COLLEEN MULVIHILL: June 9, 1952 – March 2, 2019
Kung, yoga, Pilates and Gyrotonic. For many years she created gymnastics routines for competitive university and club teams, cul- tivating award-winning gymnasts through- out the country, including the University of California, Berkeley Golden Bears. Over the course of her 20-year study of Five Ele- ment Theory, Reiki and other esoteric heal- ing forms, she created a tremendously effec- tive and wholly unique energetic healing modality, which she used to restore health to countless animals and people. Her most recent business in Colorado was aptly titled “The Body Speaks.” On the Body Speaks website Colleen described how she approached each person, " I have come to understand the deeper energetic capacities within us; allowing us to sense new territories of our beings (not only our physical bodies) and then use this awareness to affect change and improvement in our whole state of being. This deeper participation with our whole beings gives us an ever evolving means to express ourselves, com- municating with clarity and ease. Constantly attuning to this whole body awareness is what I imagine to be the essence of living from our "Core".” She generously brought to each set- ting a warmth that radiated kindness imbued with respect for each individual body and being. When you worked with Colleen you were assured one of her vibrant smiles that was always followed by her soulful laugh. Colleen’s life was celebrated on June 2nd with colleagues, friends and clients in Colo- rado and on her birthday, June 9, at a gath- ering in Eugene, Oregon with numerous friends and family. A Bay Area celebration is forthcoming and will be announced at a later date. Please email: mercysidbury@comcast. net if you would like to be informed of this gathering.
AFTER A BRIEF, SUDDEN ILLNESS, long time Bay Area resident dance artist Col- leen Mulvihill died in Longmont, Colorado on March 2, 2019. Her partner for close to four decades, J.A Deane (Dino,) was there to support her passing and reflected that “I was blessed to have shared a life-journey with this amazing woman for 38 years and as we all (family/friends/colleagues/clients) knew, Colleen walked her own path. I often felt that she wasn’t securely attached to this physical world but rather traveled another strata.” A movement conjurer whose 30 year dance career emerged from her early years as an Olympic gymnast, Colleen transformed her singular artistic perspective into heal- ing work with others, using movement and energy work to “understand the deeper ener- getic capacities within us to affect change and improvement in our whole state of being.” This work bridged diverse settings and body- work modalities, each reflecting her history as a gymnast, dancer, choreographer, teacher, coach and especially in her role as a cherished friend to many in the dance world. One of eight siblings, Colleen Mulvihill found her calling at an early age, spending hours in the gym daily being coached by her father, Dick Mulvihill, a well-known gymnas- tic coach in the United States in the 1960s. Colleen went on to compete at the 1968 Mexico City Olympics by placing third at the Olympic Trials. After the Olympics she completed her education at Centennial High School in Illinois, graduating in 1970 and then attended the University of Illinois where she studied dance with Beverly Blossom, Ches- ter Wollenski, Willis Ward and Pat Knowles, receiving a BFA in Modern Dance in 1974. As might be assumed from her gymnastic training, Colleen was an exceptional dancer.
Colleen Mulvihill / Photo courtesy of J.A. Deane
New York City from 1980 to 81. Starting in 1979, Colleen started her lon- gest and most endearing collaboration that continued until her death. That collabora- tive partner was composer and musician J.A. Deane - Dino. Together they gener- ated over 50 dance and music works which they described as “a dynamic relationship to the inexhaustible possibilities of move- ment, sound, architecture, image and light.” Colleen and Dino performed and presented original productions throughout the United States, Europe and China. In 1986 Dancers’ Group presented Colleen and Dino’s work in the inaugural Edge Festival and again in 1994, both presentations in San Francisco. Over the years Colleen created several businesses that allowed her to share her unique perspectives on training that, in addi- tion to gymnastics and dance included, Qi
In the Bay Area, Colleen collaborated with the Margaret Jenkins Dance Company from 1975–1979 and also from 1984-1986. On learning of her death Jenkins provided this reflection, “Colleen was the definition of rhythm for me, living in the spaces in between the beats. When she first came to my class I wondered who this creature was, fresh from gymnastics and the university fitting no partic- ular definition of dancer thank goodness, but surely challenging how one might learn from and contribute to what she knew. Sometimes one just takes a chance not knowing why, as so many did with me, and she became a gift that kept revealing the work to me, to us - her spirit demanding, her craft exemplary, her love in every step, in the margins or ON the stage. A blessing to the work, to me, ongoing.” Colleen also had the opportunity to work with the David Gordon Pick Up Company in
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