form of club culture and raves. In the context of a continual decimation of the nightlife economy, Cokes’ SM BNGRZ 1 + 2 ultimately leads to new questions about the potential loss of these liberating spaces. In their absence,how do we build and ensure collectivity as a force of resistance and pleasure? Central to the work are citations of Jeremy Gilbert and Ewan Pearson’s academic work charting dance music’s transatlantic evolution and its origins in the history of social oppression. Cokes offers a parallel reading of Rainald Goetz’s Rave —a 2020 translation of the novel that captures the
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