undersides of the ceilings of o tall bookcases with their doors in the living room. It rs at the bottom of the high s in the dining room alcove n the end post of the rade on the upper bedroom ases and one in the dining room are represented on the outside of the house as protrusions that t the long run of windows and visually support the roof. If one can sense beauty, proportion and rhythm, one lives in a veritable visible symphony, in a of art. ten a feast for the senses. ouse with its marvelous pattern, the two porch ays going to the ground the rear kitchen stairs and ge formal stairs dividing the room from the dining room, perfect for polonaises, the
ing patterns I had learned in uth in Europe, the ones they e in Vienna on New Year’s The beautifully inlaid en floors invited one to not to mention that long h between the French doors living room, over “the
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