King's Business - 1954-12

SOULS IN CONFLICT credits C ollaborating with Dick Ross on the "Souls In Conflict” screenplay was Leonard Reeve, who also co-directed the picture for the British producing agency, Anglo-Scottish Pictures, Ltd. Mr. Reeve is not only an outstanding producer-director in British motion picture circles, he is also an outstanding Christian layman and was a member o f Billy Graham’s Greater London Crusade film commit­ tee. He and his attractive Scotch wife and their two boys are members o f Westminster Chapel, the evangelical pulpit once occupied by Dr. G. Campbell Morgan and now pastored by Dr. Martin Lloyd-Jones. Mr. Reeves’ continual consultation (together with that o f the Rev. A. W . Goodwin Hudson, see page 23) enabled "Souls In Conflict” to be authentic and acceptable from the British point o f view. Its tech­ nical excellence was assured by a crew headed by Guy Green, 1947 Academy Award Winner for cinematography on "Great Expectations.” Production manager Charles Orme was loaned by "The Archers,” the Powell-Pressburger unit responsible for such artistic triumphs as; "The Red Shoes” and "Tales o f Hoffman.” Accompanying Ross from Great Commission Films were Rodney Nelson, executive production coordinator and Ralph Woolsey, technical advisor. Editing was done in the Hollywood studios o f GCF by Eugene Pendleton with technical assistance from Richard Lederhaus; sound dubbing was under the direction o f Steve Craig and James Galbreath. The music score was composed and conducted by Ralph Carmichael (see pages 44, 45) . The picture was photographed on 35 mm. Eastman negative with both 35 mm. and 16 mm. prints manufactured by Consolidated Labs, Hollywood.

THE KING'S BUSINESS

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