46 p.m., Old Hwy 10 ferry crossing, looking from Pointe Coupèe Parish towards East at West Feliciana Parish,” 2022. Archival pigment print on canvas, 60 × 100 inches. Collection of the artist.
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“LITTLE GRAND CANYON YELLOW” by Howard Thomas
Howard Thomas’ “Little Grand Canyon Yellow,” from our permanent collection, is back on view just outside the exhibition “Southern/Modern,” on the Patsy Dud - ley Pate balcony. While it’s not a part of that show, it is in dialogue with it, and you can find other works by Thomas in the “Southern/Modern” galleries. Take note of what’s next to this work in the wall case. While it may appear to be just a bunch of dirt, it is actually a “marvelous collection of tiny jars of earth samples, all meticulously labeled” by Thomas in his “orderly” studio. He often used this earth in the cre- ation of his own pigments, especially after 1942.
“WELCOME” by Gregor Turk
“Welcome” is a new, long-term installation in the mu- seum’s lobby by Atlanta-based artist Gregor Turk, on view now through mid-June 2024. Made of 77 recycled security cameras, the work features the artist’s typical wit. The constellation of cameras train their lenses on lobby visitors, highlighting the tensions of surveillance within the public sphere and humorously pointing out the role of security in experiences of visual art — even in free, public-serving spaces like our own. Turk is well known for his public art installations, ceramic sculp- tures, photography and mixed-media constructions, which often respond directly and playfully to their surroundings. Past projects include a significant body of artwork produced after hiking and biking along a 1,270- mile section of the 49th parallel that defines the U.S.– Canadian border, and a photographic series featuring blank billboards along the fictitious Interstate 50.
In this painting, Thomas included earth that he collected at Providence Canyon. Commonly known to Georgians as “Little Grand Canyon,” Providence Canyon is a network of gorges caused by the erosion of soft, multicolored soils exposed by poor farming techniques in the early 1800s. The Little Grand Can- yon, in Stewart County in southwest Georgia, is one of the state’s Seven Natural Wonders. Take a close look at Thomas’ piece and you will see a little sparkle in the pigments from the mineral content of the dirt he used.
Gregor Turk (American, b. 1960), “Welcome,” 2023. Security cameras. Courtesy of the artist.
Howard Thomas (American, 1899 – 1971), “Little Grand Canyon Yellow,” 1964. Polyvinyl on canvas, 96 × 63 1/4 inches. Georgia Museum of Art, University of Georgia; University purchase. GMOA 1974.3195.
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INCREASING MUSEUM ACCESSIBILITY:
new tactile replicas enhance visually impaired visitor experience by Pierce Alston
Enjoying a visit to an art museum doesn’t require previous knowledge about art. That’s one of the reasons art museums are so popular. But what about visitors who aren’t able to see the art?
So far, the use of these tactile replicas has proven useful not only for the visually impaired, but also as a means to help younger museum patrons form a more meaningful under- standing and connection with art in our educational pro- gramming. This May, the museum used Lind’s replicas at a Family Day event that focused on the five senses, with these replicas representing touch. Generally speaking, you cannot touch any of the art in a museum, but her replicas allowed kids to do the opposite and the hands-on exploration gave the children a chance to find a deeper connection to the art. While there may still be a long way to go to increase and improve museums’ accessibility, the Georgia Museum of Art is committed to improving and innovating and patrons can look forward to more replicas in the near future. If you are interested in experiencing these textured replicas for your- self, join us for a tour and ask our education staff before you arrive about what we offer to enhance the experience of our visually impaired patrons.
Theodore Robinson’s “Gathering Plums” and its replica.
Many visually impaired people enjoy visiting art museums. After all, learning about art’s meaning and history isn’t just for people who can see it. With the help of audio descriptions and guided tours, many visually impaired guests can interact with the art in museums, including the Georgia Museum of Art. While audio and guided tours for the visually impaired at the museum make art more accessible, there is still a long way to go to improve the experience. To that end, the Georgia Museum of Art has joined other mu- seums worldwide in the mission to actively improve museum accessibility. As a part of that effort, Mallory Lind, associate curator of education, recently made small, tactile replicas of a sampling of paintings in the museum that allow guests to interact with art in a much different way. Audio descriptions can offer a lot of information about a painting to visually im - paired guests, but being able to feel where the grass ends and the sky starts through these new touchable replicas provides a very different experience than an audio or guided tour that simply describes a painting as a landscape. After taking a museum accessibility class at UGA while com - pleting her doctorate in art education, Lind’s interest was piqued and she began experimenting with textured replicas for other museums and ultimately the Georgia Museum of Art. Before the museum hired her for a full-time position, it contracted with her to make a sampling of tactile replicas. In this task, she created four works based on paintings on display at the museum, including John Frederick Peto’s “Old Time Letter Rack,” on loan from the Terra Foundation. Fund- ed by a grant from the Terra Museum, which is lending five works of art to the museum for five years and providing funds to create programming around them, she also replicated three other works for the museum from its collection: “Red Barn, Lake George, New York” by Georgia O’Keeffe; “Spirit of Grand Central Station — The Man That Helped the Handicapped” by Thornton Dial; and “Gathering Plums” by Theodore Robinson. These paintings are featured in many of the guided tours at the museum. Lind said she plans on making more replicas of other popular paintings in the collection in the near future.
Georgia O’Keeffe’s “Red Barn, Lake George, New York” and its replica.
Curious about other aspects of accessibility at the museum? The Georgia Museum of Art is fully ADA accessible. We have wheelchairs available for patrons and offer tours for the Deaf and hard of hearing. To ensure your specific needs are met for your visit, email us at gmoa-tours@uga.edu to schedule a tour or inquire about tour options.
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museum welcomes
CHRIS PETERSON AS CHAIR OF BOARD OF ADVISORS
The Board of Advisors, which includes members with diverse backgrounds and a wide range of interests, are an enthusiastic and passionate group of people who advocate for the museum. The experience of serving as a Board of Advisors member was enriching, he noted, especially the opportunity to travel with other board members to visit other museums, view collections in states across the country and learn from other board members through lively discussions and exchanges about their personal experiences and perspectives about art and the art world while serving on the board. When he was offered the position of chair for the Board of Advisors, he knew it was bound to be another interest- ing chapter of this adventure, he said, especially because he would be stepping into the role during a transitional time for the museum, with a new director at the helm af- ter the museum bid adieu to longtime director Bill Eiland earlier this year. As chair, Peterson will aim to work with Odo to create new initiatives that encourage member support through financial gifts and expand the perma - nent collection. He will also oversee board meetings and generate activities to increase public interest and en- gagement. He looks forward to his time as chair, he said. Board engagement plays an important role in the board’s foremost mission to “expand the reach of the museum to people who either haven’t been or don’t know it’s there.” The Georgia Museum of Art plays a crucial role in the local, state and national art community, he noted. Over the years, he has witnessed the incredible reach of the museum’s exhibitions and programs across the country and hopes to continue inspiring board members, current supporters and future visitors alike. Outside of their roles behind the scenes at the museum, the Petersons love visiting the exhibitions and partici- pating in museum events with their two children. Most recently, Chris said he was captivated by the Jim Fiscus photography exhibition, “Where Shadows Cross.” He en- couraged everyone to come by and see the exhibition and explore all of the other interesting things the museum has to offer.
by Nicole Ganelin
A new school year often means changes at the museum. This summer, alongside welcoming David Odo as our new director, longtime Board of Advisors member Chris Peterson became the new board chair. From encouraging public awareness of the museum to giving and encouraging financial support, the Board of Advisors plays a big part behind the scenes at the museum by working to expand public engagement at all levels. The chair not only leads the board in this mission, but also supports the museum and director in decision making and stewardship. As a board member for the last seven years, he has shown his passion for the museum world, and cultivated relationships within it that make him an ideal fit for assuming this leadership role. Like many of the museum’s interns, staff and volunteers, Peterson started out as a visitor to the museum, but he and his wife Sarah quickly became involved with museum events and he was ultimately invited to join the Friends board of directors. Sarah is currently the past president of the Friends board. He “thoroughly enjoyed” serving on the Friends board and knew that moving to the Board of Advisors would present an even greater opportunity to be involved with the museum. The local connections he made with other members of the Friends board made him eager to get to know those involved with the museum from across the region and country.
Want to help support the museum? Visit our website to learn more about how to become a member, give to the museum or become a volunteer. There are a variety of ways, big and small, to support the museum’s continued mission to provide free inspiration.
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GIFTS OF ART July 1, 2022 – June 30, 2023
We thank the following donors for their contributions to the Georgia Museum of Art from July 1, 2022 – June 30, 2023.
Peter Aaron Judith H. Clark Ellen D. Gagne Judith F. Hernstadt Susan Jacobson Stanley L. Miller Jr.
$2,500 – $4,999
$10,000 & Above Lucy & B. Heyward Allen Jr. Anonymous Faye Smith Chambers Patricia M. Deitz * Judith & Mark Ellis The Fraser-Parker Foundation Gladys Krieble Delmas Foundation The Goizueta Foundation George-Ann Knox Elizabeth & Andrew Littlejohn Brenda & D. Hamilton Magill III Becky & David Matheny Marilyn & John F. McMullan Isobel P. & James T. Mills Jr. C.L. Morehead Jr. Estate * Anne & William Newton Gloria Bryant Norris Kathy Prescott & H. Grady Thrasher III Michael T. Ricker Betsy & Lee Robinson Lucy M. Rowland Jason Schoen Dudley Stevens Terra Foundation for American Art Brenda A. & Larry D. Thompson The Todd Emily Community Foundation The Turner Family Foundation, Inc. United Bank of Switzerland W. Newton Morris Charitable Foundation Carol & Robert Winthrop II
Anonymous Linda Nicholson Beard
Karen L. Benson Jeanne L. Berry Susan & Travis Burch Lisa & William W. Douglas III Karen & James Fleece Furthermore John M. Greene Judy & John Hill Jr. * Jane Compton Johnson Material Culture & Arts Foundation Sue W. Mann M. Elizabeth McGhee
Robert Rotche Janice Simon
Mary Virginia Terry * Claire M. Thompson Corbett & Charles Toussain t
GIFTS IN-KIND July 1, 2022 – June 30, 2023
Marilyn Delong McNeely Parker & Kent Middleton Libby V. & C. Van Morris Deborah & Dennis O’Kain Sherrie & Stephen Olejnik
Agora Vintage, Ltd. Anonymous Athens Printing Company Kira Epstein & Benjamin Brainard John Cleaveland Jr. Condor Chocolates, LLC
Sheila & Randall Ott Janet & Alex Patterson Christopher Howard & Carey Pickard III Sylvia Hillyard Pannell & Clifton W. Pannell Parents Leadership Council Julie M. & Ira G. Roth Jewett W. & Alan F. Rothschild Jr. Gloria Ricks Taylor Sarah P. & Walter A. Sams III Gregory Ann & Richard Woodruff
Peter R. Dale Epting Events Global Escapes Travel
Guide2Athens Oconee Events Perryander Studio Viking
$1,000 – $2,499 Rinne Allen Anonymous June M. Ball Lynn & Richard Berkowitz Linda Bigelow Sally Bradley Sige Burden Jr. Maxine & Bob Burton Teresa & Robert Carson Jr.
$5,000 – $9,999
Anonymous Blossoms Wholesale & the C.L. Morehead Jr. Foundation Stephanie C. Bryant, in memory of Clay Bryant * Devereux & E. Davison Burch Lacy Middlebrooks Camp & Thomas G. Camp
Anna Bogatin & Beau Ott Judy Powell Amburn Power Shanell McGoy & Terry M. Powers Jr. Carol & James Reap Betsy & Lee Robinson Margo N. Rosenbaum Lauren & Matthew M. Schlesinger Julia & Richard Slatcher Claire & Boone Smith III Heather Lindell & Spencer Tally Telfair Museums, Inc. Savannah GA Eric H. Thornton Valerie Aldridge & Charlesworth Hunter Tison Marilyn A. Vickers Cecelia & David Warner W. Thomas Wilfong
Susan Guttman* & Claiborne V.C. Glover III Kitty & Karen Goodchild Heather Leigh & Park Harris Lyssa & Jonathan Harvey Judith Hernstadt Angela & Matthew Hicks Tiffany & Chris Hines Margaret & Eugene Howard Jr. William Tzu-Wei Huang Cindy Karp
Shannon & Peter Candler Georgia Council for the Arts Bree A. & Richard L. Hayes Nancy & Leston Juneau Virginia & Gordhan Patel Sarah K. & Chris R. Peterson Margaret A. Rolando Dorothy A. Roush Family
Linda & David Chesnut Missy & Wesley Cochran Karen & John Corsale Jr.
Lynne V. & Charles B. Knapp Bob Davis & John Knowlton Shell & Wyck Knox Jr. Carol & Paul Kurtz Christina & Wade LaFontaine Anne & Paul Lings Marjorie & Mark McConnell Jane & Tinsley Merrill Marian & Carl Mullis III Anne & William R. Newton
Anne & Stephen Critchfield Elizabeth & Anthony DeMarco Betsy & Blair Dorminey Kira Epstein & Ben Brainard Teresa & Charlie Friedlander Anne F. & Joseph C. Frierson Jr. Peggy H. Galis Candace Gilliland
Margie Spalding Terrell Foundation Mary Lillie & Ray Watson Willson Center for Humanities & Arts Mary M. Wood
Elizabeth & Chris Willett Frances Mock Williams
* Deceased
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SMITTY AWARD, NEW FRIENDS BOARD MEMBERS named at annual meeting
2023 Smitty Award winner Maggie Hancock (right) and her mother, Peg Wood.
At the Georgia Museum of Art, our community of support- ers means everything. Truly. For the last 75 years, artist, patron, donor and volunteer support for the museum have helped us create and sustain a creative community. As a testament to the volunteer effort behind the scenes at the museum that has been tantamount to our overall success for three quarters of a century, we recognize one volunteer each year with the M. Smith Griffith Volunteer of the Year Award, lovingly known as the “Smitty.” The museum’s volunteers are often the unsung heroes of the success of our efforts, which is one of the reasons we’ve been recognizing our volunteers’ efforts for more than 25 years. The Friends of the Georgia Museum of Art presented the 2023 M. Smith Griffith Volunteer of the Year Award at their annual meeting in August. Held in person for the first time since 2019, the meeting served as a review of the past year and a chance to discuss new business and induct new board members. The “Smitty” award acknowledges outstanding museum volunteers and contributors each year, and this year’s re- cipient was longtime museum supporter Maggie Hancock . Ever the supporter of all things artistic, Hancock returned to Athens roughly a decade ago after having received her degree in interior design from the University of Georgia (BFA ’77).
She was drawn to and quickly became involved with the Georgia Museum of Art. Hancock served as a member of the Friends board of directors from 2014 to 2020, where her love of design drew her to our signature fundraising event, Elegant Salute. She served as décor chair for Elegant Salute XIIII: An Elegant Salute to Georgia, in 2015, then took on the role of event chair for Elegant Salute XV: A Night of Tropical Splendor, in 2017. Since then, she has returned as décor chair for Elegant Salutes XVI and XVII, where her creative vision and impeccable attention to detail have be- come synonymous with the caliber of event our donors and guests have come to enjoy. Hancock’s commitment and devotion to Elegant Salute has truly been an inspiration, and the overwhelming success of this year’s Elegant Salute made her the perfect recipient for this year’s award. Sarah Peterson, outgoing president of the Friends board, acknowledged board members who have completed their term of service: Cassie Bryant, Sige Burden Jr., Lacy Middlebrooks Camp, Teresa Friedlander, Jeffrey Goodwin, Katharine Hable, Melissa Harshman, Jean Petrovs, Shenara Sexton and Ron Thomas. Lauren Schlesinger was approved as president-elect of the board and Christina LaFontaine as treasurer (a position that became vacant with Schlesinger’s shift to president-elect).
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The new Friends board members, each serving a three-year term, are:
Kathleen Belknap Belknap works for an interior design firm in Athens and has previously worked as a development director, major gifts offi - cer, annual fund manager and marketing associate. She is also treasurer for the Parent-Teacher Association at her children’s school and membership chair of her neighborhood garden club and served on the 2023 Elegant Salute Dance Party Committee. Cornelya Dorbin Dorbin has worked in health promotion, public relations, volunteerism and administration for more than 25 years. She previously led the Arkansas Cancer Coalition as executive director, acquiring national honors twice within three years. In that role, she spearheaded the coalition’s grassroots cam- paign to support the passage of a tobacco excise tax that paid for nearly $180 million in expanded health programs. Dorbin has also been involved with the Effort Foundation, Lydia’s House and Cannon United Methodist Church. Susanna Drennen Originally from southern California, Drennen was previously an event planner for the Getty family and in Prague. Locally, she has been involved with the Athens Area Arts Council and the Chase Street Elementary School’s Garden Club and was a participant in 2015’s Dancing with the Athens Stars. Kira Epstein Epstein serves on the Parent-Teacher Organization for Chase Street Elementary School in Athens, where her daughter is in first grade. She has also participated on committees and as a board member for professional societies related to service in veterinary medicine. At the museum, she was a member of the 2023 Elegant Salute Dance Party Committee and the 2022 Nominating Committee for the Friends board. Alec Hodson Hodson is a graduate of the University of Georgia Honors Program and its School of Public and International Affairs (AB ’99) and presently serves as resident and principal attorney at Quarterman, Hodson, Triplett & Leach, P.C. He has served as a volunteer for and supporter of the Georgia Museum of Natu- ral History, founded a local nonprofit that helps supply heart and diabetes medications and humanitarian relief to Ukrainian refugees and offers pro bono legal services to local nonprofits and artists.
Courtney Khail Khail graduated from UGA’s Lamar Dodd School of Art with a degree in scientific illustration (BFA ’07) and currently owns and operates the Athens-based art studio Courtney Khail, LLC, where she creates paintings and murals for col- lectors across the world. She serves on the board of C.I.A.O (the alumni organization for UGA’s study-abroad program in Cortona, Italy) and on the executive board of the Athens- Clarke County Democrats as vice chair of communications. Khail also volunteers with the Lamar Dodd School of Art, the University of Georgia’s Mentoring Program and UGA’s Give That Dawg a Bone campaign and is a member of the muse- um’s Collectors group. Anita Pratt Pratt is an active member of Ebenezer Baptist Church- West, serving with the usher/hospitality ministry. She is a member of Alpha Kappa Alpha Sorority, Inc., previously serving as the chair of its women’s healthcare and wellness committee and the lead planner for the men’s hospitality suite/events for AKA’s 2016 International Conference. Pratt is also an active member of the Bon Bons Social & Civic Club of Athens, where she previously served as president. Mary Prickett Prickett is a preschool teacher and painter who graduated from UGA with a degree in printmaking (BFA ’03) and has a master of arts degree in art education from Piedmont College. She volunteers at her son’s school and donates her artwork to help raise money for multiple charitable orga- nizations. Prickett was also a member of the 2023 Elegant Salute Dance Party Committee and helped with the 2021 Friends Appreciation Month Kick-off event. Amy Wraga Wraga is a mixed-media artist who also serves as volunteer coordinator for the Oconee Cultural Arts Foundation board of directors. She has previously been involved with the Athens Area Diaper Bank, the Nancy Travis Childcare Project, Chil- dren First Inc., the Georgia Preschool Association board and the Georgia Association for the Education of Young Children board. She serves on the Friends outreach and engagement committee, assisted with the Friends Appreciation Month Kick-off event in 2021 and 2022 and enjoys walking through the galleries on Sunday afternoons.
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MUSEUM IMPACT report (July 1, 2022 – June 30, 2023)
FY23
IN-PERSON VISITORS: 35,927 (+14.6% OVER FY22)
UGA CLASS VISITS: 119 (3503 PARTICIPANTS) +90.6%
NON-UGA TOURS: 133 (3409 PARTICIPANTS) +54.9%
PUBLIC PROGRAMS: 43 (2991 PARTICIPANTS) +237.4%
STUDENT ASSOCIATION PROGRAMS: 4 (420 PARTICIPANTS)
YOUTH AND FAMILY PROGRAMS: 31 (2619 PARTICIPANTS)
EXHIBITIONS OPENED: 11
FRIEND + ANNUAL FUND MEMBER HOUSEHOLDS: 344
FRIENDS OF THE MUSEUM: 1,656 (+35.8%)
WORKS ACQUIRED: 467
WEBSITE VISITORS: 105,022 (+10.6%)
INSTAGRAM FOLLOWERS: 8,924 (+12.1%)
WORKSHOPS AND CLASSES: 58 (952 PARTICIPANTS)
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AWARDS
GRANTS
In FY23, we received 11 grants totaling $237,170 from the following organizations: Georgia Council for the Arts, Goizueta Foundation, Furthermore / The J.M. Kaplan Fund, Inc., the Parker Benevolent Fund, the Piedmont Charitable Foundation, Inc., the Southern Humanities Fund, the Terra Foundation for American Art, the Turner Family Foundation, Inc., the UGA Parents Leadership Council and the Willson Center for Humanities and Arts. These grants funded projects for UGA students, research into our collection, exhibitions, program- ming in the Clarke County School District and more. BIG CHANGES FY23 brought the retirement of longtime director William Underwood Eiland, who had headed up the museum since 1992. David Odo, of the Harvard University Art Museums, was hired as the new director and began work just before the end of the fiscal year. Bill’s retirement coincided with the beginnings of the museum’s 75th an- niversary celebrations, and Elegant Salute XVII (the museum’s biennial gala fund- raiser) honored both milestones, raising more than $435,000 to fund programs and long-term stability.
In FY23, the museum won awards from the Georgia Association of Museums (an exhibition award for “Reckonings and Reconstructions: Southern Photography from the Do Good Fund,” organized by Jeffrey Richmond-Moll, and patron of the year for Alan Rothschild Jr.), the Southeastern Museums Conference (in publication design, including a best in show for museum graphic designer Noelle Shuck’s design of Facet, its quarterly newsletter), the Southeastern Registrars Associa- tion (for Annelies Mondi, who has served as the museum’s deputy director, interim director and special advisor to the director over the past couple of years) and the Athens Convention and Visitors Bureau (William U. Eiland, the museum’s retiring director, received the Louis Griffith Hospitality Leadership Award).
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ALCHEMY GOODS BAGS $10 – $32
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in the SHOP
GREETING CARDS $1.95 – $10.95
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UMBRELLAS $25
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NEW BOOKS $7 – $40
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MUSEUM NOTES
staff notes:
in the news: Shawnya L. Harris , Larry D. and Brenda A. Thompson Curator of African American and African Diasporic Art and in-house co-curator of “Southern/Modern” was featured on WABE’s “City Lights” program in August. Program host Lois Reitzes spoke with Harris and Jonathan Stuhlman, senior curator of American art at the Mint Museum in Charlotte, about the exhibition. Listen to the full interview at: http://bit.ly/southernmoderncitylights . Antiques and the Arts featured an in-depth review of “ Southern/Modern .” Author James D. Balestieri praised the exhibition, noting that “the works on view provide much-needed counterpoint to the prevailing argument that the American South is principally a site of nostalgia for its antebellum past. In truth, and without shying away from the effects of Jim Crow laws and Lost Cause lamentations on art, the exhibition shows artists in the South as far more in tune with Modernist precepts than American art history indi- cates.” Read more at: https://bit.ly/3L4kMf4 Museum associate curator of education Mallory Lind was featured in the Athens Banner-Herald about her work out- side of her role at the Georgia Museum of Art. Lind recently became the executive director of the Little Athens Children’s Museum, a mobile museum that brings interactive play expe- riences to children in Athens. Read more at: https://bit.ly/3P0YMDh Museum Magazine featured Winslow Homer ’s “Taking Sunflower to Teacher” from the Georgia Museum of Art’s permanent collection on the cover of its July/August 2023 issue. The painting was a gift from museum founder Alfred H. Holbrook. Museum permanent collection artist Rebecca Rutstein , known for her popular piece “Shimmer,” was featured on the National Endowment for the Arts blog in July. Rutstein is a multidisciplinary artist and ocean explorer who has spent over two decades working at the intersection of art and science. In a candid, unedited interview, she says that “Shimmer” is an example of how her “work is really about joy; it’s about reveling in the wonder of nature. There are plenty of important artists addressing climate change in their work, and while I’ve created data-driven work before, my general approach is to shed light on the beauty and sublimeness of the natural world.” Read more: https://bit.ly/RutsteinNEA Ed Tant , retired longtime museum security guard, was featured in the New York Times this summer in an editorial about his disapproval of climate change protests targeting museums. https://nyti.ms/47StEOR
Jeffrey Richmond-Moll , curator of American art, announced his departure from his position at the museum in August. Beginning in October, he will become the George Putnam Curator of American Art at the Peabody Essex Museum in Salem, Massachusetts. During his nearly four-year tenure at the museum, Richmond-Moll made enormous contributions at the museum, organizing nearly 30 exhibitions and perma- nent gallery rotations, expanding the museum’s collection of American art and making great strides in addressing gaps in the museum’s holding of works by female artists and artists of color.
Kathy Hufford.
The museum welcomed two new staff members this summer. Mallory Lind , who joined the museum as the assistant curator for education in May, was hired as the new associate curator of education in August. Kathy Hufford also joined our staff this summer as the new business operations specialist. In other developments this summer, the museum added a nursing and lactation room for staff on the 1st floor of the museum. We are proud to report that our intern program remains strong, with 18 interns at the museum, the most we’ve ever had, this fall semester. A testament to the importance of our internships, our former interns continue to impress. Former intern Kimberly Gaitonde (’19-’20) was recently featured in Yellowstone Art Museum’s Member Magazine, Triptych, as the newest member of that museum’s curatorial staff. An - other former intern, Catherine Huff , who served as curatorial research intern (’15-’17) to the curator of American art, was highlighted by Columbia University’s Teachers College for her “In the Field Project” that asks the question: What art is important to you in your neighborhood? Learn more at: https://bit.ly/alumArtFieldProject
CALENDAR Program is free but registration is required; email gmoa-tours@uga.edu to reserve a spot. Part of UGA’s 2023 Spotlight on the Arts Visit arts.uga.edu for a full list of programs across campus
ARTFUL CONVERSATION: THOMAS HART BENTON Wednesday, November 8, 2 p.m. Artful Conversation programs are 30
VanDiver, associate professor of African and African American art at Vanderbilt Univer- sity; Shawnya Harris, Larry D. and Brenda A. Thompson Curator of African American and African Diasporic Art at the Georgia Museum of Art; and Jeffrey Richmond-Moll, George Putnam Curator of American Art at the Pea- body Essex Museum. This program is part of the University’s Signature Lecture Series. MUSIC IN THE GALLERIES: “JAZZ CLASSICS OF THE FIRST HALF OF THE 20TH CENTURY” Thursday, November 16, 5 – 6 p.m. Step back in time and enjoy a selection of American music from 1900 to 1950, presented in the galleries of “Southern/Modern.” This program, performed by student musicians in a jazz quartet from UGA’s Hugh Hodgson School of Music, will showcase an hour-long set of great American jazz standards. Fea- turing Iain Cooke on bass, Michael Solomon on piano, Patrick Sorah on drums and Levi Brown on saxophone. STUDENT NIGHT: HAPPY BIRTHDAY, GEORGIA MUSEUM OF ART! Thursday, November 16, 6 – 8 p.m. Join the Georgia Museum of Art Student Association for refreshments, door prizes and themed activities to celebrate the museum’s 75th birthday. Student Night is generously sponsored by the UGA Parents Leadership Council. HOLIDAY BOOK AND FRAME SALE Tuesday – Sunday, December 5 – 10, during open hours Come shop for loved ones at the museum’s annual holiday book sale, featuring new and used publications in all genres and fine gallery frames. Credit cards accepted. Those who have books they’d like to donate should call 706- 542-4662. STUDY BREAK AT THE MUSEUM Wednesday, December 6, 10 a.m. – 5 p.m. Need a break from studying for final exams? Students are invited to drop by the museum during regular public hours on Reading Day to grab a coffee, study in our lobby or take a pause and enjoy the art in the galleries. Visit georgiamuseum.org/calendar for a full sched- ule of drop-in events offered throughout the day. This program is presented in partner- ship with UGA’s office of Student Care and Outreach and sponsored by the UGA Parents Leadership Council.
TOURS AND GALLERY TALKS
minutes long, focus on just one work of art and provide opportunities for close looking, open-ended dialogue and discovery. Join Callan Steinmann, curator of education, for a conversation about Benton’s “Study for Planting (Planters).”
CURATOR TALK: POWER COUPLE: PIERRE AND LOUISE DAURA IN PARIS Wednesday, October 4, 2 p.m. Nelda Damiano, Pierre Daura Curator of Eu- ropean Art, will give a gallery talk about our latest “In Dialogue” installation. TOUR AT TWO Wednesday, October 11, 18 and 25; November 15 and 29; and December 6, 13, 20 and 27, 2 p.m. Drop-in public tours featuring highlights of the permanent collection, led by museum docents. GALLERY TALK: MODERNIST WOMEN POETS IN THE SOUTH Thursday, October 12, 1 p.m. Sarah Harrell, assistant professor of English at Georgia State University, will give a gallery talk in conjunction with the exhibition “Southern/Modern.” Her talk will expand on the exhibition through the lens of her expertise on early-20th- century women’s poetry in the U.S. South and Caribbean. Dr. Harrell will discuss modernist poetry that developed synchronously with modern visual art in the southern United States; she will also talk about significant historical and cultural contexts in which the region’s modernist literature and art are both grounded. SUNDAY SPOTLIGHT TOURS Sunday, October 15, November 12 and December 17, 3 p.m. Drop-in public tours featuring highlights of the permanent collection, led by museum docents. CURATOR TALK: NANCY BAKER CAHILL: THROUGH LINES Wednesday, November 1, 2 p.m. Kathryn Hill, curatorial assistant in contemporary art, will give a gallery talk in the exhibition.
SPECIAL EVENTS
MUSEUM MIX Thursday, October 5, 8 – 11 p.m.
The museum’s thrice-annual late-night art party features a live DJ (Oliver Domingo), free refreshments and galleries open until 11 p.m. THIRD THURSDAY Thursday, October 19, November 16 and December 21, 6 – 9 p.m. Athens’ established venues for visual art hold this event devoted to art in the evening hours on the third Thursday of every month to showcase their visual-arts programming. Full schedules and participants are posted at 3Thurs.org.
EXTENDED REALITIES: INTERSECTIONS OF ART, AUGMENTED REALITY, LAW AND ETHICS Thursday, October 26, 5:30 p.m.
Join us for a cross-disciplinary panel featuring artist Nancy Baker Cahill and professors from areas across UGA, including the College of Law, to discuss intersections of art, hyper ob- jects and the entanglement of ethics and law around these emergent technologies. Join us afterwards to honor the artist with a reception and sneak preview of the exhibition “Nancy Baker Cahill: Through Lines.” HOLBROOK MEMORIAL PROGRAM: MAKING THE SOUTH MODERN Thursday, November 9, 5:30 p.m. Join us for a dynamic conversation about the American South’s contribution to 20th-centu- ry modernism, which developed through var- ious styles, themes and artists and emerged around key sites of artistic instruction like the University of Georgia and the vanguard programs at Historically Black Colleges and Universities across the region. This panel is presented with the special exhibition “South- ern/Modern.” Panelists will include: Rebecca
DRAWING IN THE GALLERIES
work of art to take home. For those who can- not attend in person, Family Day To-Go Kits will be available for pick-up starting at 1 p.m. Saturday through the end of day Sunday, while supplies last. BACKPACK TOURS Check out a Backpack Tour of the Permanent Collection at the front desk. Available in both English and Spanish, they include gallery activities, art supplies and looking prompts that can be completed at your own pace. These self-guided tours are free and perfect for a family visit. Recommended for ages 5 – 14.
YOUTH AND FAMILY PROGRAMS
Saturday, November 18, 2 – 4 p.m. Experience the pleasure of drawing in the museum’s galleries. This workshop is led by teaching artist Joel Rosenburg and provides drawing instruction, art supplies and enough space to spread out. EVERGREEN WREATH WORKSHOP Thursday, November 30, 6 – 8:30 p.m. Join Rita from R&R Secret Farm for a fun workshop learning to create your own hand- tied fresh evergreen wreath! After a demon- stration, you’ll create your own wreath with a mix of fresh and fragrant evergreens and adornments. The wreath you create will be ready to hang on your door for the holi- days. All supplies and tools provided; please bring flower snips if you have them. Space is limited and registration is required; email gmoa-tours@uga.edu to reserve a spot. This program requires a $45 materials fee.
Family Day is sponsored by Lucy and Buddy Allen and the Friends of the Georgia Museum of Art.
TEEN STUDIO: SOUTHERN/MODERN Thursday, October 5, 5:30 – 8 p.m.
Teens ages 13 – 18 are invited to this stu- dio-based workshop led by local artist and educator Kristen Bach. Visit the exhibition “Southern/Modern” and make your own work of art inspired by the show. This program is free and includes a pizza dinner from DePal- ma’s Italian Cafe. TODDLER TUESDAY Enjoy looking at art and storytime together in the galleries, then complete an art activity just for the little ones. This free program is designed for families with children ages 18 months to 3+ years. • Tuesday, October 10, 10 a.m. Masquerade Party • Tuesday, November 21, 10 a.m. Giving Thanks • Tuesday, December 12, 10 a.m. Happy Holidays! FAMILY DAY: SPOOKY SHADOWS Saturday, October 14, 10 a.m. – noon Get in the spooky spirit with fun gallery games, then head into the Michael and Mary Erlanger Studio Classroom to make your own Hallow- een-inspired art. Costumes are encouraged! For those who cannot attend in person, Family Day To-Go Kits will be available for pick-up starting at 1 p.m. Saturday through the end of day Sunday, while supplies last.
WORKSHOPS AND CLASSES
CREATIVE AGING SEATED YOGA Thursday, October 12, 10:30 a.m. Join us in the galleries for gentle seated yoga led by Raquel Durden. This class will include restorative stretching, deep breathing and mindfulness. All levels and abilities are wel- come. Creative aging programs are geared to ages 55+. YOGA IN THE GALLERIES Thursday, October 19, November 16 and December 21, 6 p.m. Join us for a free yoga class surrounded by works of art in the galleries. Led by instructors from Five Points Yoga, this program is free and open to both beginner and experienced yogis. Sanitized mats are provided. Space is limited and spots are available on a first-come, first- served basis; tickets are available at the lobby desk starting at 5:15 p.m. MORNING MINDFULNESS Friday, October 20, November 17 and December 8, 9:30 – 10:30 a.m. Come rest and recharge in the galleries surrounded by inspiring art. Experienced mindfulness instructors lead guided medita- tions, gentle movements and slow-looking techniques. This program is free, stools are provided and no experience or special attire is needed. CREATIVE AGING ART WORKSHOP Tuesday, November 7, 10 – 11:30 a.m. Lifelong learning through the arts offers opportunities to practice creativity and create community. Join teaching artist Toni Carlucci in the galleries to look at and talk about art in the exhibition “Southern/Modern,” then come to the studio classroom to make art and new friends. All levels welcome. Creative Aging programs are geared to ages 55+.
ART + WELLNESS STUDIO Sunday, December 10, 2 – 4 p.m.
Looking at, making and talking about art can offer a welcome respite. Studies show the therapeutic benefits of art can increase our sense of well-being and connection. Join art therapist Meg Abbot as we explore art in the exhibition “Southern/Modern” and create something wonderful together.
FILMS
“SOUTHERN/MODERN” FILM SERIES
Featuring a selection of film adaptations of classic Southern literature, presented in conjunction with the exhibition “Southern/ Modern.” “A STREETCAR NAMED DESIRE” Thursday, October 5, 7 p.m. Starring Marlon Brando and Vivien Leigh. 1951, PG, 122 min. “TO KILL A MOCKINGBIRD” Thursday, October 12, 7 p.m. Starring Gregory Peck. 1962, NR, 129 min. “THE HEART IS A LONELY HUNTER” Thursday, October 19, 7 p.m. Starring Alan Arkin and Sondra Locke. 1968, PG-13, 123 min.
FAMILY DAY: 75TH BIRTHDAY BASH Sunday, November 5, 1 – 5 p.m.
Join us to celebrate the museum’s 75th anni- versary with a Family Day for all ages as part of UGA’s Spotlight on the Arts Festival. The event will feature art activities for the entire family, prizes, a photo booth, light refresh- ments and much more. For those who cannot attend in person, Family Day To-Go Kits will be available for pick-up starting at 10 am. Monday through the end of day Tuesday while supplies last. Registration strongly encouraged. Visit bit.ly/75th-birthday.
FAMILY DAY: WINTER HOLIDAY SPECTACULAR Saturday, December 9, 10 a.m. – noon
CLOSED November 23 and 24 December 24 – 26 December 31 – January 2
Check out wintry works of art in the galler- ies, sing along with your favorite carols, enjoy holiday treats and create your own festive
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