June 11, 2021–September 18, 2022 Every Earthly Morning the Sky’s Light touches Ur Life is Unprecedented in its Beauty
June 11, 2021–September 18, 2022
Every Earthly Morning the Sky’s Light touches Ur Life is Unprecedented in its Beauty Precious Okoyomon
Aspen Art Museum
Preserved sound into accelerationist light Explosions into the black inferno the last future we all would become the portal into the Quadraphonic playground Of exploding hearts, of new errant roots
PRECIOUS OKOYOMON’S Every Earthly Morning the Sky’s Light touches Ur Life is Unprecedented in its Beauty represents the artist and poet’s most ambitious installation to date. This unique eighteen- month commission at the Aspen Art Museum, organized by curator- at-large Claude Adjil, will feature the institution’s rooftop reimagined with each passing season. The project furthers Okoyomon’s ongoing investigation into the ways in which the miracles and terrors of our natural world have been indexed into strictly policied and racialized categories. For the summer, Okoyomon has collaborated with local growers to construct a garden that celebrates the abundance and mutability of plant life while challenging the taxonomies we impose onto it by combining invasive plants such as Japanese knotweed and honeysuckle alongside those indigenous to the region like dandelions, mugwort, and milk thistle. The exhibition presents a major new sculpture cast in concrete titled My heart makes my head swim (ditto, ditto battle angel) after a line from post-colonial theorist Frantz Fanon’s Black Skin White Masks . The winged figure’s features have been borrowed from the caryatids on the facade of the Our Lady of Victories Cathedral in Dakar, Senegal. Smaller ceramic angels and tiles are nestled throughout the garden to guide and ground visitors along their journey. Collectively these figures constitute an artwork titled Ojujokuruju, a Urhibo word from the Urhobo delta state that directly translates to past darkness and means spirit or ghost. A stream of black algae water courses through the grounds endlessly hydrating the garden. Okoyoman and jazz musician Gio Escobar of the ensemble Standing On the Corner have collaborated to produce a system of cassette tape loops burrowed into the garden that will continuously compose and recompose a chaotic randomized symphony giving voice to the universal hum of plants. Okoyomon makes visible the geological processes and reminds us that we are constantly living in a state of rebirth and will be developing and transforming the installation over its entire eighteen- month duration, making it a live and responsive commission that will literally grow and replenish over time featuring a series of offerings with various collaborators. To celebrate the passing of one season to the next, Okoyomon will hold services on the solstices. These rituals will focus on self- fragilization, the miracles of ecological terror, and the importance of building new portals.
LIST OF WORKS
My heart makes my head swim (ditto, ditto battle angel) 2021. Concrete, wire, blood Ojujokuruju 2021. Red clay, black glaze, wire To see the earth before the end of the world 2021. Clay MYSTERIUM PHYTOGEOGRAPHICUM 2021. Audio Gio Escobar and Precious Okoyomon
PRECIOUS OKOYOMON (b. 1993) is a poet and artist living in New York City. They have had institutional solo exhibitions at the LUMA Westbau in Zurich (2018), the MMK in Frankfurt (2020), Performance Space New York (2021), as well as major performances commissioned by the Serpentine Galleries, London (2019) and the Institute of Contemporary Art, London (2019). Their second book But Did U Die? is forthcoming from Serpentine and Wonder Press in 2021. They are the recipient of the 2021 Frieze Artist Award. Standing On The Corner is an Earth-based art ensemble founded in 2016 by Shamel Cee Mystery, aka Gio Escobar, that functions best in Brooklyn, New York. Inspired by, made for, and consisting of the resilience and upheaval of all people of the African diaspora, Standing On The Corner thrives in fugitivity. They can appear on any particular night as the beat of one drum, as an orchestra of 30, or as a ghost entirely, but are always on the run. The ensemble produces musical, visual, and experiential works that equate hyperlocal incidence to cosmological wisdom. Visiting sites of emotional resonance under the weight of subjective histories and traumas, the art ensemble seeks to uncover the mysteries and the ghosts of hidden truths through focused interpretation.
READING LIST
PLANTS
Corylus avellana ‘Contorta’ Dicentra spectabilis ‘Valentine’ Digitalis purpurea ‘Camelot Cream’ Digitalis purpurea ‘Camelot Lavender’ Digitalis purpurea ‘Camelot Mix’ Digitalis purpurea ‘Camelot Rose’ Echinacea purpurea ‘Magnus’ Erigeron compositus Erigeron divergens Eriogonum grande rubescens “Red Buckwheat” Gaillardia aristata Geranium x ‘Roazanne’ Gleditsia spp. Helianthus ‘Aurora Gold’ Helianthus ‘Red Courtesan’
Maianthemum racemosum Melissa officinalis Mentha × piperita Monarda fistulosa Mugo spp Nepeta Faassenii ‘Six Hills Giant’ Oenothera ‘Rosea’ Oenothera macrocarpa Oxalis acetosella Penstemon “Elfin Pink’ Phlox subulata Picea abies ‘Pendula’ Polygonum orientale Populus deltoides Potentilla verna Pueraria montana Ratibida columnifera Ribes uva-crispa Rubus spp Rudbeckia fulgida ‘Goldstrum’ Sagina subulata Sagina subulata ‘Aurea’ Salix babylonica Salvia officinalis Salvia rosmarinus Schizachyrium scoparium Sedum spp. Solidago rugosa ‘Fireworks’ Sporobolus heterolepis Stachys byzantina ‘ Silver Carpet’ Thus typhina Thymus pseudolanuginosus Tragopogon porrifolius Verbena lilacina ‘De La Mina’ Veronica pectinata Waldsteinia ternatap Zinnia spp.
Achillea millefolium Achnatherum hymenoides Agastache foeniculum ‘Blue Fortune’ Ajuga reptans Alcea rosea ‘Blacknight’ Alchemilla mollis ‘Thriller’ Amelanchier spp. Amsonia hubrichtii Anemone canadensis Anemone tomentosa ‘Robustissima’ Anthyrium filix-femina Aquilegia alpina Aquilegia caerulea Aquilegia canadensis ‘Little Lanterns’ Arabis Spp. Artemisia dracunculus Artemisia ludoviciana Asclepias fascicularis Asclepias tuberosa Bouteloua gracilis ‘ Blonde Ambition’ Calamagrostis Acutiflora ‘Karl Foerster’ Calendula officinalis ‘Radio’ Campanula rotundifolia Clematis ‘Jackmanii Superba’ Clematis spp Clematis terniflora Convolvulus sabatius Convolvulus sabatius Coreopsis lanceolata Cornus sericea ‘Artic Fire’ Corydalis flexuosa ‘Porcelain Blue’
Black and Blur by Fred Moten Dear Science and Other Stories by Katherine McKittrick How Forests Think: Toward an Anthropology Beyond the Human by Eduardo Kohn M Archive: After the End of the World by Alexis Pauline Gumbs The Matrixial Gaze by Bracha L. Ettinger Rare Plants of Colorado by Colorado Native Plant Society Undrowned: Black Feminist Lessons from Marine Mammals by Alexis Pauline Gumbs Visions of Excess: Selected Writings, 1927–1939 by Georges Bataille Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals by Saidiya Hartman Words in Motion: Toward a Global Lexicon Edited by Carol Gluck and Anna Lowenhaupt Tsing
Helianthus annuus Iris siberica ‘Caesars Brother’ Juniperus horizontalis Lathyrus odoratus Liatris punctata Lonicera spp Lonicera x heckrottii ‘Goldflame’ Lotus berthelotti Lupinus polyphyllus ‘Gallery Blue’ Lupinus polyphyllus ‘Gallery White’ Lupinus polyphyllus
‘Gallery Yellow’ Mahona repens
Every Earthly Morning the Sky’s Light touches Ur Life is Unprecedented in its Beauty is curated by Claude Adjil, AAM Curator at Large.
ABOUT THE ASPEN ART MUSEUM Accredited by the American Alliance of Museums in 1979, the Aspen Art Museum is a thriving and globally engaged non-collecting contemporary art museum. Following the 2014 opening of the museum’s facility designed by Pritzker Prize–winning architect Shigeru Ban, the AAM enjoys increased attendance, renewed civic interaction, and international media attention. In July 2017, the AAM was one of ten institutions to receive the United States’ National Medal for Museum and Library Services for its educational outreach to rural communities in Colorado’s Roaring Fork Valley and its fostering of learning partnerships with civic and cultural partners within a 100-mile radius of the museum’s Aspen location.
Landscape design by Bluegreen: Rio Crandall and Preston Linck
3D printing courtesy of Anderson Ranch: Leah Aegerter
3D modeling by Jefferson Wenzel
Sculpture fabrication by Jonathan Hagman, Eric Angus, Ryan Baker, and Charlie Childress
Soil provided by Paonia Soil Co., Colorado’s living organic Supersoil
AAM exhibitions are made possible by the Marx Exhibition Fund. General exhibition support is provided by the Toby Devan Lewis Visiting Artist Fund. Additional support is provided by the AAM National Council.
Special thanks to Bluegreen & Bluegreen BLD for supporting Precious Okoyomon’s exhibition.
All texts © 2021 Aspen Art Museum.
Nancy and Bob Magoon Director Nicola Lees
The artist would like to thank Rianbow, mummy, Quinn Harrelson, Gio Escobar, Claude Adjil, and Nicola Lees. Luis Yllanes, Jonathan Hagman, Eric Angus, Ryan Prince, and Simone Krug. Rio Crandall, Preston Linck, and Erin at Erin’s Acres. Anne Boyer, Bobbi Salvör Menuez, Quori Theodor, SK Lyons, and Diamond Stingily. Meriwether McClorey and Louise Deroualle. Hans Ulrich Obrist.
Assistant Curator Simone Krug
Aspen Art Museum 637 East Hyman Avenue Aspen, Colorado 81611
Chief Operating Officer Luis Yllanes
Exhibitions Manager & Registrar Kate Marra
aspenartmuseum.org (970) 925-8050
Installation Director Jonathan Hagman
Hours Tuesday–Sunday, 10 AM–6 PM Closed Mondays
Technicians Eric Angus Rachel Becker J Carter Charlie Childress Natanielle Huizenga Michael Montesillo
Admission to the AAM is free courtesy of Amy and John Phelan.
Ryan Prince Jason Smith
Editor Monica Adame Davis
Adjunct Graphic Designer Lucas Quigley
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