Gerard Mosse

There is an edge to watercolor. The risk-taking is part of its appeal. After layering colors on top of one another, patiently, over long periods of time, the accumulated brushstrokes combining to heighten their radiance, one ill-inspired last mark is enough to cause the cathedral of light to vanish.

That can’t be fixed.

Untitled, 6499 11 9/16 x 10 3/16 inches

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