SMG_SoBM_Vol 26_Issue_1

In this issue, we see winter loosen its grip on Prince Edward Island, with the clinking of tasting glasses and the lively chatter of beer lovers at one of the Island’s most anticipated spring events, the PEI Beer Festival. As the world becomes increasingly aware of the need for sustainable housing. Freyja Skye, the Founder and Owner of Phoenix Domes, explains how their geodesic domes are poised to play a pivotal role in the future of both the housing and tourism industries, offering a practical solution that balances comfort with sustainability. Annika Karlsen and Kevin Pentz explain how Wild Haven Farm and Glamping allows nature to take the lead. It’s an experience that will leave you wanting to return. Every winter, the small village of Plaster Rock, New Brunswick, transforms into the global epicenter of outdoor hockey as hundreds of players and thousands of fans from around the globe descend on Roulston Lake for the World Pond Hockey Championship We sit down with New Brunswick’s own Sean Michael Ryan, fresh off dropping a new single, I Need a Highway in our latest Emerging Artist Spotlight Segment to talk about his personal and artistic journey that is driven by his dedication, resilience, and unwavering belief that "family is everything." Ben Brooks is a writer, builder, and entrepreneur. After 22 years in Los Angeles, he returned to Canada, skeptical of its growing performative politics. He writes about government, business, and the human condition from lived experience, not ideology. Make sure to check out his first articles of 2026 in this issue.

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BEYOND THE BREWS

PEI Beer Fest 2026 puts the Island on Tap

EXPLORING WILD HAVEN FARM AND GLAMPING Nature’s Reset Button, Disconnect to Reconnect.

CANADA’S UNIQUELY PRECARIOUS POSITION

THE 2026 WORLD POND HOCKEY CHAMPIONSHIP A Frozen Festival of Sport and Community in New Brunswick

When the Music Stops, Will Canada Still Have a Seat?

Phoenix Domes is Building the Future, One Triangle at a Time LIVE OUTSIDE THE BOX

EMERGING ARTIST SPOTLIGHT

A SPOTLIGHT MAGAZINE GROUP Publication

DRIVEN BY FAMILY, FUELED BY SONG

MANAGING DIRECTOR Rod Gregg EDITORIAL DIRECTOR Lee Ann Atwater

A MESSAGE FROM THE EDITOR

ACCOUNTS & ADMIN MANAGER Amanda Ryan

I hope you had an amazing holiday with friends and family, and you are well rested and ready to take on 2026. Every year, as winter loosens its grip on Prince Edward Island, a cheer rises from Charlottetown’s Eastlink Centre — the clink of tasting glasses and the lively chatter of beer lovers signal the arrival of the PEI Beer Festival. In 2026, this celebration of craft beer, cider, and community returns in grand style, so we thought we would pop the top of what can be expected from one of the Island’s most anticipated spring events. As the world becomes increasingly aware of the need for sustainable housing, geodesic domes are poised to play a pivotal role in the future of both the housing and tourism industries, offering a practical solution that balances comfort with sustainability. This makes them an attractive option for business owners, travelers, and potential homeowners. In this issue, Freyja Skye, the Founder and Owner of Phoenix Domes, explains how the business has evolved and continues to lead the way in providing eco-friendly, innovative, and beautiful accommodations that promise not only a place to stay but a step toward a more sustainable future. Imagine being in the middle of nowhere – the noise fades as you leave the city life, and you let nature take the lead. Annika Karlsen and Kevin Pentz explain how Wild Haven Farm and Glamping allow you to do just that – it’s more than just a farm; it’s an experience that will leave you wanting to return. Every winter, the small village of Plaster Rock, New Brunswick, transforms into the global epicenter of outdoor hockey as hundreds of players and thousands of fans from around the globe descend on Roulston Lake for the World Pond Hockey Championship, which has become a Frozen Festival of Sport and Community in New Brunswick. Joining as our new entertainment correspondent is Mary Austin, who is a writer and producer working across film, television, and digital media, plus is a classically trained singer and performer, sits down with New Brunswick’s own Sean Michael Ryan, fresh off dropping a new single, I Need a Highway in our latest Emerging Artist Spotlight Segment to talk about his personal and artistic journey that is driven by his dedication, resilience, and unwavering belief that“family is everything.” We are excited to also have Ben Brooks join the team. Ben is a writer, builder, and entrepreneur. After 22 years in Los Angeles, he returned to Canada, skeptical of its growing performative politics. He writes about government, business, and the human condition from lived experience, not ideology. Make sure to check out his first articles of 2026 in this issue. My team and I want to thank everyone who made this issue possible. We look forward to sharing more stories about growing industries, successful businesses, brands, events, and the entrepreneurs making it all happen.

COMMUNICATION & RESEARCH MANAGER Tristyn Gaudette EDITORIAL & PROJECT MANAGER

Becca Greene Kate Lindsay

CONTRIBUTING WRITERS Ben Brooks Amanda Sutherland Darryll Gillard Deborah Jaremko Kris McCarthy Krista Legge-Wakeley

Mary Austin Ryan Myson Shannon Ferguson

WEB DESIGN & DEVELOPMENT TEAM Joe Uttaro Kortney Foley

LAYOUT & DESIGN MANAGER Ashley Tatlock GRAPHIC DESIGN TEAM LEADS Sara Kay Sydney Payton

SOCIAL MEDIA & FIELD TEAM LEAD Troy Gregg

PUBLISHER Spotlight Magazine Group (SMG)

Lee Ann Atwater Editor

P.O. Box 25028, Truro, Nova Scotia, Canada B2N 7B8 E: info@spotlightmagazinegroup.com spotlightonbusinessmagazine.com

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Spotlight What’s in the ON THE COVER CANADA’S UNIQUELY PRECARIOUS POSITION When the Music Stops, Will Canada Still Have a Seat? 18 84

03 A MESSAGE FROM THEEDITOR 04 WHAT’S IN THE SPOTLIGHT 18 CANADA’S UNIQUELY PRECARIOUS POSITION When the Music Stops, Will Canada Still Have a Seat? 22 A CONCERNED COMMUNITY MEMBER’SPERSPECTIVE Governance at the Rath Eastlink Community Centre 26 WELCOME TO WHISKY WONDERLAND Canada’s Premier Celebration of Whisky, Culture, and Connection 34 CANADA’S ENERGY SECTOR Canadian women see energy expansion leading to better lives 38 CANADA BUILDS™ ANOTHER AD, ANOTHER EXCUSE Why Ottawa Keeps Selling Sentiment Instead of Results 42 SMALL BUSINESS WELLNESS Safeguarding Your Small Business from Seasonal-Related Risk 56 PLANNING FOR GROWTH Setting Boundaries with Customers (Before You Need Them) 62 ALL ABOUT THE BEER. PURE. SIMPLE. Cheers to the 2026 Fredericton Craft Beer Festival 70 A STRATEGIC GATEWAY TO THEWORLD Canada’s Future Prosperity runs through the Northwest Coast 78 LIVING THE STARTUP How Entrepreneurs Can Get Organized and Back on Track After the Holidays 100 WHERE WINTER COMES TO PLAY Jack Frost Winterfest 2026 Captures the Heart of PEI 106 WINTER HEALTH & WELLBEING Symptoms & Support for Seasonal Affective Disorder 112 THE SELF-INFLICTED DAMAGE OF THE LANGUAGE POLICE An observation on allyship, intention, and how the policing of words can sometimes eclipse the message itself 116 THE ART OF MANIFESTING Manifest Your Best Life in 2026

LIVE OUTSIDE THE BOX

Phoenix Domes is Building the Future, One Triangle at a Time

EXPLORING WILD HAVEN FARM AND GLAMPING

As the world becomes increasingly aware of the need for sustainable housing, geodesic domes are poised to play a pivotal role in the future of both the housing and tourism industries, offering a practical solution that balances comfort with sustainability. This makes them an attractive option for business owners, travelers, and potential homeowners. Freyja Skye, the Founder and Owner of Phoenix Domes, explains how the business has evolved and continues to lead the way in providing eco-friendly, innovative, and beautiful accommodations that promise not only a place to stay but a step toward a more sustainable future.

BEYOND THE BREWS PEI Beer Fest 2026 puts the Island on Tap Every year, as winter loosens its grip on Prince Edward Island, a cheer rises from Charlottetown’s Eastlink Centre — the clink of tasting glasses and the lively chatter of beer lovers signal the arrival of the PEI Beer Festival. In 2026, this celebration of craft beer, cider, and community returns in grand style, so we thought we would pop the top of what can be expected from one of the Island’s most anticipated spring events. 48

Nature’s Reset Button, Disconnect to Reconnect.

EMERGING ARTIST SPOTLIGHT

Driven by Family, Fueled by Song

New Brunswick’s Sean Michael Ryan is a carpenter turned country music artist with deep roots in family and a genuine passion for storytelling. With a voice as

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Frozen Festival of Sport and Community in New Brunswick Every winter, the small village of Plaster Rock, New Brunswick, transforms into the global epicenter of outdoor hockey as hundreds of players and thousands of fans from all over the globe descend on Roulston Lake for the World Pond Hockey Championship THE 2026 WORLD POND HOCKEY CHAMPIONSHIP

big as his heart, Sean weaves personal experiences into his songs, creating authentic and relatable music that resonates with listeners. We sit down to talk about his journey that is driven by his dedication, resilience, and unwavering belief that “ family is everything. ”

SEAN MICHAEL RYAN

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Spotlight on Business Magazine has been the voice of small and medium-sized businesses in North America for over a decade. We are proud to spotlight and share the success stories of new start-ups, well-established and tested businesses, entrepreneurs, events, along with upcoming and established artists, and leaders as the go-to resource for SME's and entrepreneurs looking for solutions to challenges and obstacles with their business, and to seek practical advice and strategies from respected leaders from all sectors and industries. www.spotlightonbusinessmagazine.com

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EMERGING ARTIST SPOTLIGHT

Driven by Family, Fueled by Song

by Mary Austin

For New Brunswick - based country artist Sean Michael Ryan, music is about honesty, connection, and showing up with purpose. Named one of Canada’s top eight emerging country artists at Boots and Hearts and having performed at the Country Music Hall of Fame, Ryan is recognized for his talent and dedication. A father, carpenter, and business owner, he balances family life with a growing music career, bringing the same work ethic and grounded values that define his East Coast roots.

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K nown for his high-energy performances and commanding stage presence, Ryan captivates audiences with his voice and charisma. Influenced by the music of his upbringing and driven by a deep sense of responsibility to his family, he approaches his career with focus and passion. In this Emerging Artist Spotlight, Sean opens up about resilience, entrepreneurship, and building a lasting career in country music. Spotlight on Business: Tell us a little bit about yourself off stage. Let’s get to know Sean as a person. Sean Michael Ryan: Well, I’m a New Brunswick kid. I grew up on the East Coast, around people who worked hard and helped their neighbours - a lot of blue- collar folks. I spent most of my childhood doing regular kid stuff: playing hockey, playing in bands from an early age, and getting lost in the woods with my buddies during the summer. Those years taught me a lot - teamwork, passion, loyalty, work ethic - and how important it is to have good people around you. In the small community I’m from, Riverview, people really show up for each other. Growing up, you learn that family isn’t just blood. It’s how I teach my own kids now, and it’s how I approach everything in life - friendships, business, music - with the mindset that surrounding yourself with the right people is everything. That’s family, man Spotlight on Business: What do you like to do with your spare time when you’re not writing music or on stage? Sean Michael Ryan: First and foremost, when I’m not on stage, I’m with my kids - I love being a father. For a long time, I struggled to find my purpose. I knew I had talent in music, but I never quite fit into the traditional path growing up. Becoming a dad changed everything. The minute I held my first daughter, I knew this is what I was meant to do. If all else fails, this is my greatest success. Outside of that, I’m a big outdoorsman. I love being in the woods, fishing, sitting by a fire - that kind of peace. I’ve also been in carpentry since I was a kid, and I love working with my hands and building things. Spotlight on Business: When did your

passion for music begin? Who were your musical influences, idols, or bands growing up that inspired you to get into the music industry? Sean Michael Ryan: My mother is a musician - she’s a beautiful singer and guitar player - and music was always in the house growing up. My father was in country radio, so my early years were spent in radio stations, backstage at concerts, and around the industry. I fell in love with both sides of it - the singer-songwriter side I got from my mom, and the behind-the-scenes, production, and entertainment side from my dad. I got my first set of drums when I was seven, and I remember sitting in my room as a kid, listening to bands like Mötley Crüe and Guns N’ Roses, just thinking, one day I’m going to get that phone call. Once I got a taste of performing - I was on stage by the time I was eleven - it lit something in me, and it’s been burning ever since. Spotlight on Business: You’ve built a successful career in carpentry while keeping music at the heart of your life. How have you balanced those two worlds over the years, and what led you to bring country music back to the forefront when the time felt right? Sean Michael Ryan: When you become a parent, own a home, and have bills to pay, you do what you have to do to put food on the table. Carpentry came into my life early, and the work ethic I learned, swinging a hammer, paid for my instruments, my first tour van, and kept things afloat when music had to take a back seat. There were years when I had to step away from music, especially when my kids were young. Those were tough decisions - selling instruments, putting the dream on pause - but they were necessary. Still, the dream never went away. As my kids got older, I wanted to be the kind of father who showed them that if you have a dream, you follow it - no matter how old you are or how hard it feels. So, I worked my ass off building my own carpentry business, and that’s what eventually gave me the freedom to bring music back into my life in a serious way. Over the past five years, music has become top of mind again.

“

Growing up, you learn that family

isn’t just blood. It’s

how I teach my own kids now, and it’s how I approach everything in life ”

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Spotlight on Business: You’re now getting more time in the studio. So, do you prefer live performance or studio recording? Why? Sean Michael Ryan: Hands down, performing is my favourite thing. Recording is a beautiful process - it’s where you create the story, working behind the scenes with producers, engineers, and musicians who are masters of their craft. I love laying down tracks and hearing that first mix come back - it’s equal parts excitement and wanting to throw up. You put so much of yourself into it, and when it’s right, that feeling is incredible. But, performing is sharing the story with the people you wrote the songs for. Nothing compares to walking off after a great show, meeting fans, and going to bed with that feeling. That high - I’ll never be able to explain it. It’s the greatest thing ever. Spotlight on Business: You’re very busy touring and performing at festivals and events. How has this helped you as an artist? Sean Michael Ryan: Every show teaches me something new - about the people, the craft, and about myself. Every stage is different, every crowd is different, and those nerves you feel every time are a good thing. If you weren’t nervous, something would be wrong. That energy forces you to step outside your comfort zone, and that’s where growth happens. Festivals, in particular, really push you. The stakes feel higher - different stages, different audiences, bigger moments - and you have to rise to the occasion. That’s where you get better, where your confidence grows, and where your connection with fans gets stronger. Spotlight on Business: What is one festival, event, or venue that is on your career bucket list to play and why? Sean Michael Ryan: It’s always been the Grand Ole Opry. It was a dream of my mom’s - she grew up listening to artists like Merle Haggard, Anne Murray, and Patsy Cline, and I’ve told her since I was young that someday I’m going to play there and she’s going to be there to watch me. It’s something I get emotional about, because I feel like I got this from her. She

“

Every show teaches me something new - about the people, the craft, and about myself. ”

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didn’t get the chance to follow that dream herself, and there’s a part of me that feels like I’m doing this for her. I actually got the chance to stand in that circle once, and I whispered to myself, “I’ll be back.” Spotlight on Business: What is the biggest lesson you have learned along the way on your artistic journey? Sean Michael Ryan: Trust yourself and believe in yourself. There’s a lot of noise around every corner - opinions, trends, directions - but staying rooted in who you are and following your heart will always guide you. I teach this to my kids, too, and it applies inside and outside of music. Spotlight on Business: If you had the chance to do a duet with another artist who would it be and why? Sean Michael Ryan: Oh man, there’s so many people that come to mind, for sure…I think I’d love to do a duet with Luke Combs. I think I relate to him the most. I just love what he does. Out of every country music artist, I think I’ve seen him perform the most - he’s one of the most down-to-earth people. You can feel his heart through his music and his performances. Spotlight on Business: Two of our favourites that have been out for a while are your country music anthem, Beer Ain’t One, and Every Other Weekend, which shows a softer side of you as an artist. When can fans expect new music to drop? What can fans expect to hear? Sean Michael Ryan: Right now, there’s a lot going on behind the scenes, but I’ve got a new single coming out - it’s called I Need a Highway which releases January 16th. When it was pitched to me, I fell in love with it right away. Music has been so important to me, and this song really speaks to having a partner who wants you to follow your dreams just as badly as you do. It’s also really special because it was written by Dave Turnbull, who wrote Where the Wild Things Are for Luke Combs, and co- written by the late Kyle Jacobs, Kelly Pickler’s husband. To be able to bring their words to life is really meaningful to me. Musically, my

Your Winter Retreat for Food, Craft Beer, and Outdoor Fun in Mactaquac Provincial Park

www.bigaxealehouse.ca

1265 NB-105, Mactaquac, NB E6L 1B5 506-363-5947 • alehouse@bigaxe.ca

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RAPID FIRE Q&A Your Favourite Hockey Team? New York Rangers

Preferred Hammer Shot Beer? Coldstream Light Lager

Favourite Food Or Snack? Pizza (No Pineapple)

Early Riser Or Night Owl? Both, Don’t Sleep Much

That Tune That Is Stuck In Your Head Right Now? Stephen Wilson Jr’s - Gary

A TOAST TO BEER, CIDERS, & COOLERS

2026

SESSIONS

you want readers to know about you or your music? Any message for the fans? Sean Michael Ryan: Just keep following along - I don’t plan to stop. Age is just a number, and I’m going to keep pushing, networking, and growing in this. I want to do it with everyone who believes in me. Every show I play, every person I meet, I feel so blessed - my family keeps growing with fans and supporters. I’m just some kid from New Brunswick who loves to sing and build things, and sharing this life with people is my dream - and as far as I’m concerned, it’s just getting started. Meeting and speaking with Sean, understand that he’s grounded by family, fueled by hard work, and driven by a genuine love for storytelling. Sean Michael Ryan is carving out his own path in country music. As his career continues to grow, he remains focused on creating music that connects people.

producer, Grady, and I spent a lot of time in Nashville designing a sound that fits who I am - kind of a Nate Smith meets Jason Aldean, midwestern country vibe. I feel like it’s the best single I’ve put out so far. Spotlight on Business: We have been fortunate enough to have seen you live a few times on stage, and we couldn’t do an interview without talking about the “Hammer Shot”. Where did that idea come from? Sean Michael Ryan: The idea came from my carpentry roots. You always have your tool belt on, and sometimes, at the end of a job, a customer would bring a beer to say thanks. I thought, why not bring that to the end of a show? It’s a celebration of all the hard work - mine, my band’s, and the fans’. I actually shelved the idea for a few years because I worried people would think it was silly, but eventually I trusted my gut and gave it a shot. Now, at the end of every

show, my road manager hands me my tool belt with a can of beer in it – sometimes it’s a practical joke with a huge can! It’s become kind of my signature thing. People talk about it, come up to me afterwards, and it gets everyone fired up. Spotlight on Business: Where can fans find out more about you, new music dropping, and upcoming shows? Sean Michael Ryan: You can find me at seanmichaelryan.com - that’s my main website with my bio, videos, and EPK. I’m also on Instagram, TikTok, and all streaming platforms like Spotify, Apple, and Amazon - it’s all under Sean Michael Ryan Music. The biggest help fans can give is to follow along, hit the like button, comment, and share with friends. That really means a lot and helps us keep going.

tickets & info

Presented by

CHARLOTTETOWN, PEI EASTLINK CENTRE

Spotlight on Business: Anything else

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BEERFESTPEI.COM

19+. Please drink responsibly.

by Ben Brooks CANADA’S UNIQUELY PRECARIOUS POSITION When the Music Stops, Will Canada Still Have a Seat?

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Drop interprovincial trade barriers like it’s a national emergency. Because it is. ” “

Meanwhile, as Canada wakes up to global risk, we’re still governing with a pyramid of power — waiting for permission to act, waiting for programs to open, waiting for Ottawa to decide what kind of growth is acceptable. This is why the Greenland talk matters even if it never happens. It’s a stress test. It forces one question: When the music stops, do we have a seat — or do we just have slogans? To the Carney government’s credit, some early moves signal a shift toward pragmatism. Ending the consumer carbon levy. Promising new pipelines. And the departure of Steven Guilbeault, replaced governing trade-offs. Those are beginnings. But beginnings don’t buy much time if the outside world is hardening. What would it look like to act like an independent country — not a dependent region? Drop interprovincial trade barriers like it’s a national emergency. Because it is. Treat small business as strategic infrastructure. Simplify compliance. Speed up permits. Lower friction. Stop punishing hiring. Devolve real authority and durable funding to rural municipalities so they can maintain roads, water, and growth capacity without begging annually. Scrap policies that prioritize signalling over measurable outcomes — not because compassion is bad, but because compassion without delivery is self-congratulation. If the world is shifting toward blocs, Canada’s only chance is to become a functioning federation with a real coast-to-coast economy — not a collection of regions waiting for Ottawa to grant permission to prosper. Because if the next decade is defined by hard power again, the countries that survive won’t be the ones with the best slogans. They’ll be the ones who can produce results, not statements. For the moment at hand, a viable Canadian future requires durability, sustainability, and the hard work of becoming an actually independent country.

I say this as someone who has lived and worked in both countries, with family on both sides of the border. This isn’t an indictment of America. My hope — sincerely — is for a return to a saner, steadier, more respectful relationship

treats sovereignty like a suggestion. Europe would scramble inward. Others would form regional blocs. Canada would be left staring at a reality we’ve avoided saying out loud for decades: We are deeply dependent — economically, militarily, and psychologically — on a single neighbor that is increasingly

between our two nations. But hope is not a strategy.

unpredictable. Now zoom in.

By the mid-1980s, Canada had oriented the vast majority of its oil and gas production toward the United States — dismantling energy independence in favor of export dependence. Today, nearly all of our oil exports flow south. That reality leaves us structurally exposed. A country this exposed cannot afford wishful thinking. Canada has spent a century defining itself as “not America.”That was a luxury strategy — a branding strategy — and it worked as long as the U.S. behaved like a predictable superpower with a rules-based reflex. That reflex is wobbling. When the President of the United States talks about “needing” Greenland — and doesn’t rule out coercion — that isn’t idle cable-news theatre. Nordic leaders are already condemning the rhetoric as an attack on the rules-based order. Once “taking territory” re-enters Western politics, every smaller country that has been coasting under American stability has to do the math again. If Greenland were ever seized by force, NATO as a moral concept is finished. You can’t be a defensive alliance built on sovereignty while your largest member

Canada isn’t just under the thumb of the U.S. Provinces are under the thumb of Ottawa. Municipalities are under the thumb of provinces. Rural Canada, in particular, is expected to carry an enormous load with a fraction of the leverage. Here’s what’s missing from the federal ad campaign about “grand projects” and “big builds”: Canada runs on small business and small communities — and we treat both like afterthoughts. Small businesses employ 5.8 million Canadians, about 46.5% of the private labour force. Firms with fewer than 100 employees account for roughly 44.5% of all employment. Small business generates over a third of private-sector GDP. So when Ottawa says, “we’ll build,” the question should be simple: Will you finally build a Canada where small businesses can breathe? Or will you keep governing as if the economy only happens in boardrooms in Toronto, Montreal, Calgary, and Vancouver? Because the spine of the country isn’t

Photo courtesy Getty Images

just our cities. It’s our supply chains. Our trades. Our ports. Our farms. Our fisheries. Our tourism towns. Our repair shops. Our independent restaurants. Our seasonal economies — the places that don’t trend online but keep the machine running. On infrastructure, the numbers are blunt. Most roads — 57% by length — are owned by rural municipalities. When it comes to renewal costs, rural communities shoulder a heavier share than urban ones, despite having far fewer fiscal tools. That’s the trap: responsibility without authority. Expectation without funding. “You’re essential” — without the tools to survive.

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Photo courtesy Getty Images

Photo courtesy RECC & CNSSE

I have been following the discussions about the future of the RECC, and after listening to both town and county meetings today, I want to draw attention to something that I feel may be overlooked or downplayed in terms of its importance. Governance is not the first thing that comes to mind when I think about the Rath Eastlink Community Centre (RECC), the Stampede, or the NSPE grounds. I think about the events, the families who go there, the employees and volunteers, the day-to-day activity, and the sense of pride and community these places and events bring to the area. I think that is true for many of us. But the decision in front of the town and county right now is not about operations or individual events. It is about governance and who will hold decision- making authority for a community facility that all of us fund, and many of us in the community use. Because the county has given notice to end the current operating agreement on January 31st, 2026, the town and county must now choose a new governance model quickly.

Photo courtesy RECC & CNSSE

A CONCERNED COMMUNITY MEMBER’S PERSPECTIVE Governance at the Rath Eastlink Community Centre

by Amanda Sutherland

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Here’s what the structure has been: • The RECC is operated by a Society, which is a common model for community facilities. The usual alternatives are running it directly as a municipal department or contracting it to a third party. • The Society is governed by a Board made up of community members with business and operational experience and elected officials. Offering a balanced structure. • The Board provides oversight, sets direction, approves major decisions (including what authority is delegated to the CEO), and ensures the community’s interests are represented. • Management runs the facility day to day. When governance is strong and clear, bylaws can be updated, delegation of authority can be refined, and operational issues can be addressed properly. Governance is the foundation that allows everything else to function. Another topic raised in this debate was whether the Society had the authority to enter into agreements outside of the RECC. If that authority needed to be clarified or limited, that is normally handled by updating the delegation of authority, amending bylaws, or revising the operating agreement. Those tools already existed within the current governance model. Removing community representation is not the only way to resolve that concern. Both municipalities suggested that the Society model remain in place because it is familiar, it keeps RECC employees in their roles, and it allows existing contracts to continue. On the surface, this sounds like the same structure the community has always known. But there is a very important detail buried in that proposal. The Society would remain, but the governance of it would fundamentally change. The single biggest change is the removal of community members as voting Directors, replacing balanced oversight with a Board made up entirely of councillors. Under the new model being presented by both the town and the county, the Society

would continue, but all voting seats on the Board would be held by councillors. A citizen advisory committee would exist, but it would only provide advice and would not have voting power or decision- making authority. In simple terms: • Community members could offer input. • Community members would not have a vote. • All decisions would be made by elected officials only, who may or may not have the business or operational experience that has traditionally helped guide the Society and secure World Class events. During the town meeting, one councillor suggested that the public likely does not care much about governance. I believe we should care because governance determines who has authority, how decisions are made, and who is accountable. It affects the RECC, the Exhibition Grounds, the Stampede, and every decision that will be made going forward. None of the questions people are asking about operations can be answered until governance is set. For a facility of this size and importance, removing community voting members is not a small change. It concentrates all decision- making within a fully political structure and removes the subject matter expertise and independent oversight that community members have always contributed. This is also a permanent change. Once community voting seats are removed and the Board becomes entirely political, there is no automatic path back to a balanced model. Future councils could keep full control indefinitely. That is a significant shift for a community facility that has always had both municipal and community oversight. If you are a resident of Colchester County or the Town of Truro, I encourage you to reach out to your councillors and mayors. Let them know that governance matters, and that the public expects transparency, balanced representation, and continued community seats on the Board before any final decision is made.

“ Photo courtesy RECC & CNSSE

Governance is the foundation that allows everything else to function. ”

Photo courtesy RECC & CNSSE

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WELCOME TO WHISKY WONDERLAND Canada’s Premier Celebration of Whisky, Culture, and Connection

by Ryan Myson

Each winter, as the chill grips the nation and snow blankets the streets of Ottawa, a different kind of warmth begins to build — one fueled not by heaters or fireplaces, but by amber liquid, laughter, and the shared delight of discovery. This is Whisky Wonderland, Canada’s premier winter

Here, winter isn’t something to endure — it’s something to toast. ” “

whisky festival and one of the country’s most eagerly anticipated celebrations of spirit, story, and social connection.

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Photo courtesy Whisky Wonderland

W hisky Wonderland isn’t just another tasting event. It’s a winter ritual, a cultural gathering and an immersive sensory experience that brings together whisky lovers from across the country — from seasoned connoisseurs to curious newcomers — under one roof (and often out on the snowy grounds) to celebrate the bygone traditions and modern evolutions of one of the world’s most storied spirits. A Winter Ritual With Deep Roots The idea for Whisky Wonderland sprang from something beautifully simple: a desire to bring people together over whisky. Founded by whisky enthusiast Mike Brisebois, the festival was built on the belief that whisky is more than just a drink — it is a catalyst for conversation, craftsmanship, and community. Over the course of one long February weekend — this year scheduled for February 19–21, 2026 — attendees converge on Ottawa’s TD Place in the scenic Lansdowne district. What unfolds over three days is far more than a tasting session; it’s an immersive celebration of whisky’s culture where curiosity is encouraged, and every pour tells a story. In a country known for its long winters, Whisky Wonderland has become a vibrant antidote to the cold. Here, winter isn’t something to endure — it’s something to toast. More Than Just a Glass: The Festival Experience At its heart, Whisky Wonderland is a sensory exploration — a place where flavour, art, education and connection converge. Visitors

can wander among more than 40 premium whisky vendors, sampling everything from classic single malts to rare blends, world whiskies, and limited-release bottlings that might otherwise be hard to find. But the festival experience extends well beyond tasting. Attendees can immerse themselves in masterclasses led by industry experts, where technique, history and craftsmanship are discussed with depth and passion. These sessions provide rare insider access to the world of whisky — perfect for both those just beginning their journey and seasoned drinkers looking to deepen their appreciation. For many, one of the highlights of the weekend is the Whisky Wonderland dinners. From the intimate Founder’s Dinner — an exclusive long-table affair with Brisebois and special guests — to curated whisky-paired culinary experiences, these meals turn each course into a conversation, weaving flavour and narrative together in perfect tandem. On the main festival day, Saturday, the atmosphere becomes a blend of serious tasting and joyful celebration. Live music sets the tone as visitors stroll through heated outdoor lounges, gather around fire pits, and explore interactive features like ice bars, ice sculpting displays, cigar lounges, and even whisky-infused roasted marshmallows.

The Social Spirit of Whisky Part of what makes Whisky Wonderland so magnetic is its emphasis on connection. Whisky, for all its complex flavours and storied heritage, is at its best when shared. The festival cultivates this sense of community in every corner — whether between attendees comparing tasting notes, a masterclass group debating the influence of peat, or friends huddled around a fire sipping a dram under a starlit winter sky. This social essence is intentional. Whisky Wonderland’s organizers have always envisioned the event as a community- building platform, not just a showcase of spirits. The festival brings together distillers, brand ambassadors, bartenders, writers, collectors, and novices — all with their own perspectives and stories — creating a space where expertise and curiosity mingle. For many attendees, the connections forged here become as memorable as the whiskies themselves. Enthusiasts return year after year, not merely for the premium pours or rare finds, but for the conversations that unfold, the friendships that form, and the sense of belonging that comes with being part of a passionate community.

Glen Oro Farm With over 200 acres of open fields, pristine riding trails and gorgeous rolling hills, Glen Oro is a breathtaking eco-retreat where you can reconnect with your primal roots. Whether you’re interested in some horse riding lessons, looking for unique luxury camping accommodations, planning a rustic wedding or a group of executives coming in to grow together and brainstorm new ideas, you can plan your next getaway with our curated packages. This is a place that tightens bonds and fills up the energy reserves, inspiring creativity as well as feeling like a safe place to just be—to exist, recharge, reset and refresh.

Your incredible experience starts here. Book with us today!

Photo courtesy Whisky Wonderland

www.glenoro.com

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Photo courtesy Whisky Wonderland

SATURDAY GENERAL ADMISSION Saturday, February 21st - 4:00PM - 7:00 PM Join the crowd and enjoy three hours of whisky discovery and celebration. This is a 19+ event; a valid government-issued ID is required for entry. SATURDAY VIP ADMISSION Saturday, February 21st - 2:00PM - 7:00 PM A great choice for those who want to experience the heart of Whisky Wonderland — all in one unforgettable night with early access for extended tasting time, and a premium experience of the Main Show. This is a 19+ event; a valid government-issued ID is required for entry.

THE FOUNDER’S DINNER Thursday, February 19th - 7:00 PM Join Mike Brisebois, Founder of Whisky Wonderland, and special guests for an intimate evening of food, stories, and exceptional drams. This one-of-a-kind dinner features premium expressions from top whisky portfolios.

WHISKY DINNER Friday, February 20th - 7:00 PM

A curated Whisky Wonderland dining experience that pairs exquisite dishes with premium whisky selections, hosted by a renowned brand ambassador.

tradition, and a nod to the exciting future ahead for Canadian spirits. The inclusion of educational masterclasses further deepens this cultural exploration. Sessions may delve into topics like the impact of wood and aging, the nuances of barrel types, historic distillation methods, or the influence of terroir. These aren’t just technical discussions — they are stories, each one adding depth to every sip.

incredible breadth of craftsmanship. In recent years, Canadian whisky has experienced a renaissance — gaining recognition on the world stage for its innovation, diversity, and quality. Events like Whisky Wonderland play a pivotal role in this momentum by providing a platform for Canadian distillers to shine alongside international peers. It’s a celebration of heritage and innovation, a recognition of

A Celebration of Craft & Culture

Whisky Wonderland also embraces the cultural dimensions of whisky — exploring not only Canadian whiskies, but also global expressions. Scotch, bourbon, Irish whiskey, Japanese whisky, and other international styles find their place alongside local and boutique distillers, showcasing an

THE WHISKY WONDERLAND

THE EXPLORER

The Ultimate All-Access Weekend Pass Experience, Including:

Where curiosity meets craft, including:

• Whisky Dinner - invite-only event with distillers and whisky makers.

• Thursday’s Founders’ Dinner and Friday’s Whisky Dinner – an exclusive, invite-only event with distillers and whisky makers. • Friday Masterclasses – available only with a package and allow you to go deeper with guided masterclasses led by distillers and experts. From single cask secrets to rare global expressions, these intimate sessions expand your knowledge and palate. • Saturday VIP Admission – early access, exclusive tastings, and lounge privileges. Allows you to go all-in and experience every sip, story, and moment of Whisky Wonderland.

• Friday Masterclasses – available only with a package and allow you to go deeper with guided masterclasses led by distillers and experts. From single cask secrets to rare global expressions, these intimate sessions expand your knowledge and palate. • Saturday VIP Admission – early entry and elevated experiences. For the curious drinker who wants a little extra adventure — more pours, more stories, more to discover..

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magic lies not only in the drams sampled but in the conversations sparked, the friendships formed, and the ways in which whisky serves as a bridge between people. Looking Ahead As Whisky Wonderland continues to grow, so too does its influence. The move to TD Place signals an exciting future with expanded capacity, larger masterclasses, broader vendor exhibitions, and an even richer program of events. Enthusiasts returning in 2026 can expect more vendors, more experiences, and ever-deeper dives into the culture of whisky. But amid these expansions, the festival remains true to its roots: a celebration of whisky, culture, and connection. Whether you’re a seasoned aficionado or someone simply curious about what makes whisky so compelling, Whisky Wonderland offers an inviting and unforgettable experience. Whether you’re seeking exclusive tastings, immersive education, or once-in-a-lifetime dining experiences - Whisky Wonderland 2026 has the perfect package to raise your glass to unforgettable memories So, Raise a Glass to Community In a world that often feels divided, Whisky Wonderland reminds us of the joys of gathering — of conversations sparked by shared passions, of learning something new from a stranger-turned-friend, and of finding warmth in both human connection and a finely crafted dram. This winter, when Whisky Wonderland returns to Ottawa, it will once again welcome visitors from near and far. Over three days of tasting, learning, and celebrating, it will do what it always does best: bring people together — one pour at a time. For full event details and updates, visit the official Whisky Wonderland website at www.whiskywonderland.ca

Photo courtesy Whisky Wonderland

attend the event but also explore the city’s restaurants, shops and cultural offerings. It’s become part of Ottawa’s winter identity — a time when the city’s energy shifts and transforms into a hub of spirit celebration and social warmth. The festival also supports distillers and brands — large and small — by providing direct access to passionate consumers, potential buyers, and industry peers. This connectivity encourages collaboration, highlights emerging talent, and helps shape trends within the spirits industry. Stories From the Event Walking through Whisky Wonderland, you’ll hear many stories. There’s the experienced collector who travels thousands of kilometers each year to attend, drawn by rare bottles and rich conversations. There’s the couple trying their first masterclass together, discovering new tastes and building shared memories. And there’s the distiller proudly pouring a small-batch expression, sharing not just a drink but a narrative of heritage, technique, and inspiration. These stories — and the connections they represent — are what give Whisky Wonderland its soul. The festival’s true

Designing an Experience One of Whisky Wonderland’s trademark strengths is how it curates atmosphere. The venue, TD Place, offers both expansive indoor tasting halls and inviting outdoor spaces, allowing for a fluid experience that accommodates lively events, quiet conversations, and spontaneous discovery. Heated outdoor igloos and lounges make winter part of the experience rather than an obstacle, while artfully designed tasting stations create moments of discovery at every turn. Live music energizes the venue, bridging the gap between a classic tasting event and a celebratory festival. VIP experiences add an extra layer of luxury and personalization. With early access, exclusive pours, premium lounges and curated tastings, these packages cater to those eager to elevate their weekend into something truly memorable. Whisky Wonderland’s Broader Impact Beyond being a standout event for whisky lovers, Whisky Wonderland contributes to the broader cultural and economic life of Ottawa. Each February, the festival draws visitors from across Canada who not only

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Q&A WITH PREMIER TIM HOUSTON

“

I n North Vancouver, Heather Taylor spends much of her time volunteering to tackle the challenges of affordability and food security. It’s given her a front-row seat to how community needs and energy policy overlap — especially for women. “Women tend to feel economic impacts first. They see the connection between what’s happening in the economy and their daily lives,” said Taylor, senior manager of social performance with Western LNG, a partner in the proposed Ksi Lisims project led by the Nisga’a Nation. More than 80 per cent of engaged women nationwide believe expanding Canada’s energy sector would raise the country’s standard of living, according to a new report by Canada Powered by Women, where Taylor serves on the board. Women all across Canada generally hold very similar opinions on these issues, and they feel strongly about it. ”

Canadian women see energy expansion leading to better lives CANADA’S ENERGY SECTOR

by CEC Staff

Heather Taylor, senior manager of social performance at Western LNG and a board member of Canada Powered by Women, speaks at a recent event hosted by the organization. Photo courtesy Canada Powered by Women

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“This level of support reflects a sense of urgency and that we need to start moving forward.” The poll results align with other surveys showing broad support for Canada’s energy sector among both men and women. That includes an October Leger poll in which 72 per cent of Canadians said new pipelines are important to the country’s economic future. Economic threats from U.S. President Donald Trump have added to the appeal of Canadian energy independence, Taylor said. “These issues are very much at the forefront of Canadians’ minds,” she said. “Our research shows Canadian women care deeply about what’s happening in the economy, and how it affects their daily lives.” The survey and workshops also revealed that even many engaged women aren’t aware of the extent of Canada’s pipeline constraints — including the fact there’s no east-west oil pipeline through the country — Taylor said. “If engaged women don’t know, the larger public definitely won’t,” she said. “Part of that may be because we live in an energy-secure country,” she added. “There are no real challenges when it comes to heating or cooling our homes. But it’s important for people to understand where their energy comes from — and how fragile that system can be, and how much policy shapes it.” Women all across Canada generally hold very similar opinions on these issues

Canada Powered by Women CEO Tracey Bodnarchuk. Photo courtesy Canada Powered by Women

Women tend to feel economic between what’s happening in the economy and their daily lives ” “ impacts first. They see the connection

The advocacy group defines “engaged” women as politically aware, economically literate, and invested in the country’s future, estimating there are about 6.7 million of them across Canada. In a Leger survey conducted earlier this year, eighty-five per cent agreed Canada should build more pipelines to reduce dependence on the U.S. “Women all across Canada generally hold very similar opinions on these issues, and they feel strongly about it,”Taylor said. “I’m an Albertan, but I moved to B.C. four years ago to work. I always thought people in B.C. think differently, but these results show that’s incorrect.” Building on the survey, Canada Powered by Women hosted workshops this spring in Toronto, Vancouver, and Calgary, drawing more than 550 participants from across sectors. The discussions echoed the survey’s findings, said CEO Tracey Bodnarchuk. “We are seeing the highest levels of acceptance for Canadian energy since we began polling engaged women across the country about these issues in 2023,”she said.

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