Shoosty Bugs Volume 2, 2022

SHOOSTY BUGS VOLUME 2 Shooster Publishing All Rights Reserved Copyright 2023 441 South State Road 7, Suite 10 Margate, Florida 33068 www.shoosty.com Shoosty BUGS Illustrations: Stephen Shooster aka Shoosty

VOLUME 2

Megascolia Ukrainian 5 Megascolia Ukrainian 5 Integrated Beetle Pink Integrated Beetle Green X-Ray Beetle CPU

26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58

Lace Bugs Gray Lace Bug Black Cardinal Beetle Cobalt Beetle Stink Bug Deep Stink Bug Green

64 65 66 67 68 69 70 71 72 73 74 75 76 77 86

Beetle CPU Primitif Yellow Primitif Brown Primitif Brown

Dramatic Samurai Deep Dramatic Samuri Pink Shoosty® Bugs Combo Dark Shoosty Bugs Combo White French Curve Beetle Red Purple French Curve Beetle Green Yellow

Primitif Brown Purple Koi and Water Bug on Green Koi and Water Bug on Yellow Uncommon Fly Blue and Orange Uncommon Fly Blue and Green Uncommon Fly Backlit Uncommon Fly Backlit Poster

Violin Mantis 2 Violin Mantis 2

The End

Dragonfly Dark Dragonfly Light Walking Bug 1 Walking Bug 2

Shoosty Bugs Combo Green Shoosty Bugs Combo Blue The Fly with Flowers 1 The Fly with Flowers 2 Fiery Searcher Beetle Platinum Beetle Stamped Bag 1 Stamped Bag 2 Art Deco Scarabs Red Art Deco Scarabs Green Steampunk Bumblebee Pink Steampunk Bumblebee Turquois Steampunk Bumblebee White Steampunk Bumblebee Gold

59 Goliathus Royal Beetle Charcoal and Plati - num 60 } 61 Roy Beetle Red 61 Royal Beetle Purple 62 Royal Goliathus Critique 63 Roy Beetle Pink 63

S hoosty Bugs made its debut show at the Mills Gallery in Orlando during the holiday season running from Dec. 2022-Jan. 2023. It was curated by Jennifer McInnes Coolidge and hosted by Boris Garbe, Gallerist. Becuase this was the first time to show “the bugs” I did not know what format would be the best. I felt that to see the work at scale would make the biggest impression. So, I decided to bring samples of finsihed work and the rest would be huge posters, some 12 feet long. The idea was to show people various formats they can get finished work. Otherwise, if I just make things they can get large and expensive requiring special handling. I didn’t have any sales lined up, so I didn’t want to be burdened with the special handling. The result was more of an exhibition than a show. The gallery was disappointed thinking I had little to sell directly off the wall. Shows are very busy times. Everyone wants to talk with the artist and most sales operate on impulse. One thing that did sell quickly were the scarves I made with bug patterns. One of the best things to come from the show was meeting Zach Zacharias, the Senior Curator for exhibitions at the Dayton Museum of Arts and Sciences (MOAS). He invited me to see the facility and gave me a special teaser; private time with the insect collection. As a special treat I met my daughter, Carly, at the museum and we spent the afternoon blistfully drawing. She is an Art Historian and Master of Sequential Arts (comics).

We walked around the facilities. The museum is 100,000 sq. ft. It comprised of two main buildings. One building has the most ex- tensive collection of Florida landscape paintings I have ever seen; absolutly essential to understanding Florida history and the other building has lots of galleries with an eclectic collection. The high- lights are: a large fossilized ground sloth; a wooly mammoth; an expose of the history of the Coke-a-Cola Bottle; a fiber gallery full of large exciting pieces; a Cuban exhibition; and more, including a curiosity; Napoleon’s death bed and his death mask. We were en- thralled. Earlier that day I took a long walk with Zach. He pointed out his favorites in the collection and showed me his enthusiasm in ev- erything he does. When the tour was over he introduced me to the executive director and on the way to see her I saw a library with a huge table. It was at least 20’x30’. As soon as I saw it I got excited and asked to run out to my van. Since I had just closed the Mill’s Gallery show I had the huge posters with me. I spread those out and filled up the entire table. I could not have asked for a more exciting impromptu introduction. Soon after, I was asked to be included in show at thie museum fea- turing the bugs in 2025.

FATHER AND DAUGHTER DAY AT THE MUSEUM OF ART AND SCIENCES IN DAYTONA

Shoosty® Bugs V2 is a fusion of the science of color including printing on fabric, and nature pushing the boundaries of traditional artistic ex- pression. The show includes about 30 pieces of art that are printed on both sides with a color shift between front and back. That means I had to prepare 60 pieces of art. The key to doing this was using the iPad Pro and Apple Pencil using my innovative “Vector Painting” technique. The rate at which I was able to create finished pieces is astounding. That means I had to create about 15 paintings a month. Then, I needed to allow time for the manufacturing and shipping process. I worked countless hours creating art every day for long hours. I love perfecting my craft and extending my range from exploring the tools to acting like a virtual traveler going examining styles of art I find all over the world with the help of the internet. I choose silk for my latest show for many reasons, primarily for its beau- ty. Since I am making art using bugs as my inspiration what better way to honor the subject than to use a material created by a moth? More specifically, the Bombyx Mori better known as the silk moth. The printing process took place in China, the birthplace of silk, empha- sizing the global interconnectedness of my artistic endeavor. Working internationally is a testament to the collaborative nature of the artistic world, where ideas and techniques transcend geographical boundaries. I selected this company because of their ability to do duplex printing, they can print on both sides of the fabric at the same time. The two images I provided must be exact duplicates with only a shift in colors. The manufacturer challenged me with lots of technical issues. I relish those kinds of problems as they strengthen my skills. I also learned that some colors are more reactive than others resulting in bleeding between the front and back of the 18 mm fabric. This created anoma- lies that I still need to resolve. Sometimes it is the mistakes that are the most important part of an exercise. One of the biggest reasons I choose silk is that it solved the biggest expenses surrounding my work, framing, shipping, and storage. Avoid- ing the logistical challenges and expenses associated with traditional framing. I can not stress this more clearly. The cost of producing a large show with silk is less than 25% of what it would cost to do a tradition- al show. To me, this represents a tax on my creative ability and slows down the discoveries. Paying attention to all aspects of your limited abilities is crucial to keeping creative levels as high as possible. With

Note: Shoosty® Bugs V2 was created for Art in Chambers, Sanford, Florida’s City Hall and will run from Jun. 12th - Sept. 5th, 2023.

fabrics and my hanging system, I can also change a piece of fabric in less than ten minutes. Because I am now focused on fabric the concept of wearable art, blurring the lines between gallery walls and everyday life comes into play. I humbly refer to this type of art as “ChromaFusionism,” as it encourages individuals to actively participate in the artistic narrative by integrating art, technolo- gy, and fabrics into their personal style. It is exciting to see someone wear clothing with my patterns on it. Collaborating with master framer Max Munn, we had to develop an inven- tive hanging method that allows my silk creations to be displayed in a prac- tical yet visually captivating manner within a gallery setting. By treating the fabric as a banner and incorporating a single piece of molding with tradi- tional hooks, we have redefined the possibilities for exhibiting silk in art shows. The buyer should also be thrilled. The piece can easily fold up and fit in any car or they could simply wear the piece out of the gallery or better yet wear it around the show. My artistic journey is a reflection of the constantly evolving nature of art itself. By embracing digital techniques and exploring unconventional medi- ums I hope to contribute to the ongoing evolution of artistic expression. It is my way of leaving a mark on art history, however small it may be. In conclusion, the Shoosty Bugs V2 collection highlights my latest work of 2023 displaying my speed of creation, passion for making things of beauty, craftsmanship, and innovative spirit. With my whimsical illustrations ren- dered with meticulous precision and printed on silk, I invite you to join me in a world where art, fabric, and fashion intertwine. Together, let us “Wear the Art / Be the Movement™” embracing the transformative power of Chro- maticFusionism. I am grateful for the chance to showcase my work on silk for the first time in Sanford City Hall. This project helped to push my boundaries and dis - cover new ways of creating. It is here when you can show your work in a creative hub, that the true essence of art comes alive, amplifying all of our potential, and celebrating the warmth and wit of our existence.

Art is Changing Again. Here. Now. Opportunities to Witness this are Rare, so Attend and Observe.

- Jerry Saltz, Art Critic

Sincerely,

Stephen Shooster aka Shoosty

A Short Art History Lesson

The History of Fine Art led us to Impressionism. Impressionism opened the floodgates to all sorts of modern art including Art Nou- veau and Art Deco, both very decorative arts. These ideas were then rejected by the Bauhaus. The Bauhaus wanted art that would more easily match industrial produc- tion. That is what I am doing. We are extensions of a

long history of art lead- ing to these times where a dropshipping factory can work for many artists

and doesn’t have to bet the shop on which art or pattern will find the most sales. Whereas, the artist can create an unlimited col- lection of creative works and push them into a retail-facing site like Shopify for less than $50 a month. It’s genius!

The Shoosty® brand has thousands of pieces of art that can easily be repurposed as clothing. Those pieces took hundreds of hours to create and now they are given an entirely new and scalable life with the help of fabrics. It is no wonder that we created the tagline, Wear the Art / Be the Movement™. By continuing to hold art shows and offering clothing that matches the art on display, Shoosty® is creating a new way for people to engage with art. When someone wears a piece of Shoosty® clothing, they become part of the movement, car- rying the work into new realms of imagination with their energy and smiles.

What does the Expression Wear the Art / Be the Movement™ mean? Well, let me tell you. Paul Klee, a famous Bauhaus artist, once said that art doesn’t just reproduce what we see - it makes us see. Art has the power to transform us, to evoke emotions and imagination. And now, with technology and modern manufac- t u r i n g

processes, artists can reach more people than ever before. They can make their art accessible while still keeping its unique and transformative power. “Wear the Art / Be the Move- ment™” is all about taking art beyond decoration. It’s about in- spiring people and transforming their lives through chromaticfusion. It’s a

fusion of science and the humanities - color, printing, com- puting, and modern manufacturing meet nature, art history, fashion, and community. This is a movement that aims to make art accessible, scalable, and transformative. It’s about inspiring imagination and won- derment. So go ahead - wear the art and be part of the move- ment!

Wear the Art / Be the Movement™ y®

Who is Shoosty®

Art Li

Shoosty® (Stephen Shooster) is a luxury designer, fine artist, author, and former Co-CEO of a family-owned call center in South Florida. With a background in technology and a deep passion for the arts, He brings a unique perspective to his creative endeavors having worked with renowned brands such as Zara; Hermes; Wolford; The Metropolitan Museum of Art; MoMA; and The Chicago Art Institute; and more, utilizing technology to scale and serve their needs. As a prolific artist, he has amassed a remarkable catalogue raisonné comprising 12 volumes spanning over 50 years fea- turing over 2,500 original pieces in date order. Every piece of art he has ever done, from crayon drawings of his family to today’s sophisticated work. Balancing his technological ex- pertise with his artistic pursuits, he explores the intersection of art and technology, continuously learning and evolving in his creative journey.

A Short Art History Les- son

The History of Fine Art led us to Im- pressionism (c. 1867-1886). Im- pressionism opened the floodgates to all sorts

of modern art including Art Nouveau (c. 1890-1910) and Art Deco (c. 1910-1950s), both very decorative arts. These ideas were then rejected by the Bau-

Collab

haus (c. 1919-1933). The Bauhaus wanted art that would more easily match industrial production. That is what I am doing. We are extensions of a long history of art leading to these times where a drop- shipping factory can work for many artists and doesn’t have to bet the shop on which art or

He recently showcased his premier show, “Shoosty® Bugs,” at The Mills Gallery in Orlando with Jenni- fer McInnes Coolidge as curator, and Boris Garbe, as a gallerist. Inspired by a conversation at the show with Virgina Poe, who grew up surround- ed by nature, he was invited to create a proposal for Art in Chambers, Sanford.

What does the Wear the Art / Be the Movem

pattern will find the most sales. Whereas, the artist can create an unlimited collection of cre- ative works and push them into a retail-facing site like Shopify for less than $50 a month.

Paul Klee, a famous Bauhaus artist, does not reproduce what we see. Rat see.”This quote emphasizes the trans er of art and its ability to evoke emotions an leveraging technology and modern manufac es, artists can reach a wider audience and make their art m while still maintaining its unique and transformative pow By

It’s genius! The Shoosty® brand has thousands of pieces of art that can easily be repurposed as clothing and home- goods. Those pieces took hundreds of hours to cre- ate and now they are given an entirely new and scal- able life with fabrics. It is no wonder that we created the tagline, Wear the Art / Be the Movement.™ He plans to turn the fabrics into bespoken clothing and set up boutiques all over

Shoosty® wanted to refresh the collection by mak- ing many more original works of art in the short time he had after being approved for a show. Framing art can be expensive and logistically challenging. He calls this a creative tax and opted for a more practical approach, using the highest quality silk and the most advanced printing methods. Fabric is much easi- er to work with and adds another dimension to the finished work. In this show you will see advanced skills bordering on the limits of the systems, sometimes crossing over to error. That is the sweet spot where mastery is earned. Please scan the QR code. You will be able to give feedback as well as contact the artist and read the extensive show notes. Special thanks to Jennifer McInnes Coolidge, curator, and Virgina Poe the Sanford Arts Council for their encourage- ment and support in pushing the boundaries of Shoosty’s bug-themed creations. It is an honor to share this work with the community. Stephen Shooster is not only an artist but also a dedicated father, husband, and friend to the arts. Four kids all artists, three musicians, and an art historian/comic book artist. I would like to dedicate this show to my wife, Diane, the love of my life.

The concept of Wear the Art / Be the Move- ment highlights the idea that art can be more than just a decorative element; it

can be a movement that inspires people and transforms their lives. By creating wear- able designs inspired by art, the artist is creating a movement that people can participate in and make their own. Overall, the concept presented here is a fusion of art technology, and modern manufacturing processes. It aim more accessible, scalable, and transformative, while also c ment that inspires people and transforms their lives.

Florida and then the country, one small step at a time, eventually go- ing into mass production. It’s an ambitious plan that will also make for a fantastic journey. When people wear Shoosty® clothing, it’s their energy and smiles that will carry the work into entirely new places.

Y our o pinion M atters . p lease leave coMMents in the book on the table or click the Qr code .

In Mariupol, a wasp did fly, A symbo the sky, With patterns of Ukraine on i with strength and did not l A mammoth wasp, the largest in sigh resilience and might, In honor of a s This wasp brings hope and l * Megascolia (Giant Wasp) found Mariupol, Ukraine, 2022, Is the S

What is Chromatic Fusionism? A new art movement coined by Shoosty® Chromatic - The science of color and by association printing Fusion - Bringing the science to humanity.

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Fine Art Art Licensing Fashion

History Born Stephen Shooster, 1958, Chester, Pennsylvania Education 1976-1982 University of Florida BFA

Wear the Art / Be the Movement™ y®

rt Art History Les-

Writing Whole- sale

Fine Art / Minor in Architecture

Advanced Skills Adobe Photoshop Adobe InDesign Adobe Acrobat

History ne Art o Im-

Affinity Designer 2 for Ipad Pro

ism (c. 886). Im- ism opened dgates to all sorts

Custom Outfits Jewelry Workshops Lectures Collaborations

Career 1993-2019 Global Response Call Center, Co-CEO 1985-2020 Global Response 3PL, Co-CEO 2004-Current 777 Properties, VP 2004-Current Shooster Publishing, Founder 2023-Current Shoosty® Bugs, Founder 2023-Current Shoosty Art Licensing Highlights 1997 Software Patent: Web Call Center / PSTN to TCPIP Internet Network US# 6188762 2018 Shoosty® Trademark Serial Number 88058674 Art Shows and Events 2004 The Old School House, Solo Show, Deerfield Beach Historical Society 2018 Plein Air Society of Palm Beach, Boca Museum 2019 Shoosty® 50 Years, The Weisman Center, Delray 2022 Shoosty® Bugs, Mills Gallery, Orlando 2023 Shoosty® Landscapes Deerfield Beach Historical Society 2023 Shoosty® The Art of Music, City Arts Center, Orlando 2023 Jan. 23rd, Auschwitz Liberation Day, Speech with Leon Schgrin (96), The Horse Adjutant , Nazi Holocaust Survivor, Deerfield Historical Center Public Art Shark Valley , University of Florida, Reitz Union UF Art College , The University of Florida, College of Art Deans Office Judaica Painted Scarf , University of Florida, Judaica Library Hello Friends , University of North Florida Admissions Building, Jacksonville, Florida SOS Childrens Center , Coconut Creek, Florida Books The Horse Adjutant - The Story of Leon Schagrin, Survivor of the Nazi Holocaust Herman Shooster - The Son of a Tailor who was the Son of a Shoemaker The Complete Collection of the Art of Shoosty® 1958-2022, 12 volumes Shoosty® Catalog of Paintings Shoosty® Exhibition Catalog 2019

ern art including Art u (c. 1890-1910) and co (c. 1910-1950s), ry decorative arts. These ere then rejected by the Bau-

1919-1933). The Bauhaus wanted art that more easily match industrial production. what I am doing. We are extensions of a long of art leading to these times where a drop- ipping factory can work for many artists and esn’t have to bet the shop on which art or

What does the expression Wear the Art / Be the Movement mean?

pattern will find the most sales. Whereas, the artist can create an unlimited collection of cre- ative works and push them into a retail-facing site like Shopify for less than $50 a month.

Paul Klee, a famous Bauhaus artist, once said, “Art does not reproduce what we see. Rather, it makes us see.”This quote emphasizes the transformative pow- er of art and its ability to evoke emotions and imagination. leveraging technology and modern manufacturing process- es, artists can reach a wider audience and make their art more accessible, while still maintaining its unique and transformative power. By

It’s genius! oosty® brand has thousands of pieces of art easily be repurposed as clothing and home- Those pieces took hundreds of hours to cre- now they are given an entirely new and scal- with fabrics. It is no wonder that we created ne, Wear the Art / Be the ent.™ s to turn the fabrics into bespoken clothing up boutiques all over

The concept of Wear the Art / Be the Move- ment highlights the idea that art can be more than just a decorative element; it

can be a movement that inspires people and transforms their lives. By creating wear- able designs inspired by art, the artist is creating a movement that people can participate in and make their own. Overall, the concept presented here is a fusion of art hi s tor y, technology, and modern manufacturing processes. It aimsto make art more accessible, scalable, and transformative, while also creating a move- ment that inspires people and transforms their lives.

and then the one small step me, eventually go- mass production. It’s tious plan that will also or a fantastic journey. When wear Shoosty® clothing, it’s ergy and smiles that will carry k into entirely new places.

nion M atters . coMMents in the table or click the r code .

In Mariupol, a wasp did fly, A symbol of courage in the sky, With patterns of Ukraine on its back, It flew with strength and did not lack. A mammoth wasp, the largest in sight, A beacon of resilience and might, In honor of a soldier’s fight, This wasp brings hope and light. * Megascolia (Giant Wasp) found in the city of Mariupol, Ukraine, 2022, Is the Show Highlight

What is Chromatic Fusionism? A new art movement coined by Shoosty® Chromatic - The science of color and by association printing Fusion - Bringing the science to humanity.

Shoosty® Bugs Volume 1 Shoosty® The Art of Music Shoosty® Landscapes Shoosty® Bugs Coloring Book

RN MORE COUNTS DBACK

Artist: Shoosty® Year: 2023 Medium: Duplex Printed Ink /18mm Silk

Twill Size:

50” x 50”

A hand-drawn vector graphic styled in the 1500s England. A beetle wearing pan- taloons with stripes, like a Shakespeare character, integrated with an Art Nouveau vine in the shape of a window. The bug symbolizes nature and culture, while the window symbolizes the connection be- tween the inner and outer worlds. Insects have been used as metaphors and symbols in literature and art for centuries. In Shakespeare’s plays, insects often ap- pear as agents of mischief, corruption, or transformation. In King Lear, Lear curses his daughters with “The fangs of adders, spiders, toads.” In Othello, Lago plants the seed of jealou - sy in Othello’s mind by saying “O beware, my lord, of jealousy! / It is the green-eyed monster which doth mock / The meat it feeds on”.

Art is Changing Again. Here. Now.

Opportunities to Witness this are Rare, so Attend and Observe. - Jerry Saltz, NY Times Magazine, Art Critic

Shakespeare Beetle Dark

Wear the Art / Be the Movement™

17 Shakespeare Beetle Light

Shoosty® Bugs in a round frame with handles.

Shoosty® Bugs Blue

One of the best parts about making art is the dialog. - Shoosty®

Artist: Year:

Shoosty®

Prompt: Should a luxury designer highlight their logo in their brand? Chat Gpt I think that showing the brand name along with the art can be a good way to promote the artist and the product, as long as it does not distract from the beauty and originality of the artwork. Some fashion companies use their lo- gos or names as part of the de- sign, while others place them discreetly on the labels or tags. It depends on the style and vision of the artist and the company.

2023 Medium: Duplex Printed Ink

18mm Silk Twill

Size:

50” x 50”

Shoosty® Bugs extended logo is a hand-drawn elaborate shield high- lighting an imaginary flat-faced longhorn beetle. Its circular long horns inspired the composition. With a kaleidoscope-like surface, it is designed to act as an intro- duction to the world of Shoosty® Bugs.

Wear the Art / Be the Movement™

Variations

Shoosty Bugs

21 Shoosty Bugs 2

Artist: Shoosty® Year: 2023 Medium: Duplex Printed Ink on 18mm Silk Twill Size: 50” x 50”

I recently met a fellow via Zoom. He was speaking to me from Kyiv, Ukraine, having recently got back from the front lines. His home city was Mariupol. It was destroyed and captured by the Russians, February, 20 - May 2022. Before he left he discovered a giant wasp and shared a photo with me. I was touched. I learned it is called a Megascolia or Mammoth Wasp, and is the largest Wasp in Europe. In 1910, my own family emigrated from this same region under duress. The wasp is a symbol of resilience and courage, a perfect icon for the Ukrainian people who have faced war and oppression. Megascolia of Mariu- pol is in honor of all soldiers. A hand-drawn vector graphic of a fleet of giant wasps as if on a mission styl - ized with Ukrainian folk patterns.

Wasps symbols and motifs:

a) Ancient Egypt , wasps were associated with royalty and divinity, as they were believed to be born from the tears of Ra, the sun god. b) Ancient Greece , wasps were linked to military prowess and civic duty, as they were seen as fierce defenders of their nests and colonies. c) China , wasps were considered auspicious animals that brought good luck and prosperity. d)Japan, wasps were admired for their loyalty and teamwork , as they cooper- ated to build their nests and hunt their prey.

Megascolia of Mariupol

Megascolia Giant Wasp styled with a Ukrainian folk pattern

Megascolia Ukrainian 3

Megascolia Ukrainian 4

Megascolia Giant Wasp styled with a Ukrainian folk pattern

Megascolia Ukrainian 5

“Without the presence of bugs, software would lack the resil- ience to withstand the vast and unpredictable expanse of the universe.” - Shoosty®

Artist: Shoosty® Year: 2023 Medium: Duplex Printed Ink on 18mm Silk Twill Size: 50” x 50”

“Integrated Goliathus” aims to celebrate bugs and their role in prompting innovation and problem-solving. By integrating a bee- tle-like figure into a circuit board-inspired design, the artwork symbolizes the connection between nature and technology. Ex- plore this piece to discover the beauty in the blending of organ- ic shapes and electronic components, and let your imagination wander in a realm where bugs are not just problems, but also sources of inspiration and creativity.

“Integrated Goliathus” is a stunning piece of art that challenges the traditional perception of bugs as being negative. Just like in computing, bugs in nature force us to solve problems quickly, ul- timately making the world a better place. The term ‘bug’ actually predates the invention of computers, with Thomas Edison joking about finding a ‘bug’ in his apparatus in the 1870s. The famous moth incident at Harvard University in 1947 further popularized the term ‘bug’ in computing, highlighting the impor- tance of debugging to find and fix errors in software and hard - ware. Grace Hopper, a pioneering computer scientist, often ref- erenced the moth in the relay as an example of debugging.

Integrated Beetle Pink

29 Integrated Beetle Green

Integrated Goliathus Beetle with an x-ray pattern

X-Ray Beetle CPU

Beetle CPU

African art is not primitive, but rather expressive, symbolic, and functional. It reflects the values, beliefs, and histories of various African societies and peoples.

The artwork is based on real creatures that belong to the order Hemiptera, including water bugs, cicadas, aphids, and scale in- sects. They feed on plant sap or animal fluids. They also have two pairs of wings, with the front pair being thickened and leath- ery at the base and membranous at the tip. Pimitif Beetles is based on giant water bugs, which are aquat- ic predators that can grow up to 5 inches in length. They have large eyes, long antennae, and powerful raptorial forelegs that they use to capture and hold their prey. They also have hair-like structures on their legs and abdomen that help them breathe underwater. As Coco Chanel once said: “Fashion is not something that ex- ists in dresses only. Fashion is in the sky, in the street; fashion has to do with ideas, the way we live.”

Artist: Shoosty® Year: 2023 Medium: Duplex Printed Ink 18mm Silk Twill Size: 50” x 50”

Primitif Bugs features three water bugs filled with a modified pattern called Primitif. The bugs have a splash of hair on their heads, which seems comical and engaging The Primitif pattern is inspired by the traditional art and culture of Africa, which is based on simple shapes and elements that would be considered primitive to European culture. The term primitive has been used by Westerners to describe non-Western art and people as inferior, uncivilized, or savage. However, this term is misleading and disrespectful, as it ignores the diversity, complexity, and creativity of African art and culture. The Primitif pattern uses circles and triangles to create geomet- ric and symmetrical designs that are both simple and complex at the same time. The pattern also uses colors and textures that evoke Africa.

Primitif patterned beetles with a bit of shocking hair

Primitif Yellow

Primitif Brown

Primitif patterned beetles with a bit of shocking hair

Primitif Brown

35 Primitif Brown Purple

and four transparent wings. Dragonflies spend most of their lives as nymphs in the water, where they feed on other aquatic insects, worms, snails, and small fish. Dragonflies can prey on water bugs or koi fish. Dragonflies emerge from the water as adults after several months or years of development. They fly in the air and feed on flying insects, such as mosquitoes, flies, bees, and butterflies. Dragonflies are bene - ficial for ponds as they help control the population of mosquitoes and other pests that could harm the fish or the pond ecosystem. Koi fish, water bugs, and dragonflies are part of a complex food web that involves predation, competition, and coexistence. They also play important roles in maintaining the health and balance of the pond ecosystem. The composition feels like Chinese writing with a top-down flow. Shoosty’s Koi and Water Bugs and a pleasing contemplative arrange- ment flowing and peaceful, co-existing

Artist: Shoosty® Year: 2023 Medium: Duplex Printed Ink on 18mm Silk Twill Size: 50” x 50”

Koi fish, water bugs, and dragonflies are all aquatic animals that share a common habitat: ponds. They have a complex relationship with each other, involving predation, competition, and coexistence. Koi fish are large, colorful carp that are often kept as ornamental fish in ponds. They are omnivorous and will eat a variety of foods. Water bugs are insects that live in or on the water, belonging to vari- ous families of the order Hemiptera. They include giant water bugs, water striders, water scorpions, and backswimmers. Water bugs are predators that feed on other insects, snails, fish, frogs, and even small birds. Water bugs may also be preyed upon by dragonflies or their nymphs. Dragonflies are insects that belong to the order Odonata, along with damselflies. They are characterized by their large eyes, long bodies,

Koi fish swiming on a pastel field framed by dragon flies, prey mantis’s and water bugs

Koi and Water Bug on Green

Koi and Water Bug on Yellow

Uncommon Fly Blue and Orange

Flies have been associated with realism and illusion in paintings of the past, es- pecially in trompe l’oeil works that create a visual deception of three-dimensional objects on a flat surface. Flies have been used to demonstrate the skill and cre- ativity of artists, and challenge the per- ception of the viewers. One of the ear- liest examples of this is the anecdote of Giotto and the fly, recounted by Giorgio Vasari in his Lives of the Artists (1550). According to Vasari, Giotto painted such a realistic fly on the nose of a figure by his master Cimabue, that Cimabue tried to swat it several times before realizing his mistake.

Artist: Shoosty® Year: 2023 Medium: Duplex Printed Ink on 18mm Silk Twill Size: 50” x 50” A beautiful imaginary fly art ready for a new page in Linnaeus’ taxonomy of ani- mal classifications. In art history, you will find flies featured as motifs for centuries. Flies have been used in paintings to represent both pos- itive and negative qualities, such as real- ism, illusion, death, decay, and corruption. Shoosty® says his uncommon fly rep - resents beauty through technology, it is a marvel of chromatic engineering with a touch of whimsey.

Flies have also been used to symbolize the transience and fragility of life, as well as the inevitability of decay and cor- ruption . An example of this is The Fly, by Louise Moillon (1635), a still-life painting that shows a basket of plums with a fly resting on one of them. The fly suggests that the plums are ripe and sweet, but al- so that they will soon rot and spoil. UnCommon Fly is an exercise in vector graphics and chromatic sciences, as it us- es advanced techniques throughout. The artist is intentionally pushing the bound- aries of art and technology, yet the com- position remains playful and captivating, with eyes that draw attention and wings that embrace wonder.

Uncommon Fly Blue and Green

Born from rotten flesh Buzzing through a brief existence Dying without grace From a vile insect A splendid work of art emerges The Artist’s magic touch

Uncommon Fly Backlit

41 Uncommon Fly Backlit Poster

Shoosty® Dragon fly with a bright green body and patterned wings graced by a Victorian pattern with a ontrasting purple and salmon frame.

Dragonfly Dark

“Not only is the Universe stranger than we think, it is stranger than we can think.”

Werner Heisenberg, Physicist

was believed to poke out eyes or follow snakes. It is one of the most diverse and adaptable insects in nature. This is a captivating example of how art can combine different styles and themes to create something unique and original. It is both real- istic and stylized, natural and artificial, simple and complex, elegant and playful, and a technical marvel. Werner Heisenberg expresses the idea that reality is often more complex and mysterious than our human minds can comprehend. Science and Art inspire us to look at the universe with curiosity and awe and to appreciate its diversity and beauty. That is why I tout STEAM, science, technology, engineering, the arts, and mathemat- ics, over STEM, including Art and Humanities as key subjects to un - derstand. They will give you purpose and help to open the lens which use to define the world.

Artist: Shoosty® Year: 2022 Medium: Duplex Printed Ink on 18mm Silk Twill Size: 36” x 36”

Victorian Dragonfly combines the natural beauty of a dragonfly with the ornate elegance of an illustrated Victorian frame. The dragonfly wings have a geometric design that echoes the late Secession pe- riod of Art Nouveau, similar to the artist Klimt. The illustrated frame is highly detailed, featuring flowers, leaves, scrolls, and curves that evoke the richness and sophistication of the Victorian era. As a motif, the dragonfly reappeared during the Anglo–Japanese craze of the Victorian period, along with the crane, the spider web, and the sunflower. The dragonfly also represents victory to the sa - murai, and it may be the oldest design motif in Japan where it is associated with the saying, Never Give Up , since they never fly back - ward. The dragonfly also symbolizes lightness, swift agility, happiness, and the transition from late summer into autumn. In some European cultures, however, the dragonfly was seen as sinister or evil, as it

Shoosty® Dragon fly with a bright purple and Sea Green body and patterned wings graced by a Victorian pattern with a contrasting pink and light green frame. The contrasting pattern was develped for a dou- ble-sided scarf.

Dragonfly Light

Walking Bug 1

Highly patterned waterwalker in an art nouveau binocular frame.

Artist: Shoosty® Year: 2023 Medium: Duplex Printed Ink on 18mm Silk Twill Size: 36” x 36”

It was a giant water bug that had been caught by the sand tide and drowned. It was about two meters long with many legs along its sides and a wickedly curved tail that ended in a glittering crystal barb. Its head was triangular with many eyes along its edges. It looked like a creature from another planet.

A hand-drawn vector graphic of a water strider on a circular stage with filigree on both sides. The water strider resembles a compass or a clock. The ability to walk on water is a remarkable feat of na- ture and physics.

Water bugs represent harmony in Japanese haiku poetry. For ex- ample, Matsuo Basho (1644-1694), one of the most famous haiku poets: A water strider Skims over the clear stream The summer moon Note - The thin lines of this design are a challenge for printers. They approach the smallest size the printers can reliably print. Finding the edge of your craft is the place where you can find mastery. - Shoosty®

A Literary Reflection on Water Bugs

Water bugs have appeared in literature from classical times to the present day. Water bugs have been used in literature to represent both positive and negative qualities, such as harmony with nature, resilience, predation, and corruption. Water bugs are remarkable for their ability to survive and thrive in various aquatic environments, sometimes even preying on larger animals like fish and frogs. Some authors have used water bugs as metaphors for human survival and evolution in hostile or alien worlds. For example, Frank Herbert (1920-1986), the author of Dune, wrote this passage about a giant water bug:

Walking Bug 2

Shoosty Bugs Combo Green

47 Shoosty Bugs Combo Blue

SILVER

Shoosty® uncommon fly holding jewlery studded flowers in a contrite position surrounded by Shoosty® woodblock logos

The Fly with Flowers 1

Uncommon Fly with Flowers

Shoosty, 2023, Duplex Printed Ink on 18mm Silk Twill, 36”x36” I love how the fly is begging for acceptance. - Shoosty®

CUSTOM JEWELRY

The Fly with Flowers 2

Fiery Searcher Beetle surrounded by a frame of dragon flies and a pair of wasps on a arabe pattern background

Fiery Searcher Beetle

“The aim of art is to represent not the outward appearance of things, but their inward significance” -Aristotle

Artist: Shoosty® Year: 2023 Medium: Duplex Printed Ink on 18mm Silk Twill Size: 36” x 36”

Fiery searcher beetles are known as caterpillar hunters. It is a species of ground beetle that belongs to the genus Calosoma, subgenus Acalosoma. It can be as large as 1.4 inches long and has a metallic green body with yellow and orange markings on the elytra (wing covers) and legs. It has large mandibles (jaws), antennae, and three pairs of legs with each ending in a claw. It is beneficial for controlling pest populations, especially gypsy moths and tent caterpillars. It is active at night and hides under rocks, logs, or crevices during the day. It can fly and climb trees to hunt for prey.

The Fiery Searcher Beetle framed by dragonflies and long- winged wasps is a collection of predators arranged as a shield in a symmetrical pattern. The entire piece is rendered with beauty. The thing that caught my eye was the lines on the back of the beetle. I learned they are a warning to predators as this thing can spray an oily odorous gas at attackers.

Platinum Beetle

The art of printing goes way back. With these wasps I made them part of the fabric and added symbols from Nepal as an echo to the burlap sacks used for agriculture.

Stamped Bag 1

The entire Impressionist movement that led to modern art was influenced by Japanese. The movement is called Japonisme.

The image is a pair of purple-tailed wasps in a Yin/Yang pose surrounded by an illustrated frame consisting of markings you might find stamped on a burlap bag. The idea was to make this look like a stamped print designed to hold goods that are shipped. The concept suggests that the image is part of a worldwide cultural exchange and dialogue. I know with today’s Facebook, I have friends from most parts of the world and I get packag- es from far away. I read that some Japanese Woodblock prints made their way to the West as wrapping paper for the purchased goods. The innovative ap- proach of Japanese art changed art history.

Artist: Shoosty® Year: 2023 Medium: Duplex Printed Ink / 18mm Silk Twill Size: 36” x 36” “You know what I think of Japanese art? I have a dream of it.” - Claude Monet This quote expresses the French artist and the founder of Impressionism, Monet’s admiration and fascination with Japanese art, especially the woodblock prints that he collected and dis- played in his home. Here are some of the most famous artists that have ever lived who were influenced by Japanese art: Vincent van Gogh, Edgar Degas, Edouard Manet, Mary Cassatt, Paul Gauguin, James McNeill Whistler, and Henri de Tou- louse-Lautrec

Stamped Bag 2

Art Deco Scarabs Red

Artist: Shoosty® Year: 2023 Medium: Duplex Printed Ink on 18mm Silk Twill Size: 36” x 36” Three scarabs set like vases in front of an ab- stract coffee bush rendered in the style of Art Deco. Realistic outlines adorned with geometric patterns inspired by the coffee bush employing a rich color palette and a timeless elegant qual- ity, achieved through the use of clean and pre- cise lines. I consider myself an amateur art historian . I have always wanted to grow a large group on social media, so I created an Art Deco and Art Nou- veau group on Facebook. It has 4,700 members. I saw the post of an old coffee can. It had intrigu- ing markings on it. I started to copy thepattern to figure out. At first I saw a tree then I realized it was a coffee bush.

Making art is like being an explorer. The more you dig the more you discover. It is endless, and if you do it long enough you discover yourself. - Shoosty® Coffee connects people all over the world through shared sips, trade, and nurture. It offers multiple and diverse perspectives on life. In the illustra- tion.

“Art is an experience, not the formulation of a problem.” - Lindsay Anderson, film critic

55 Art Deco Scarabs Green

Steampunk Bumblebee on a honeycomb background

Steampunk Bumblebee Pink

“ Some people say I’m obsessed with machines... They’re wrong. I’m obsessed with what machines can do.” - Jules Verne, 20,000 Leagues Under the Sea¹ This quote expresses Verne’s fascination and admi- ration with machines and their potential to transform human life and explore new frontiers. Verne embraced technology and is considered one of the fathers of science fiction, and one of the pioneers of steampunk literature. His novels feature many inventions and devices that were ahead of his time, such as subma- rines, airships, rockets, and robots. Both Shoosty® and Verne embrace technology and the future.

Artist: Shoosty® Year: 2023 Medium: Duplex Printed Ink / 18mm Silk Twill Size: 36” x 36” A luxurious and unique steampunk pattern based on the noble bumblebee filled with gears and lights matching the Victorian era of the art style, steampunk. Steampunk is a subgenre of science fiction that incor - porates retrofuturistic technology and aesthetics in- spired by 19th-century industrial steam-powered ma- chinery. Steampunk works are often set in an alternative history of the Victorian era or the American “Wild West,” where steam power was in mainstream use, or in a fantasy world that similarly employs steam power.

Wear the Art / Be the Movement™

Steampunk Bumblebee Turquois

Steampunk Bumblebees on a honeycomb background and a blackframe

Steampunk Bumblebee White

Steampunk Bumblebee Gold

Goliathus Royal Beetles (collection) presents a cap- tivating ink on silk graphic representation that explores the intersection of nature, language, and branding. The artwork centers around a scarab beetle, rendered with intricate detail, and adorned with elegant script and branded Shoosty® logo stamps. This composition elicits a sense of curiosity and invites the viewer to delve deeper into the artist’s intention and the symbolic layers present present in the piece. The techincal execution of the ink on silk medium is commendable, as the artist demonstrates mastery in handling this delicate and challenging marterial. The in- tricate detailing of the scarab showcases the artist’s skill in capturing the nuances of texture and form, creating a realistic representation that commands attention. The incorporation of elegant icons and branded stamps surrounding the scarab introduces an intriguing jux- tapostion of elements. The use of script adds a layer of intellectual depth to the artwork, implying a connection between the natural world and human communication. It suggests the potential for hidden meanings of messag- es embedded within the realm of nature itself. The presence of royal stamps raises questions about the commercialization and commodification of nature. It prompts reflection on how society’s fascination with exotic creatures can often lead to their exploitation and objectification. The stamps may symbolize the imprint of human intervention on the natural world, reminding viewers of the complex relationship between humanity and the environment. The choice of the title, Goliathus Royal Beetles (col- lection) adds furthur intrigue to the compostion. The use of silk implies a juxtapositon of contrasting elements: the natural and the artificial, the ephemeral and the enduring. This contrast prompts contemplation on the transient nature of life and the enduring allure of nature’s creations. Silk was originally the fabric of kings. Today, it symbol- izes luxury. Shoosty® is teasing the viewer to compare his work to other luxury designers. In doing so his work becomes comprable to the very best.

THE PATTERNS INCLUDE:

• Teasel • Spear Thistle • Bunchflower • Cornflower • Honeysuckle • Spurge

} All found in the En-

glish coun- tryside

Goliathus Royal Beetle Charcoal and Platinum

Artist: Year:

Shoosty®

2023 Medium: Duplex Printed Ink 18mm Silk Twill Size: 36” x 36” Shoosty’s Royal Goliathus Beetles are patterns designed for royalty. The Goliathus Beetle is the largest in the world (appx 5”). A scarab it was revered in ancient Egypt as a symbol of rebirth and transforma- tion. The artist filled it with modi - fied versions of the patterns creat - ed by Augustus Welby Northmore Pugin 1812-1852. The artist is exploring the rela- tionship between art, history, icons, technology, and fashion. He coined the term Chromatic-fu- sion™, fusing the science of color and printing with humanity to de- scribe it. Compare Shoosty to the famous designer Pucci, both designers use silk as a medium. They both create colorful and vibrant pat- terns that can be displayed or worn. Shoosty’s patterns are more com- plex and detailed than Pucci’s. Pucci’s patterns are more simple and more geometric. He uses ab- stract themes that create a sense of harmony and balance. When you compare the tools each of the designers uses you can quickly see how they diverge. Pucci draws with paper, pencil, and watercol- ors. Shoosty uses traditional ma- terials and all the digital tools of the 21st century. Their methods are lightyears apart.

Roy Beetle Red

Royal Beetle Purple

Royal Goliathus Critique

question about the commercialization and commodification of nature. It prompts re - flection on how society’s fascination with exotic creatures can often lead to their ex- ploitation or objectification. The stamps may symbolize the imprint of human intervention on the natural world, reminding viewers of the complex relationship between humanity and the environment. The choice of the title, Royal Goliathus Bee- tle, adds further intrigue to the composition. The use of these specific materials implies a juxtaposition of contrasting elements: The natural and the artificial, the ephemer - al and the enduring. This contrast prompts contemplation on the transient nature of life and the enduring allure of nature’s cre- ations. While the artwork captivates with its metic- ulous execution and intriguing symbolism, it could benefit from a more explicit explo - ration and communication of its underlying themes. The artist’s intentions regarding the interplay between nature, language, and branding could be further elucidated to al- low viewers a more profound immersive ex- perience.

Royal Goliathus Shoosty® 2023, 36”x 36”, Ink on Silk

Royal Goliathus presents a captivating ink- on-silk graphic presentation that explores the intersection of nature, language, and branding . The artwork centers around a scarab beetle, rendered with intricate detail, and adorned with elegant script and brand- ed stamps. This composition elicits a sense of curiosity and invites the viewer to delve deeper into the artist’s intention and the symbolic layers present in the piece. The technical execution of the ink on silk medium is commendable, as the artist demonstrates mastery in handling this deli- cate and challenging material. The intricate detailing of the scarab beetle showcases the artist’s skill in capturing the nuances of texture and form, creating a realistic repre- sentation that commands attention. The incorporation of the elegant script and branded stamps surrounding the scarab beetle introduces an intriguing juxtaposition of elements. The use of the script adds a lay- er of intellectual depth to the artwork, imply- ing a connection between the natural world and human communication. It suggests the potential for hidden meanings or passages embedded within the realm of nature itself. the presence of branded stamps raises the

@Critbot.ai

Announcing Critbot.ai artificial intelligence trained with art criticsm data at Rutgers University. If you are an artist you want to know about this:

Roy Beetle Pink

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