walls of the cold war Berlin souvenirs
memorials | portability
memory wal ls par tition propaganda change
by açalya allmer and jens allmer
On a visit to Berlin chances are high that you encounter little colourful pieces of concrete advertised as parts of the Berlin Wall, the manifestation of the iron curtain, being sold as souvenirs. Do you end up buying one of them? – sure you do!
Walls in architecture can be ambivalent: do they keep people in, or out? Unlike the Great Wall of China which kept out the Mongols, or a prison wall which protects outsiders from its contents, the Berlin Wall which separated East from West Berlin displays exactly this ambiguity. Built in 1961 as a response to brain drain from communist East Germany (German Democratic Republic) to capitalist West Germany (Federal Republic of Germany) it was obviously meant to retain its inmates. However, propaganda in East Germany declared that the wall was protecting its East Germans from the threatening, all-engulfing, capitalistic ideology on the other side. The Berlin Wall became an icon of the Cold War. No other military installation, from bunkers and missile silos to military airports and any other military construction, ever gained such visibility. Clearly, its roots were in the aftermath of World War II and the subsequent division of Germany into four parts, each governed by one of the Siegermächte. Twenty-eight years after its construction, in 1989, the Berlin Wall was torn down. Thousands of Berliners attacked the wall with any tool they could lay their hands on. Today, on the twentieth anniversary of the demolition of the wall, is a quite different scene: groups of tourists now visit the remaining wall segments, such as the East Side Gallery near Warschauer Straße, or the Mauerpark near Prenzlauer Berg. The physical destruction of the wall was straightforward but removing it from people’s minds proved more difficult. Years after you are still able to hear some West-Germans say: ‘Let’s rebuild the wall but make it higher’. The wall in its raw form as constructed by GDR’s Walter Ulbricht can hardly be called a piece of art but countless graffiti artists enhanced the appearance of the side facing the FDR. Painted peace-related topics and comments on the existence of the wall itself added value to its existence. Without this illegal (as the wall was completely on GDR territory) artwork the Berlin Wall would most likely not be exhibited as widely as it is today. Many pieces of it have been presented to political leaders and museums around the world – the Imperial War Museum in London and the Intrepid Sea Air Space Museum in New York, for example, underlining the historic significance of the object-nature of the wall: although either absent or dispersed, it still, fragmentally, exists.
48 On Site review 22: WAR
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