Archive/ Counter Archive
Art & Design hosts conference in Prato
The practice of drawing continues to hold a position of significance at Monash Art & Design, and was the special focus of an international conference co-hosted by the Faculty at The Monash Centre in Prato, Italy. The two-day conference, titled Archive/Counter Archive, was held on the 10th and 11th of July, and featured two days of vibrant discussion about the relationship between contemporary art and the archive. Presented in partnership with The Centre for Drawing, a research centre of the University of Arts, London, the conference explored the particular relationship of drawing and the archive through both the capacity and focus of contemporary artists using drawing to originate, locate, develop and interpret archival collections, and the reflection on the role of the archive in narrative, collective memory and identity. The conference featured a program of 12 speakers and discussion sessions. Keynote addresses included presentations by Professor Okwui Enwezor of the San Francisco Art Institute, and art historian, writer and curator Dr Charles Merewether. Presentations by Kit Wise and Tom Nicholson of the Department of Fine Arts were also included in the conference program. In addition to the main program, the conference included a number of satellite events held within the surrounds of The Prato Centre. The principal satellite project was a collaboration with Dryphoto, a widely-renowned contemporary art space directly opposite Palazzo Vaj. Funded by the Commune of Prato, the project comprised two workshops on the relationship between contemporary art and the archive, the first for a select group of young Italian curators, the second bringing together these young curators and a group of emerging Italian artists. The project culminated in an exhibition installed at Dryphoto, public spaces around Prato, and Palazzo Vaj itself, which opened on the evening prior to the conference. The conference was the initiative of CARGO, an independent association of artists, writers and curators based at Monash Art & Design. It was the second in a series of conferences co-organised by the faculty and The Centre for Drawing, the first being Drawn Encounters, Complex Identities, a conference discussing drawing and inter-cultural encounters, held at the British School in Rome in September 2008.
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