ULCERATE TYPE SPECIMEN BOOK

File Case no. ULC3R8

From Cells to Type Active Mutation

U LCERATE

Histology Report #1

Gastric Tissue

Dr. Dalal Elsamannoudi

NO. DE303789

Signed by: Date: 01.04.25

“To understand the disease, one must understand the cell.”

- Rudolf Virchow

Ulcerate is a variable typeface inspired by foveolar hyperplasia, a condition where gastric cells multiply uncontrollably. This type specimen book reimagines that biological process through design, turning microscopic overgrowth into shifting, expanding letterforms. By visualizing variability, adaptation, and loss of form, Ulcerate becomes both a response to the body and a redefinition of what type can express.

Chapter 1: Ulcerate ► Typeface Narrative ..................................... 04 ► Medical Report ......................................... 06 Chapter 2: Hyperplasia ► Foveolar Histology ..................................... 08 ► Cellular Transformation ................................ 10 Chapter 3: Formation ► Stomach Anatomy ........................................ 12 ► Typeface Development ................................... 14 Chapter 4: Application ► Variable Type in Motion ................................ 40 ► Typographic Use Cases ................................. 100

The Human anatomy

An Ulcer in the gastric area

Stomach ulcers

gastritis with foveolar hyperplasia

TYPEFACE NARRATIVE:

HISTOLOGY REPORT #1 15.01.2022

E2025.3311

Ulcerate is a typeface born from pain, designed and created by someone who endured the cycle of misdiagnosis and medical mistreatment. For years, her symptoms were misunderstood, her pain dismissed, and her body subjected to the wrong medications. What began as an internal discomfort spiraled into something far worse: foveolar hyperplasia , a condition where the stomach lining thickens due to chronic irritation, ultimately leading to a severe ulcer. The very treatments meant to heal her had instead eroded her from within. Typography became her way of reclaiming that experience, of turning the unseen into something tangible. Rather than simply looking at what an ulcer does, she looked deeper into the cells that caused it. Foveolar hyperplasia occurs at a microscopic level, where gastric cells multiply abnormally, forming excess layers that disrupt the stomach’s delicate balance. This cellular transformation became the foundation of the Ulcerate Typeface.

“If I cannot see what happened inside me, I will create it.”

A

B

C

CT scan of a peptic ulcer in the stomach (Niknejad 2024)

Signed by: Dr. Ulcer Ate Department of Experimental Histology and Typographic Morphology

Date: 19|01|2022

Official Record – For Research & Typographic Study Only

TYPE SPECIMEN MEDICAL REPORT

Typeface Name

Pronunciation

Classification

State

Ulcerate

(UL-suh-rayt) Variable Typeface

Shifting

Primary Influence

Stomach Ulcers, Foveolar Hyperplastic cells, and Cellular Adaptations

Nomenclature & Concept

Ulcerate comes from ‘ulcer,’ a wound, rupture, or erosion within the body, and ‘-ate,’ a suffix signaling transformation and adaptation. Just as an ulcer reshapes the stomach lining, Ulcerate expands, multiplies, and distorts, constantly shifting in form.

Stomach Shape

Foveolar Cell

Normal Cells to Hyperplastic Cells

shows how Ulcerate replicates hyperplastic cell behavior through four key processes:

Typographic Adaptation

Multiplication

The typeface continuously multiplies, mimicking hyperplastic cell proliferation (rapid & excessive cell growth)

1

Expansion

The typeface stretches in size, growing irregularly like thickened gastric tissue (excessive cell buildup due to irritation)

2

Weight shift

The typeface experiences uneven growth, causing fluctuations in density & form (variations in cellular mass & distribution)

3

Distortion

The typeface undergoes rapid multiplication, deforming shapes & disrupting uniformity (cells grow unevenly, altering structure)

4

ULCERATE TYPE LOGO

Type Specimen book review

This type specimen book documents the development of Ulcerate , a typeface grounded in the biological behavior of foveolar hyperplasia. It begins at the microscopic level, examining how an overgrowth of gastric lining cells multiplies beyond necessity and disrupts the balance of their environment. From there, the book moves into the anatomy of the stomach, which becomes the foundation for the typeface’s visual system. The stomach is not only a reference point but also a design framework that informs how Ulcerate grows, adapts, and transforms. The following sections trace the construction of the typeface, showcasing its full glyph set, weight range ( Light , Regular, Medium , Bold ), and visual characteristics. As the type moves through each weight, it expands, multiplies, and eventually deforms, mirroring the excess and instability seen in hyperplastic tissue. Each character is given a name, connecting it to cells found within the stomach and linking the typeface back to the biological systems that inspired it. To show the variable font in motion, simple animations bring the type to life, showing how Ulcerate evolves from clarity to distortion. This book responds to a core question: How can typography visually represent adaptation, resilience, and change by drawing parallels between biological and design systems? Ulcerate answers this by treating type as something that behaves like living tissue, expanding, multiplying, and deforming under pressure. Through structure, distortion, and motion, the typeface reflects the logic of cellular transformation, using design to express what the body itself could not make visible.

u

CORE CONCEPT

The logo is derived from the shape of the human stomach, abstracted into a distorted “U” to reflect Ulcerate’s biological origin.

CELL ORIGIN

Ulcerate represents foveolar cells in a state of change, capturing their overgrowth, imbalance, and transformation through a single visual form.

OBSERVATION

The surrounding circle references a petri dish or microscope lens, framing the idea of observation and cellular change.

01 04

2025

Official Record – For Research & Typographic Study Only

histology

foveolar cell shape

Hyperplasia is when the body grows more cells than it needs. Histology is the study of the microscopic structure of tissues, how cells are organized, how they function, and how they change under different conditions. Ulcerate examines the histology of foveolar hyperplasia, a condition where the mucus secreting cells lining the stomach (foveolar cells) begin to overgrow. These cells multiply excessively, increasing in number until their structure becomes disrupted and deformed.

hyperplastic cells

Normal cells

foveolar hyperplasia

Gastric foveolar cells micrograph

Looks like “b,d,& o” Looks like corkscrew Looks like “h,c & e”

normal

Proliferated

Deformed

Foveolar cells are the cells that cover the inside of the stomach and make mucus to protect it from stomach acid. Under normal conditions, they form a structured and organized layer that protects the stomach lining. In cases of foveolar hyperplasia, these cells begin to multiply excessively. This increase in cell number causes the lining to thicken, disrupting the tissue’s normal structure. The process does not involve cell damage, but rather an overproduction. The

system continues repeating itself until the original form is lost. This biological behavior directly informs the design of Ulcerate . The typeface begins with clean, stable letterforms. As the weight increases and shapes expand, the structure starts to break down. Legibility fades. Like hyperplastic tissue, the type becomes overwhelmed by its own growth, turning a cellular process into a visual language of disruption and excess.

Stomach anatomy

peptic ulcer stomach lining

flexibile endoscope

Gastric ulcer

duodenal ulcer

There are different types of stomach ulcers, but Ulcerate focuses on the gastric ulcer.

duodenal

duodenal ulcer

Gastric ulcer

esophageal ulcer

STOMACH ANATOMY & VARIATION

gut

There are several natural variations in stomach anatomy, including differences in shape, position, and structure, even in healthy individuals. Because Ulcerate originates from the stomach, these forms became the foundation for its design. Each letter reflects a specific anatomical variation, with some closely following the shape of the organ and others more distorted to emphasize the character’s function. The stomach serves as both the visual and conceptual base of the typeface, guiding how each form adapts and evolves.

sliding hiatal hernia

congenital short esophagus

the la the f

rotate

the same

fl

ack of fundus

advanced enlargement

cascade, “cup and spill”

lip

the same

rotate & flip

A abcd efgh ijkl mnop qrst uvwx yz E I M Q U Y B F J N R V Z C G K O S W Overlap of the Regular and Bold: The bold letters sit underneath, while the regular is layered on top, creating a dynamic contrast in weight and form.

D

H

L

P

T

X

The letter “F” is shaped from a mixed-type hiatal hernia , using the stomach’s bulging form as a starting point. After rotating its orientation, it’s refined into a legible letterform. The typeface uses a circular layout inspired by the structure of a petri dish, but each letter follows its own grid system, allowing for unique variation and controlled distortion.

original

altered

refined

Ulcerate Light

cells

Ulcerate Regular

cells

Ulcerate Medium

cells

Ulcerate Bold

cells

u

u

Inverted style

u

u u e

“U” for ulcerate

u e

x Before Hyperplasia x

After Hyperplasia x

x

abc abc abc

A B C

As the Ulcerate typeface expands, letters like A , B , and C retain certain defining features that help maintain their readability. Moving from Regular to Medium to Bold, their forms increase in weight and begin to distort, but subtle structural elements remain intact. Even in their heaviest state, these letters still offer visual cues that hint at their original forms.

xyz xyz xyz

X Y Z

In contrast, letters like X , Y , and Z gradually lose their identity as they move through the weight range. What begins as a clear and stable structure in Regular becomes increasingly unstable in Medium, and by the time they reach Bold, their forms collapse entirely. Key features disappear, angles blur, and the letters dissolve into abstract, unrecognizable shapes.

hyperplasia hyperplasia

hyperplas hyperpla hyperpla hyperpl hyperpl hyperplasi hyperplasi hyperplasia hyperplasia hyperplasia

37.PT

40.PT

43.PT

46.PT

ia a

49.PT

53.PT

ia

57.PT

sia asia

61.PT

66.PT

asia lasia lasia

71.PT

77.PT

82.PT

A X abcd efgh ijkl mnop qrst uvwx yz Ulcerate Regular E I M Q U Y B F J N R V Z C G K O S W D H L P T

A X abcd efgh ijkl mnop qrst uvwx yz Ulcerate Regular - invert E I M Q U Y B F J N R V Z C G K O S W D H L P T

A X abcd efgh ijkl mnop qrst uvwx yz Ulcerate Medium E I M Q U Y B F J N R V Z C G K O S W D H L P T

A X abcd efgh ijkl mnop qrst uvwx yz Ulcerate Medium - invert E I M Q U Y B F J N R V Z C G K O S W D H L P T

A X abcd efgh ijkl mnop qrst uvwx yz Ulcerate Bold E I M Q U Y B F J N R V Z C G K O S W D H L P T

A X abcd efgh ijkl mnop qrst uvwx yz Ulcerate Bold - invert E I M Q U Y B F J N R V Z C G K O S W D H L P T

g

g

g

g

g

g

B B

B B

B B

B B

a b c g h i

m n o p s t u v

c d e f i j k l

p q r v w x

Ulcerate does not stay still. It grows, adapts, and reshapes itself, just like the

cells it was born from.

The variable type in motion reveals how each character in Ulcerate carries its own identity, both typographically and biologically. To bridge the gap between anatomy and design, each letter begins with its standard form, like “A,” and through a process of visual adaptation, transforms into a renamed identity based on a specific stomach cell. For example, “A” becomes Acyra , a name inspired by amino acid sensitive cells. Each letter follows this path, linking the evolution of form to the language of biology. This transformation visualizes how typography, like cells, can adapt, shift, and eventually take on entirely new functions and meanings.

a A

Click here to see how “A” becomes Acyra

a a a

REGULAR

MEDIUM

BOLD

Acyra

original

ah-SEER-uh

The name is inspired by amino-acid–sensitive cells, which regulate digestive signaling in the stomach.

adapted

b B

Click here to see how “B” becomes Bretin

b b b

REGULAR

MEDIUM

BOLD

Bretin

original

BREH-tin

The name is based on Brunner’s glands, which secrete mucus to protect the upper digestive tract.

adapted

C C

Click here to see how “C” becomes Chella

C C C

REGULAR

MEDIUM

BOLD

Chella

original

CHEL-uh

The name is derived from chief cells, which release pepsinogen, an enzyme precursor in digestion.

adapted

D D

Click here to see how “D” becomes Deltor

D D D

REGULAR

MEDIUM

BOLD

Deltor

original

DEL-tor

The name comes from delta cells, which produce somatostatin to regulate acid secretion levels.

adapted

E E

Click here to see how “E” becomes Ecronis

E E E

REGULAR

MEDIUM

BOLD

Ecronis

original

eh-KROH-niss

The name is inspired by enterochromaffin cells, which release serotonin into the gastric lining.

adapted

F F

Click here to see how “F” becomes Fovira

F F F

REGULAR

MEDIUM

BOLD

Fovira

original

foh-VEER-uh

The name is derived from foveolar cells, which line the stomach and secrete protective mucus.

adapted

G G

Click here to see how “G” becomes Gastinex

G G G

REGULAR

MEDIUM

BOLD

Gastinex

original

GAS-tih-neks

The name references G cells, which produce gastrin to stimulate stomach acid production.

adapted

H H

Click here to see how “H” becomes Histonel

H H H

REGULAR

MEDIUM

BOLD

Histonel

original

HISS-tuh-nel

The name comes from ECL cells, which secrete histamine to activate parietal acid cells.

adapted

I I

Click here to see how “I” becomes Isleno

I I I

REGULAR

MEDIUM

BOLD

Isleno

original

ISS-leh-noh

The name is loosely inspired by interstitial cells, which support tissue signaling and repair.

adapted

J J

Click here to see how “J” becomes Juvecin

J J J

REGULAR

MEDIUM

BOLD

Juvecin

original

JOO-vuh-sin

The name suggests regenerative cell activity, tied to epithelial renewal in the stomach lining.

adapted

K K

Click here to see how “K” becomes Kalonex

K K K

REGULAR

MEDIUM

BOLD

Kalonex

original

KAL-oh-neks

The name refers to potassium exchange, essential for activating acid secretion in parietal cells.

adapted

L L

Click here to see how “L” becomes Lumora

L L L

REGULAR

MEDIUM

BOLD

Lumora

original

loo-MOHR-uh

The name is based on the lumen, the inner cavity of the stomach’s glandular structures.

adapted

M M

Click here to see how “M” becomes Mucira

M M M

REGULAR

MEDIUM

BOLD

Mucira

original

myoo-SEER-uh

The name is drawn from the mucosa, which lines and protects the stomach’s inner surface.

adapted

N N

Click here to see how “N” becomes Neurexa

N N N

REGULAR

MEDIUM

BOLD

Neurexa

original

noo-REK-suh

The name refers to neural pathways, which control movement and secretion in the stomach.

adapted

O O

Click here to see how “O” becomes Oxymera

O O O

REGULAR

MEDIUM

BOLD

Oxymera

original

ox-EE-mehr-uh

The name is derived from oxyntic glands, which contain acid-producing parietal cells.

adapted

P P

Click here to see how “P” becomes Peptora

P P P

REGULAR

MEDIUM

BOLD

Peptora

original

PEP-tor-uh

The name is inspired by pepsinogen, a protein released by chief cells to aid digestion.

adapted

Q Q

Click here to see how “Q” becomes Quastra

Q Q Q

REGULAR

MEDIUM

BOLD

Quastra

original

KWAS-truh

The name is fictional but implies cellular balance, signaling, and fluid regulation.

adapted

R R

Click here to see how “R” becomes Rugena

R R R

REGULAR

MEDIUM

BOLD

Rugena

original

ROO-jeh-nuh

The name is based on rugae, the folds in the stomach wall that expand during digestion.

adapted

S S

Click here to see how “S” becomes Stemira

S S S

REGULAR

MEDIUM

BOLD

Stemira

original

STEH-meer-uh

The name refers to gastric stem cells, which regenerate and maintain the epithelial layer.

adapted

T T

Click here to see how “T” becomes Tunela

T T T

REGULAR

MEDIUM

BOLD

Tunela

original

too-NEH-luh

The name is linked to the tunica mucosa, the innermost and functional stomach lining.

adapted

U U

Click here to see how “U” becomes Ulsera

U U U

REGULAR

MEDIUM

BOLD

Ulcerate

original

UL-sir-ate

The name directly references ulceration, where the mucosal barrier breaks down and fails.

adapted

V V

Click here to see how “V” becomes Villora

V V V

REGULAR

MEDIUM

BOLD

Villora

original

vil-OR-uh

The name is inspired by villus-like forms, found throughout the gastrointestinal surface.

adapted

W W

Click here to see how “W” becomes Westra

W W W

REGULAR

MEDIUM

BOLD

Westra

original

WESS-truh

The name is fictional and suggests gastric waves, linked to motility and contraction.

adapted

X X

Click here to see how “X” becomes Xymogen

X X X

REGULAR

MEDIUM

BOLD

Xymogen

original

ZYE-moh-jen

The name comes from zymogens, inactive enzymes stored in stomach cells before activation.

adapted

Y Y

Click here to see how “Y” becomes Yamina

Y Y Y

REGULAR

MEDIUM

BOLD

Yamina

original

yah-MEE-nuh

The name is linked to amino acid–driven cells, which respond to dietary nutrient signals.

adapted

Z Z

Click here to see how “Z” becomes Zymela

Z Z Z

REGULAR

MEDIUM

BOLD

Zymela

original

ZYE-meh-luh

The name refers to zymogenic cells, which mature into enzyme- secreting digestive cells.

adapted

abc ghi mno stu y

def jkl pqr vwx z

abc ghi mno stu y

def jkl pqr vwx z

abc ghi mno stu y

def jkl pqr vwx z

Types '

Typography is often expected to hold its shape, to stay clear, to behave. But Ulcerate proves that type, like the body, can respond, overgrow, distort, and still communicate something powerful. Not in spite of its instability, but because of it.”

Usage

Ulcerate is an experimental variable display typeface shaped by biological disruption. It is designed for large-scale use, where its shifting weight, distortion, and transformation can be fully experienced. Rather than aiming for traditional readability, it invites interpretation. This typeface is meant to be seen, studied, and felt. It works best in contexts where typography carries meaning beyond the words themselves, including editorial design, exhibition graphics, research publications, and projects that explore the body, illness, cellular behavior, or personal narrative. Ulcerate is especially suited for science and art museum spaces, where it can be presented as a large-scale moving display or a looping video installation showing how each letter mimics cellular behavior. It can also be displayed as if seen through a microscope, connecting the act of reading to the process of scientific observation. Each letter behaves differently, expanding and deforming much like the cells that inspired them. Ulcerate bridges the space between biology and visual communication, offering a way to explore the relationship between form and function, language and transformation. The typeface can be used by design students, typographers, educators, researchers, and biologists who want to communicate or teach hyperplasia through accessible visual tools. It also invites artists and designers to use type not only for communication, but as a way to express process, disruption, and complexity.

Biology Becomes Typography

Biology Becomes Typo graphy

U LCERATE

This type specimen book traces Ulcerate, a typeface built on biological transformation. It turns cellular change into shifting, expanding, and reactive letterforms.

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48 Page 49 Page 50 Page 51 Page 52 Page 53 Page 54 Page 55 Page 56 Page 57 Page 58 Page 59 Page 60 Page 61 Page 62 Page 63 Page 64 Page 65 Page 66 Page 67 Page 68 Page 69 Page 70 Page 71 Page 72 Page 73 Page 74 Page 75 Page 76 Page 77 Page 78 Page 79 Page 80 Page 81 Page 82 Page 83 Page 84 Page 85 Page 86 Page 87 Page 88 Page 89 Page 90 Page 91 Page 92 Page 93 Page 94 Page 95 Page 96 Page 97 Page 98 Page 99 Page 100 Page 101 Page 102

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