Peter & Jayne Smith | Shelf Life | 2024

Peter & Jayne Smith

skeleton. Used for their Lost Impossimals™ and Lost Alice™ character work, this ghoulish figure is clad in a Victorian temperance sash, which was used during the social movement to prohibit alcohol. Atop its shoulder is a 1930s doll, and on its skull is a headmaster’s mortar board hat, with a red wooden apple for its heart.

Hanging on the walls are construction sketches for the Impossimal characters, along with a frame filled with an assortment of childhood memories, games and vintage artefacts. These include an old Secret Agent ID, a set of false teeth, a flintlock pistol, a belt buckle from Peter’s teenage years and a box of working matches from 1903. Another quirky feature is a horse saddle, which Peter sits on to paint!

Peter and Jayne Smith are a British artistic duo and creators of one of the most collectable and beloved series of fine artworks. Popular culture, social critique and an insatiable love for finding the fun in life, Peter and Jayne’s creations remind us to recapture a little of that cheeky childhood sparkle we so often grow out of. Together they have created the Lost Impossimals™, Lost Alice™ and Impossimals® series, which feature his beloved characters in a range of humorous scenes and situations. The Impossimals have gained a dedicated following among art enthusiasts for their unique blend of humour, creativity, and artistic craftsmanship.

Full of ingenious riddles, wordplay and visual jokes, the duo’s surreal yet endearing artworks make an incredible gift or finishing touch to a home. Adult themes of love, debauchery and gluttony are underpinned by a desire to make his collectors smile and remember “the imaginative wonderment and limitless creativity” we experienced as children, which Peter believes is “something we lost as we got a little older.” The pair’s home is the perfect studio for their eccentric art, with quirks including a Victorian dining room and a two-foot teapot. Inside the studio is a wonderland of curiosities: along with a Victorian apothecary cabinet with real medicines, Peter and Jayne share their art space with a

“I am at the point in my career where I feel competent enough to tackle something that acknowledges that part of my past, and also does it justice in the future.” – Peter Smith

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