March 22-24 Oklahoma State University
Dear Horn Friends,
On behalf of myself and the Oklahoma State University horn studio, I would like to welcome you all to Stillwater and the beautiful McKnight Center for the Performing Arts. After being promoted to full professor last year, I made changes and decisions based on what I wanted to do and hosting this workshop was at the top of the list.
I wanted to host a horn party as a “thank you” to a region who has supported me and helped me become the teacher and colleague I am today. As I saw registrations come in, I was reminded that the support goes far beyond this region and I was inspired by the clinic topics, the amazing representation in programming, and the willingness of all the contributing artists to participate. I want to take this opportunity to say a special Thank You to the featured artists who make up this weekend’s line-up. I had a big vision and as I received their recital programs, it became even bigger and better than I imagined. Representation matters and I did what I did on purpose. I know you will all agree that it is a privilege to see and hear our featured artists who will undoubtedly blow your minds and touch your hearts. I am so proud to be a member of the horn community and I am happy to have had the chance to share this time with you all. Please let me or any one of my students know if you have any questions and I hope you all have a wonderful workshop!
Sincerely,
Lanette López Compton Professor of Horn Oklahoma State University
Dear Horn Friends,
3
On behalf of the myself and the Oklahoma State University horn you all to Stillwater and the beautiful McKnight Center for the P promoted to full professor last year, I made changes and decisio and hosting this workshop was at the top of the list. I wanted to
March 22, 2024
It is my distinct pleasure to welcome you to the Mid-South Horn Workshop 2024, hosted by the Michael and Anne Greenwood School of Music at Oklahoma State University. We are delighted you could join us for what promises to be an impactful few days of music making, collaboration, and learning.
Your host, Prof. Lanette López-Compton, has created an exciting program of outstanding guest artist performances and clinics, along with networking opportunities that can lead to exciting future collaborations. You will also have the opportunity to visit the exhibit area where you can explore new horn music and recordings. On behalf of the Greenwood School of Music, thank you for joining us at the beautiful McKnight Center for the Performing Arts and for being a part of this year’s event. We are thrilled to have you on campus, and if there is anything we can do to make your experience more enjoyable, do not hesitate to let us know.
Sincerely,
Dr. Lucia Unrau, NCTM Director, Michael and Anne Greenwood School of Music
Dear Horn Friends,
4
On behalf of the myself and the Oklahoma State University horn you all to Stillwater and the beautiful McKnight Center for the Pe promoted to full professor last year, I made changes and decision
MASTER SCHEDULE ABBREVIATIONS: MCPAPH = McKnight Center for the Performing Arts Performance Hall MCPARH = McKnight Center for the Performing Arts Recital Hall SCPACH = Seretean Center for the Performing Arts Concert Hall GSM = Greenwood School of Music
Registration opens, available until 6 pm (GSM Lobby)
7:30
GROUP WARM-UP #1 • Zach Cooper (GSM 101)
8:30
COMPETITIONS • Undergraduate Solo Prelims (MCPARH)
8:30
• Graduate Solo Prelims (GSM 221)
CLINICS • Michael Mikulka ~ “Getting Started with Multiphonics” (GSM 319) • Eric Morin ~ “Georges Barboteu’s “Saison pour cor et piano” and “Astral”: A Case Study in Teaching Philosophy” (GSM 301)
9:00
COMPETITIONS • High Horn Orchestral Excerpt (GSM 200 and GSM 221)
9:30
• Low Horn Orchestral Excerpt (GSM 101 and GSM 110)
CLINICS • Eldon Matlick ~ “The Vienna Horn: Its History and Current Performance” (GSM 319)
10:00
• Ashlyn Phillips ~ “The Secrets to Happy, Healthy, High-Level Performing” (GSM 301)
12:00
Exhibits open (GSM 108)/Lunch
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OPENING CONCERT by the Oklahoma State Horn Studio (MCPARH)
1:30
• Announce Solo Competition Finalists and Excerpt Competition Winners
CONTRIBUTING ARTIST RECITAL #1 (MCPARH) Zach Cooper, Andrea Denis, Patrick Hughes, Peggy Moran, Joel Ockerman, Brent Shires
3:00
CLINICS • Marie Smith ~ “Body mapping, mindfulness, and horn pedagogy” (GSM 319)
3:00
• Marie Lickwar ~ “Trills without Trilling” (GSM 301)
• James Currence ~ “Electrifying the Horn” (GSM 110)
5:00
Exhibits close/Dinner
PRELUDE HORN ENSEMBLE CONCERT (MCPAPH) Kansas State University University of Texas Rio Grande Valley
6:30
FEATURED ARTIST RECITAL #1 (MCPAPH) David Byrd-Marrow, horn Jennifer Radisch, piano
7:00
8:30
HORN HANG: The State Room at The Atherton at OSU
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Registration opens, available until 6 pm (GSM Lobby)
7:30
8:30
GROUP WARM-UP #2 • Josh Hannon (GSM 101) COMPETITIONS • Undergraduate and Graduate Solo Competition Finals (MCPARH)
8:30
• High School Solo Competition (SCPACH)
9:00
Exhibits open (GSM 108)
CLINICS • Kelly Misko ~ “Dreaming Backwards: An Innovative Look at the Pedagogical Ideas Inspired by the Iconic Hollywood Horn Sound” (GSM 319) • Randall Faust ~ “What is a half-step between friends?” (GSM 301) CLINICS • Patrick Hughes ~ “I am not going to the store” (GSM 319)
9:00
10:00
• Tyler H. Goodwin-Souffront ~ “Building Your First Studio.” (GSM 301)
MASTERCLASS Solo Competition Winners with David Byrd-Marrow (GSM 101)
11:00
CONTRIBUTING ARTIST RECITAL #2 (MCPARH) Matthew Meadows, Eric Morin, Heather Thayer and Amy Stokes, Jeb Wallace and Alexander Shuhan, Curtis Simmons
11:00
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12:00
Lunch
CLINICS • Mike Simpson ~ “Come to a Jazz Horn Jam!” (GSM 319) • Josh Hannon ~ “Trailhead: Student Success through Refined Pedagogical Approaches in Private Teaching” (GSM 301) CLINICS • Matthew Meadows ~ “Practicing... it isn’t always a finite event.” (GSM 319) • Ashlyn & Curtis Simmons ~ “Mental Health for Musicians: Promoting Self-Care & Preventing Burnout.” (GSM 301) HORN ENSEMBLES CONCERT #1 (MCPAPH) University of Louisiana-Lafayette, University of Missouri-Kansas City, University of Oklahoma, Texas Christian University, Stephen F. Austin State University, University of Texas-Austin
1:00
1:30
2:30
COMPETITIONS Horn Quartet Competition (MCPARH and SCPACH)
2:30
CONTRIBUTING ARTIST RECITAL #3 (MCPAPH) Tyler Goodwin-Souffront, Katey Halbert, Monica Martinez (956 BRASS), Mica Redden, Matt Reynolds, Caroline Steiger
3:00
MASTERCLASS Orchestral Excerpt Competition Winners with Denise Tryon (GSM 101)
3:00
5:00
Exhibits close/Dinner
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PRELUDE HORN ENSEMBLE CONCERT (MCPAPH) Texas State University Southeast Missouri State University
6:00
FEATURED ARTIST RECITAL #2 (MCPAPH) Denise Tryon, horn Jennifer Radisch, piano
6:30
HORN HANG Mike Simpson and the OSU Jazz Trio with a Cash Bar Lobby of the McKnight Center for the Performing Arts
8:00
FEATURED ARTIST RECITAL #3 (MCPAPH) Aliyah Danielle and Friends
9:00
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Registration opens, available until noon (GSM Lobby)
8:00
Professors’ Meeting (GSM 200)
8:30
GROUP WARM-UP #3 • Mica Redden (GSM 101)
9:00
Exhibits Open and close at 12:30 (GSM 108)
MASTERCLASS Quartet Competition Winners with SFC Selena Maytum and SSG Jennifer Kempe (GSM 110) CONTRIBUTING ARTIST RECITAL #4 (MCPARH) Nicholas Kenney and Jordan Redd, Ashlyn Phillips, Heather Test and Stacie Mickens, Marie Smith, Alberto Suarez, Catherine Roche-Wallace CLINICS • Elizabeth Ando ~ “Orchestral Excerpts from Works by Women Composers” (GSM 319) • Alexis Sczepanik ~ “Surgery, Rest and Recovery: a guide to getting back into horn playing after major surgery.” (GSM 301)
9:00
9:00
10:00
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HORN ENSEMBLES CONCERT #2 (MCPAPH) Arkansas State University, Arkansas Tech University, Lamont School of Music, University of Arkansas, University of Central Oklahoma, University of North Texas
10:30
CLINICS • Alberto Suarez ~ “Creating Spontaneous Uniqueness in your playing for Professional Auditions” (GSM 319)
11:00
• Rusty Holmes ~ “How to Low Horn” (GSM 301)
The United States Army Field Band Prelim Audition (MCPARH)
11:00
12:30
Exhibits Close
COLLEGE CORNO and Competition Winners Concert (MCPAPH)
1:00
FEATURED ARTIST RECITAL #4 (MCPAPH) Johanna Lundy, horn SFC Selena Maytum and SSG Jennifer Kempe, horns Lyndon Meyer, piano
2:00
3:00
Anticipated End of MSHW 2024!
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RECITAL PROGRAMS FRIDAY, MARCH 22
1:30
Opening Concert by the Oklahoma State Horn Studio (MCPARH)
Oklahoma State University Horn Studio Lanette López Compton, Director
715 – CRΣΣKS as performed by The Nor’easters
Justin Vernon and Bon Iver arr. Elliot von Wendt trans. Jacob White
World Premiere ~ OSU Octet
Heptafunk verbatim.
Ricardo Matosinhos (b. 1982)
Aliyah Danielle (b. 1997)
World Premiere ~ OSU Octet
Sir Duke/Isn’t She Lovely
Stevie Wonder (b. 1950) arr. Bryce Richard/Jacob White
World Premiere
Oklahoma State University Legacy Horn Choir Katelynn Biggs, *Katie Brook, *Madison Cano, Gwendolyn Copland, *Josiah Courtney, Ben Eichenseer, Bella Eneff, *Daniel Fair, *Grace Fenstad, *Charlie Harris, *Allison Ringler, Jackson Rowe, Nicholas Sewell, *Cameron Taylor, *Thomas Wilhelm (* denotes octet member)
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3:00
Contributing Artist Recital #1 (MCPARH)
For Your Love
Shanyse Strickland (b. 1991)
Peggy Moran, horn Emily Butterfield, flute Jake Johnson, piano
Entropy for horn and trombone (2022) One More Mountain for horn, trombone, piano (2022)
Austin Hammonds (b. 1995) Amy Riebs Mills (b. 1955)
Zach Cooper, horn Nathan Dishman, trombone Lyndon Meyer, piano
Cape Horn
Otto Schwarz (b. 1967)
Andrea Denis, horn Lyndon Meyer, piano
Horn Sonata
Anthony Plog (b. 1947)
Part 1: Movement 1 Part 1: Movement 2 Part 2: Movement 3 Part 2: Movement 4
Patrick Hughes, horn Lyndon Meyer, piano
Parable VIII
Vincent Persichetti (1915-1987)
Joel Ockerman, horn
Okukoowoola Kw’Ekkondeere (Horn Call) for solo horn
Justinian Tamusuza (b. 1951)
Brent Shires, horn
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6:30
Prelude Horn Ensemble Concert (MCPAPH)
Kansas State University Dr. Jacqueline Fassler-Kerstetter, Director
Mountain Ascent (2021) 1. In the Distance March of the Resistance
Gina Gillie (b. 1981)
John Williams (b. 1932) arr. Tod Kerstetter (1963-2021)
Mountain Spires (2013)
Gary Kuo
KSU Horn Choir Josie Anderson, Andrew Dearinger, Nathan Dembski, Braeden Jones, Kendan Powers, Maddie Renner, Justin Stratton, Aspen Tallent
University of Texas Rio Grande Valley Dr. Monica Martinez, Director
Aileron
James Naigus (b. 1987)
Symphonic Dances I. Polonaise III. Astor
Christophe Sturzenegger (b. 1976)
Prelude and Fugue in A minor
J.S. Bach, Trans. Lowell E. Shaw (b.1930)
UTRGV Horn Choir Rodrigo Barrera, Alonzo Cavazos, Brittany Cruz, Samuel Garcia, David Gutierrez, Daniel Garza, Josue Juarez, Juan Carlos Romero, Roberto Salas, Maximus Valdez
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7:00
Featured Artist Recital #1 (MCPAPH)
Harvest Light for horn and piano
James Naigus (b. 1987) Jérôme Naulais (b. 1951) Matthew C. Haislip (b. 1985)
Miroir
Night Music for two horns and piano
David Byrd-Marrow and Lanette López Compton ~ horns
Air
Jörg Widmann (b. 1973)
Break
Chant dans le style de Mozart
Olivier Messiaen (1908-1992) trans. J. Rubin/C. Smythe David Byrd-Marrow (b. 1982)
Meditations
1. Dancing 2. Singing 3. Cascadia
Song for the Lonely
William Grant Still (1895-1978)
David Byrd-Marrow, horn Jennifer Radisch, piano
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SATURDAY, MARCH 23
11:00
Contributing Artist Recital #2 (MCPARH)
Spiegel im Spiegel
Arvo Pärt (b. 1935) Joey Willette (b.1997)
Rites of Janus
Jeb Wallace and Alexander Shuhan, horns Lyndon Meyer, piano
Introduction, Theme and Variations, Op. 13
Franz Strauss (1822-1905)
Matthew Meadows, horn Lyndon Meyer, piano
Saisons, quatre pieces pour cor et piano
Georges Barboteu (1924-2006)
Eric Morin, horn Jennifer Radisch, piano
Cloudbreak
James Naigus (b. 1987)
The Magic Horn, 9. Galop
Corrado Maria Saglietti (b. 1957)
Heather Thayer and Amy Stokes, horns
I Threw a Shoe at a Cat (2017) 1. Theme 2. Waltz 3. Yazz 4. Finale
Catherine Likhuta (b. 1981)
Curtis Simmons, horn
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1:00
Horn Ensembles Concert #1 (MCPAPH)
“Master of Padawan” University of Louisiana, Lafayette Dr. Catherine Roche-Wallace, Director
Chorale and Ceremony
James Naigus (b. 1987) Paul Basler (b. 1963)
Three Pieces for Four Horns Psalm Celebration
Long I Stood with guests from Arkansas State University
James Naigus (b. 1987)
UL Lafayette Horn Choir A. Green, Edge Palm, Andrea Rivera (ULL ’20), Grant Roper, Harrison Young with Jaden Berry (A-State ’23), Harrison Bruner (A-State ’22), Landon Wiley (A-State)
Stephen F. Austin State University Dr. Andrea Denis, Director
Fanfare for London
Randall E. Faust (b. 1947)
Cantos No. 2
Giovanni Gabrieli (1557-1612)
I. Canzon Per Sonar Primi Toni
Hornplayers’ Retreat and Pumping Song
David Stanhope (b. 1952)
SFA Horn Choir Raymond Garcia, Isaac George, Will Hansard, Daniel Hyltin, Bryce Lehman, Macy Mashburn, Makenzie Paul, Ethan Williams
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University of Texas-Austin Patrick Hughes, Director
Hounds of the Underworld (CWN ANNWN)
Steven Mahpar Patrick Hughes
Ubi Caritas Salsita #2
Sophie Lieth
UT Horn Choir Madeline Artman, Owen Clark, Daniela Garcia, Jonah Hammett, Cheryll Huddleston, Dylan Marquez, Tim McCormick
University of Missouri-Kansas City Alberto Suarez, Director
Jubilee
James Naigus (b. 1987) Edward Elgar (1857-1934) arr. Justin Mohling
Nimrod from Enigma Variations
Concerto for Horn Ensemble (2024)
Kyle Winge (b. 1996)
World Premiere Performance
Roo Horns Madison Bobroff, Michael Brown, Frank Carubba, Aurora Conroy, Evan Minsk, Justin Mohling, Joe Morrione, Jaxon St. Clair, Brianna Volkmann
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Texas Christian University Heather Test, Director
Sunrise Alleluias Love for Robots
Thomas Singletary (b. 1970) Emma Gregan (b. 1993) Giacomo Puccini (1858-1924) arr. Adam Wolf
Nessun Dorma from Turandot
TCU Horn Ensemble Travis Beard, James Brandt, Logan Bingham, Roger Gonzalez, Maya Huffman, Emily Koch, Megan Kraus, Emily Martin, Garrett Nelson, Diego Solis, Joshua Wheeler
University of Oklahoma Dr. Matthew Reynolds, Assistant Professor of Horn
“Gates of Gold” Fanfare for Horn Choir
Garret Humann (b. 2003)
Mountain Ascent for Horn Octet
Gina Gillie (b. 1981)
OU Horn Choir Aaron Aspden, Peyton Butler, Skye Curtis, Michael Deutscher, Isabella Garcia, Chloe Harbuck, Garret Humann, Nicholas Lance, Bre Lunday, Lauryn Marshall, Zoe McDowell, Sophia Murray, Kimberly Torres, Davis Wetter
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3:00
Contributing Artist Recital #3 (MCPAPH)
Triangulus (2023)
Jacob White (b. 1996)
Reconciliation (2023)
Hunter T. Johnson (b. 1997)
Tyler H. Goodwin-Souffront, horn Hyejin Cho, piano
Tundra (2020)
Cait Nishimura (b. 1991)
Katey Halbert, horn Hyejin Cho, piano
Wind O’er the Highlands
Madeline Lee (b. 1994)
Matthew Reynolds, horn Hyejin Cho, piano
Songs Without Words for Horn and Piano (2023) I. Prelude
Michael Ippolito (b. 1985)
II. Scherzetto III. Berceuse
World Premiere Caroline Steiger, horn Hyejin Cho, piano
Solo X
Kalevi Aho (b. 1949)
Mica Redden, horn
Trio for Brass (2014)
Gina Gillie (b. 1981)
956 BRASS Dr. Monica Martinez, horn Dr. Bill Haugeberg, trombone Dr. Alex Sanso, trumpet
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6:00
Prelude Horn Ensemble Concert (MCPAPH)
Texas State University Dr. Caroline Steiger, Director
“wild horn whose voice the woodlands fills”
Pamela J. Marshall (b. 1954) FINNEAS (b. 1997) and Billie Eilish (b. 2001) arr. Meredith Moore Emma Gregan (b. 1993)
What Was I Made For?
Popcorn
Texas State University Horn Ensemble Bailey Akin-Jimenez, Malik Cepeda, Dylan Greiner, John Garza, Jr., David Gonzalez, Juan Gonzalez, Caleb Hardy, Aubrey Hay, Nathan Laurel, Harley Martin, Haily Montenegro, Emma Moris, Ralf Parra, Joseph Pickett, German Rangel, Daniel Robles, Ben Wiseman
Southeast Missouri State University Dr. Nicholas A. Kenney, Director
Aileron
James Naigus (b. 1987) Jacob Evarts (b. 2003) Gina Gillie (b. 1981)
Nostalgia Dragons
Dr. Jordan B. Redd, BM 2016, Soloist
SEMO Horn Choir Dyllan Day, Nichole Golden, AJ Haessly, Helena Kasper, Jordan Pavelka, Eli Pippin, Joel Prange, Rachel Richardson (BME ’22), Bella Redd, Rainier Sode, Eli Sullivan, Lauren Zygmont (BME ’22), Keaton Lacey (horn and F tuba)
23
6:30
Featured Artist Recital #2 (MCPAPH)
Fat Belly Blues Variationen Sarabandish Two Latin Dances
Richard Bissill
Jan Koetsier (1911-2006) J.S. Bach and Vince Norman Lauren Bernofsky (b. 1967)
Bossa Nova Tango
Canzonetta La Calavera Golden Hour
Edna Frida Pietsch (1894-1982)
Alice Gomez (b. 1960) Cait Nashimura (b. 1991)
Denise Tryon, horn Jennifer Radisch, piano
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9:00
Featured Artist Recital #3 (MCPAPH)
mozart is dead
NEBULA Positions
Aliyah Danielle
Ariana Grande (arr. Aliyah Danielle)
WALKOUT
Aliyah Danielle
The Fonky French Horn
Shanyse Strickland
WORLD PREMIERE
This Woman’s Work
Maxwell (arr. Aliyah Danielle)
Tough Love
Marcus Norris
WORLD PREMIERE
Ain’t No Sunshine
Bill Withers (arr. Aliyah Danielle)
Dynamo
Richard Parris Scott
WORLD PREMIERE
OVERDRIVE
Aliyah Danielle Aliyah Danielle
AUTUMN
Togo
Huntertones (arr. Aliyah Danielle) Erykah Badu (arr. Albert Palau)
Penitentiary Philosophy
…black hole
Aliyah Danielle
Crazy = Genius
Panic! at the Disco (arr. Aliyah Danielle)
Aliyah Danielle and Friends Aliyah Danielle – Composer, french horn and vocals
Jeremiah Flack – trumpet Paul Compton – trombone Isaac Wisdom – keyboard Brian Belarus – electric guitar Jordyn Davis – bass Alexis Randolph – drums
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Aliyah Danielle is excited to be presenting the first iteration of her latest endeavor, mozart is dead . The program features select pieces from her debut album, GENESIS , and combines other original tunes and arrangements in an effort to explore and showcase the horn outside of standard classical and orchestral contexts. This performance features the world premieres of three new pieces for horn from Richard Parris Scott, Shanyse Strickland, and Marcus Norris, all commissioned by Aliyah over the past year.
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SUNDAY, MARCH 24
9:00
Contributing Artist Recital #4 (MCPARH)
Cherrywood (2020)
Dennis Llinás (b. 1980) arranged by composer for horn, piano, and percussion (2023)
World Premiere Alberto Suarez, horn Hyejin Cho, piano Cheldon Gatz, percussion
Cantecor
Henri Busser (1872-1973)
Ashlyn Phillips, horn Hyejin Cho, piano
Happy Blues
Zsolt Nagy (b. 1978)
Evan Mino, horn
Double Trouble (2023)
Till Meyn (1970)
World Premiere Heather Test and Stacie Mickens, horns
Four Improvisations from Traveling Impressions for Solo Horn: Italy
Vitaly Buyanovsky (1928-1993)
Marie Smith, horn
Pale Blue Dot for solo horn and fixed media
Gina Gillie (b. 1981)
Catherine Roche-Wallace, horn
Odyssey for duet and fixed media
James Naigus (b. 1987)
Nicholas A. Kenney and Jordan Redd, horns
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10:30
Horn Ensembles Concert #2 (MCPAPH)
Lamont School of Music David Byrd-Marrow, Director
Casbah of Tetouan
Kerry Turner (b. 1960)
Lamont School of Music Horn Ensemble Josh Bonillas, Lee Cyphers, Marc DeCoy, Zachary Regin, Delaney Sutherland
Arkansas Tech University Evan Mino, Director
Canzona per Sonare No. 2
Giovanni Gabrieli (1557-1612) transcribed by Evan Mino Florence B Price (1887-1953) transcribed by Evan Mino Gustav Holst (1874-1934) transcribed by Evan Mino
Adoration
“Fantasia on the Dargason” from Second Suite in F
ATU Horn Ensemble Zoe Covey-Smith, Rachel Estep, Aaron Mack, Dalton McPherson, Eliza Smith, Osvaldo Ramirez, Luke Walker, Brad Wills University of Arkansas Dr. Katey J. Halbert, Director
Fantasy
Ronald LoPresti (1933-1985)
Poem of Love and Joy (2022/2023)
Chris Dorner (b. 2004) Ben McMillan (b. 1984)
Sojourns (2015)
III. Cosmogyral
University of Arkansas Horn Choir Rachael Breitenstein, Chris Dorner, Macy James, Hudson Martin, Logan Morris, Drew Schulz, David Slutsky, Aurora Rocole, Lauren Zygmont
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University of North Texas College of Music Dr. Stacie Mickens, director
Apollo – A Concert Overture for 10 Horns (2019)
Kerry Turner (b. 1960)
at the still point of the turning world (2019) America from West Side Story (1957)
Charity Morrison (b. 2000) Leonard Bernstein (1918-1990) arranged by Sam Himes
UNT Horn Ensemble Andrew Bennett, Justin Beyer, Daniel Castillon, Sarah Clements, Isaac Fowler, Eva Gomez, Sam Himes, Patrick Ring, Benjamin Ruiz, Sebastian Ruiz University of Central Oklahoma Peggy Moran, Director
Fanfare for Eight Horns
Catherine Likhuta (b. 1981) Emma Gregan (b. 1993)
Softly We Dance Reverie and Romp
Alyssa Reit (b. 1953)
UCO Horn Choir Rebecca Geitzenauer, Melissa Deleon, Alex Hamm, Cristalynne Burns, Cassidy Anderson, Iriana Phipps, Derek Stills, Lilian Litterell, Sephra Jared, Alyson Byers, Blake Sullivan
Arkansas State University Dr. Juli Buxbaum, Director
Arsenal
D. Ousley “Oz
Suite for Six Horns 1. Prologue 2. Chorale 3. Fugato
Roger Johnson (b. 1941)
A-State Horn Choir Marco Aguilar, Andrew Baldridge, Victoria Beckett, Jaden Berry (BM ‘23), Molly Boroughs, Nicholas Bratten, Harrison Bruner (BM ‘22), Austin Crouse, Elaine Dean, Dustie Hall, Dagan Lillard, Zane Jones, Landon Wiley
30
1:00
COLLEGE CORNO and Competition Winners Concert (MCPAPH)
Solo Competition Winners Quartet Competition Winner
Picturesque (2023)
Jacob White (b. 1996)
I. Serene Prairie II. Wild Beyond
World Premiere – Written for COLLEGE CORNO
Still Waters (2016)
Drew Phillips (b. 1989)
Written for NU CORNO – IHS 50 (Muncie, IN)
La Cathédrale (2020/2023)
Madeline Lee (b. 1994)
Arrangement Premiere - Arranged for COLLEGE CORNO - MSHW 2024
COLLEGE CORNO Ensemble Steven Cohen ~ Founder and Artistic Director
Josie Anderson ~ Kansas State University Harrison Bruner ~ University of Alabama Michael Coleman ~ University of Louisville Elaine Dean ~ Arkansas State University David Gonzalez ~ Texas State University David Gutierrez ~ University of Texas-Rio Grande Valley Lucas Hamilton ~ Baylor University Sam Himes ~ University of North Texas Cheryll Huddleston ~ University of Texas at Austin Caleb Kaiser ~ Southwestern Oklahoma State University Megan Kraus ~ Texas Christian University Brooklynne McGonagle ~ University of Kansas Jordan Pavelka ~ Southeast Missouri State University Allison Ringler ~ Oklahoma State University Brianna Volkmann ~ University of Missouri – Kansas City Lauren Zygmont ~ University of Arkansas
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2:00
Featured Artist Recital #4 (MCPAPH)
Crépuscules (1936)
Elsa Barraine (1910-1999)
Johanna Lundy, horn Lyndon Meyer, piano
Appel interstellaire from Des canyons aux étoiles... (1974)
Olivier Messiaen (1908-1992)
Johanna Lundy, horn
Jupiter (1990)
Denis Gougeon (b. 1951)
Johanna Lundy, horn Lyndon Meyer, piano
Khumbula (2017)
Michael J. Viljoen (b. 1973)
SFC Selena Maytum and SSG Jennifer Kempe, horns Lyndon Meyer, piano
Color and Light (2024)
Mica Redden (b.1990)
SFC Selena Maytum and SSG Jennifer Kempe, horns Lyndon Meyer, piano
Little Suite
Raymond Luedeke (b. 1944)
I. Allegro con spirito
Johanna Lundy, SFC Selena Maytum, SSG Jennifer Kempe, horns
Scherzo (2022)
F. Javier G. Compeán
Johanna Lundy, horn Lyndon Meyer, piano
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“Schilflieder” Five Reed Songs on the Poems of N. Lenau (1872)
August Klughardt (1847-1902)
Leidenschaftlich erregt Langsam, träumerisch Feurig
J. Greg Miller (b. 1984)
SFC Selena Maytum and SSG Jennifer Kempe, horns
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CLINIC DESCRIPTIONS
FRIDAY, MARCH 22 Michael Mikulka “Getting Started with Multiphonics” (GSM 319) Playing multiphonics on horn might seem intimidating, but just like stopped horn, lip trills, and other extended techniques, they are not only achievable by most players, but with enough practice, they will eventually feel natural. Topics addressed/ demonstrated in this lecture will include: - How to put yourself in an environment where your first multiphonics will be easier to play - A step by step guide to playing your first multiphonic - How to tune and balance multiphonics - How to start (and end) the singing+playing at the same time - Basic exercises to improve stability, fluidity, and intonation - Understanding the math and acoustics involved in multiphonics - Assorted quirks, tricks, and new extended techniques Eric Morin “Georges Barboteu’s “Saison pour cor et piano” and “Astral”: A Case Study in Teaching Philosophy” (GSM 301) This presentation is a discussion of the musical life and career of Georges Barboteu, the noted teacher of the Paris Conservatoire. The varied musical accomplishments and experiences of Barboteu, not limited to the realm of the orchestra, represent a through line in not only his compositional output, namely “Astral” and “Saisons”, but also in his writings on teaching.
9:00
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Eldon Matlick “The Vienna Horn: Its History and Current Performance” (GSM 319)
10:00
Time permitting, audience members may be able to get a chance to preview one of these instruments.
Ashlyn Phillips “Happy and Healthy, High-Level Performing” (GSM 301) Unlock the secrets to a harmonious life and peak performance as we delve into the profound connection between mind, body, and soul – offering practical exercises to elevate and transform your everyday performance on and off the stage.
James Currence “Electrifying the Horn” (GSM 110)
Come and learn about how to “electrify” the french horn via an electric pedalboard! In this presentation, audience members will not only learn the story behind the development of a pedalboard with the horn in mind, but also how to create one for themselves. The purpose of this presentation is to help show the audience how to make the pedalboard unique to who they are as creative individuals. There will also be a demonstration of the various sounds that the pedalboard can create. At the end of the presentation, there will be an interactive performance for horn choir plus an “electrified” french horn! Horn players of all ages and playing levels are welcome!
Marie Smith “Body mapping, mindfulness, and horn pedagogy” (GSM 319)
3:00
This interactive lecture will examine aspects of horn pedagogy through the lens of mindfulness and body mapping. Body mapping explores our understanding of our own anatomy and the ways we move based on that understanding. Bring a mouthpiece and a willingness to move!
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Marie Lickwar “Trills without Trilling” (GSM 301)
SATURDAY, MARCH 23 Kelly Misko “Dreaming Backwards: An Innovative Look at the Pedagogical Ideas Inspired by the Iconic Hollywood Horn Sound” (GSM 319) Randall Faust “What is a half-step between friends?” (GSM 301) Call and Response for Solo Horn was composed in 1997. Since then, it has taken on a bit of a life of its own. This clinic is the process of discussing how to perform this work, introducing the student to the Sonic Universe of Intervallic Awareness. Of course, developing this Intervallic awareness will improve the Hornist’s overall playing. This is an Interactive Clinic of about half an hour so the participants will have a chance to play musical examples. I want to show how I teach students to lip trill without actually doing a lip trill. I will present exercises and explain why and how it works. www.marielickwarhorn.com
9:00
Patrick Hughes “I am not going to the store” (GSM 319)
10:00
This session explores tapping into one’s musicality, relating it to our innate ability to read the written word expressively. Comparing the two sheds light on tools we can use to be more expressive with everyday performance. Should be fun— audience participation is expected!
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Tyler H. Goodwin-Souffront “Building Your First Studio.” (GSM 301)
An educational tool for first-time studio creators for students ranging from beginners to adults. In this workshop, participants will learn the necessary tools when building educational repertoire, contracts, payment and taxes, communication, website building, and more!
Mike Simpson “Come to a JazzHorn Jam!” (GSM 319)
1:30
You will get the opportunity to play in a Horn-players-only Jazz ensemble. We’ll take on some Jazz standards and try out some ways to improvise on the horn. Experience that “never the same way twice” music that IS Jazz and have some fun no matter what your level. Josh Hannon “Trailhead: Student Success through Refined Pedagogical Approaches in Private Teaching” (GSM 301) This presentation will discuss how to build and maintain a happy and healthy private teaching studio. For those that truly wish to seek out teaching opportunities, finding ways to recruit, working with technology, and connecting with students can present many challenges. A Trailhead is the point at which a trail, a path, a new journey begins. As you start your journey with a new student, small changes in your approach can make a significant impact on their journey with the horn. This presentation will focus on refinement of approach and art of teaching. Teachers will often ask how can I get started? Who do I contact and how do I contact them? What resources do I use in lessons? How can my teaching be better? How can I connect with my students? By making small changes in our approach, we can create happier and healthy teaching studios.
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Matthew Meadows “Practicing... it isn’t always a finite event.” (GSM 319) This session is a lecture/discussion on my own personal methods to break up the monotony of the practice room. Variety in rehearsal spaces, resources in which we use to practice, and the mindset towards what we want to achieve during our practice are the main points in this session. Ashlyn & Curtis Simmons “Mental Health for Musicians: Promoting Self-Care & Preventing Burnout.” (GSM 301) This clinic will delve into specific mental health challenges that musicians face. We will identify specific methods to reduce emotional vulnerability, reduce shame, and discuss ways to foster a healthy music environment where creativity and musicianship can flourish.
2:30
SUNDAY, MARCH 24
Elizabeth Ando “Orchestral Excerpts from Works by Women Composers” (GSM 319)
10:00
This presentation will be about horn excerpts in orchestral works by women composers including Alice Mary Smith, Augusta Holmès, Amy Beach, and Ethel Smyth. Music by women composers has been historically erased, and this is part of an effort to increase representation of these composers in our repertoire. These selected sections would work well as audition excerpts to assess a player’s abilities on the horn. The format will include the background of the composer and the piece, a listening, and the playing of each excerpt.
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Alexis Sczepanik “Surgery, Rest and Recovery: a guide to getting back into horn playing after major surgery.” (GSM 301) My personal story involves recovering from major abdominal/ gynecologic surgery. Before the surgery, I was, like many others, dismissed by multiple doctors that anything was wrong. This presentation serves to educate on your rights as a patient, learn how to advocate for yourself with your doctors, and discuss the road to recovery and playing after a major medical procedure. Alberto Suarez “Creating Spontaneous Uniqueness in your playing for Professional Auditions” (GSM 319) I will focus on how to have audition success by taking control of some of the issues that arise during an audition. How to stand out and impress the Audition Committee and Music Director to guarantee a positive result.
11:00
Rusty Holmes “How to Low Horn” (GSM 301)
Bring your horns!
In this session, Dr. Rusty Holmes will dive into all the tips and tricks to beef up your low range. Participants will have a better understanding of tone production in the lower register and will walk away with many exercises to work on their low range at home.
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TO DO LIST
Time Activity
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Time Activity
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EXHIBITORS • BALU MUSIK • FAUST MUSIC • HORN PLANET • HOUGHTON HORNS • LEGACY HORN EXPERIENCE • MIKULKA MUSIC • POPE REPAIR
LEARN MORE AT GSM 108
David Byrd-Marrow
Hailed as “ stunning and assured ” by the New York Times, Atlanta native David Byrd-Marrow is the Solo hornist of the International Contemporary Ensemble, as well as a member of The Knights. Working with a uniquely wide range of performers, he has premiered works by Matthias Pintscher, Arthur Kampela, George Lewis, Tyshawn
Sorey, Anna Thorvaldsdottir, Du Yun, Marcos Balter, Anna Webber, Jörg Widmann, Miguel Zenón, and Chick Corea.
David has performed at festivals including the Ojai Music Festival, the Spoleto Music Festival, the Mostly Mozart Festival, the Tanglewood Music Center, Summerfes t! at the La Jolla Music Society and as faculty at the Festival Napa Valley. Formerly a member of Carnegie Hall’s Ensemble Connect, he has also made appearances with the New York Philharmonic, the Cleveland Orchestra, the Atlanta, Seattle and Tokyo symphony orchestras, the Orpheus Chamber Orchestra, the Mostly Mozart Festival Orchestra, the Washington National Opera, the Metropolitan Opera and the Chamber Music Society of Lincoln Center. He has recorded on many labels including Tundra, More Is More, Nonesuch, EMI, Deutsche Grammophon, and Naxos. Mr. Byrd-Marrow received his Bachelor of Music degree from The Juilliard School and Master of Music from Stony Brook University. He is the Assistant Professor of Horn at the Lamont School of Music, of The University of Denver.
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Aliyah Danielle
Aliyah Danielle is a dynamic artist with a unique approach that can be summed up in one word: unconventional. The winding roads of Aliyah’s diverse interests and experiences converge to form the heart of her creations, which seek to tell stories through sound and blend genres to create new, interesting sonic textures. A collaborator at heart, Aliyah’s mission is to use her art to pose questions and start conversations surrounding issues embedded in our world’s cultural and social systems, allowing us to better understand others and their belief systems.
Aliyah enjoys a multifaceted career including performing, composing, arranging, orchestration, producing, and teaching. Primarily performing as a singer and french horn player, she frequently experiments with genre-fusion and performs music influenced by funk, neo-soul, gospel, jazz, classical, and other contemporary styles. She regularly performs original music as a part of her own projects and initiatives and supports various artists all around the world. She received her Master of Music in Contemporary Performance (Production Concentration) from Berklee College of Music in Valencia, Spain, and also holds a Bachelor of Music in Music Education from Arizona State University in Tempe, Arizona. Dedicated to equity and inclusion within the field of music, Aliyah is a founding member and the Director of Programming for the Chromatic Brass Collective, an organization founded by Black women which celebrates, performs, mentors and educates in an effort to increase the visibility of racially and ethnically underrepresented women and gender non-conforming people throughout the brass world. She is also a member of the International Society for Black Musicians, Maestra Music Organization, Musicians United for Social Equity and the International Women’s Brass Conference.
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Staff Sergeant Jennifer Kempe
Staff Sergeant Jennifer Kempe is originally from Champaign, Illinois. She received her Bachelor of Music Education Degree from the University of Illinois, and her Master of Music degree from Western Michigan University. Prior to joining the U.S. Army Field Band, SSG Kempe performed as Principal Horn of the
Battle Creek Symphony and 2nd Horn of the Dubuque Symphony Orchestra. She has also performed with numerous ensembles throughout the Midwest, including the Quad City Symphony Orchestra, Tallgrass Brass Band, Lansing Symphony Orchestra, Champaign-Urbana Symphony Orchestra, and The Kalamazoo Civic Theatre Pit Orchestra. SSG Kempe has attended music festivals such as the Round Top Festival Institute, Rafael Méndez Brass Institute, and Le Domaine Forget International Academy of Music and Dance. SSG Kempe has taught students of all ages, maintaining a private horn studio and teaching brass lessons in local schools in the Quad City area. Her primary teachers include Bernhard Scully and Lin Foulk.
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Johanna Lundy
Johanna Lundy is the horn professor at the University of Arizona School of Music. She held the position of principal horn with the Tucson Symphony for 15 years and has played across the US, Mexico, and Europe in solo, recital, and orchestral settings. Her 2018 solo album Canyon Songs was hailed by Gramophone as “simply breathtaking” and an “impressively virtuoso performance.” Lundy is the founder and director of the Borderlands Ensemble, a horn and strings chamber group devoted to sharing the stories of the borderlands region through unique
concert experiences. The ensemble regularly collaborates with artists to create programs based on themes of Mexican and Chicanx history and has been building new repertoire by American, Mexican, and Indigenous composers. The group released their first album the space in which to see in 2021. “[Their] vast talents illuminate the rich culture of the American Southwest with much intrigue” (Take Effect) and add “a most welcome addition to the catalogue” (Art Music Lounge). A dedicated teacher, Lundy’s teaching style emphasizes physical and mental wellness, orchestral audition preparation, and artist development. Students are encouraged to explore creative projects and collaborate across disciplines. Former students have gone on to varied careers in music and positions with professional orchestras and military bands. She holds a Bachelor of Music from the Oberlin Conservatory and a Master of Music from the New England Conservatory. Lundy serves as an Advisory Council member and the Treasurer of the International Horn Society.
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Sergeant First Class Selena Maytum
Prior to joining The U.S. Army Field Band, Sergeant First Class Selena Maytum was a band director at Loveland High School in Loveland, Colorado and Spartanburg High School in Spartanburg, South Carolina. SFC Maytum was a member of the 2008 Japan Touring Cast of Music Motion Theater’s Odyssey, the Terre Haute Symphony
Orchestra, the Southern Indiana Wind Ensemble, and the Cadets Drum and Bugle Corps. She has performed with the Colorado Symphony Orchestra, ProMusica Colorado Chamber Orchestra, Spartanburg Symphony Orchestra, and numerous regional ensembles. SFC Maytum received her Doctor of Musical Arts degree from the University of Colorado Boulder, Master of Music degree from Indiana University, and Bachelor of Music Education degree from Furman University. She has taught on the brass staff of The Cadets Drum and Bugle Corps since 2012 and is a member of the U.S. Army Field Band’s Chamber Brass Quintet.
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Denise Tryon
Denise Tryon is the Associate Professor of Horn at Indiana University, Jacobs School of Music. Since 2019, Tryon has been the 4th horn of the famed American Horn Quartet. Previously, Tryon was fourth horn of The Philadelphia Orchestra as well as holding positions with the Detroit, Baltimore, Columbus, and New World Symphonies. She also served as the Professor of Horn at both the University of Cincinnati College- Conservatory of Music from 2018 - 2023 and the Peabody Conservatory in Baltimore from 2007 - 2019.
“Denise Tryon’s command of the lower
register provides the strongest foundation of sound for a horn section, and yet, her sound is supple and flexible.” —Yannick Nezet-Sequin, music director of the Philadelphia Orchestra and the Metropolitan Opera In 1989 Tryon graduated from the Interlochen Arts Academy and in 1993 received her Bachelor of Music degree from the New England Conservatory of Music (NEC) in Boston. She received the Presidential Scholarship while in the Artist Diploma Program at NEC with the Taiyo Wind Quintet, which won the Coleman Chamber Competition and worked with great composers such as John Harbison, Luciano Berio, György Ligeti, and Elliott Carter. An active and accomplished educator, Tryon is sought after for her masterclasses. She has taught extensively in the United States, Scandinavia, Europe, Asia and South America. Beth Graham of the Baltimore Symphony and founder of the Warsaw Horn Workshops says, “In just a few seconds of listening to a student she can diagnose deep- seated problems and give immediate fixes, often with a healthy dose of humor as well. The transformations she can accomplish in just a short time are truly remarkable.” Tryon has been a featured artist at many International Horn Society (IHS) Symposiums and Regional Workshops.
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She has been a Featured Artist at the Nordic Hornfest, BIBA (Blekinge International Brass Academy), Warsaw Horn Workshops, CORNO Brass Music Workshop, Orford Winds, and Domaine Forget. Since 2017, she’s been a faculty member at Rafael Mendez Brass Institute in Denver, CO. Frequently she is on faculty at Carnegie Hall’s National Youth Orchestra (NYO). Tryon released her debut solo album, SO•LOW in 2015. As a part of this album, she commissioned 4 new pieces for low horn and piano. Said in a review by Gramophone Magazine “Tryon plays these works with sonorous fluidity and dexterity, ending with a bit of captivating acrobatics.” The American Prize awarded her with the Special Judges Citation for “Important Commitment to the Music of Our Time”. A Pair of Aces, a duo horn album between Tryon and Karl Pituch, Principal Horn of the Detroit Symphony Orchestra was released in 2017. It won a Silver Medal in the Global Music Awards. Hope Springs Eternal, Tryon’s second solo album, where she commissioned 6 new pieces for low horn, was released in 2020. The American Prize named Tryon and this album as the Winner for Instrumental Performance in 2022. In 2009, Tryon founded Audition Mode, a yearly horn seminar, with Karl Pituch. The seminar focuses on the skills horn players need to be successful in orchestral auditions.
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Classic Mouthpieces Publications by Hackleman, Jolley, and more
CONTRIBUTING ARTISTS
956 BRASS Dr. Monica Martinez is Assistant Professor at The University of Texas Rio Grande Valley. She is a passionate educator and freelance musician who regularly performs with regional orchestras, chamber ensembles, and teaches masterclasses/ clinics to musicians of all levels. Recently, she was elected to the Advisory Council of the International Horn Society. Dr. William (Bill) Haugeberg is Associate Professor of Low Brass at The University of Texas Rio Grande Valley where he teaches applied low brass students, low brass choir and other courses. Bill has been a soloist and presenter at several festivals and is active in the International Trombone Association. Dr. Alexander Sanso is Lecturer I of Trumpet at The University of Texas Rio Grande Valley where he teaches applied Trumpet and chamber music. Dr. Sanso remains active as a performer and pedagogue. His area of research focuses primarily on new works which feature the trumpet as a solo instrument. Libby Ando Libby is a horn player and educator based in the New Jersey/ Philadelphia region. Libby obtained her Master’s in Horn Performance from West Chester University in 2019 with Dr. Elizabeth Pfaffle. Libby also holds a Bachelor’s in Music Education from Rowan University, where she studied with Lyndsie Wilson. Currently a DMA student at Rutgers University, Libby studies with Leelanee Sterrett. Libby has presented her research “Symphonic Excerpts for Horn by Women Composers” at the Southeast Horn Conference in Greensboro, North Carolina in 2022, and the International Horn Symposium in July 2023 in Montreal, Canada.
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Libby is proud to be a founding member of the Pennsylvania Chamber Winds, and the Coda Brass Quintet.
Libby teaches in a variety of settings, including lessons, clinics, and the marching arts. Libby is on the instructional staff of the Crossmen Drum and Bugle Corps for the 2023 and 2024 seasons. She is also the Brass Caption Head at Rowan University’s Pride of the Profs Marching Band, beginning in their first season, 2023. Brian Belanus Brian Belanus is a guitarist, composer, and educator from Oklahoma City, Oklahoma. He received his Master of Music from Oklahoma City University where he studied classical guitar with Dr. Lynn McGrath, and his Bachelor of Music from the University of Central Oklahoma where he studied under Danny Vaughan and improvisation with trumpeter Lee Rucker. He has had the privilege to study privately with Jonathan Kreisberg, Peter Berrnstein, Lage Lund, and Paul Bollenback, as well as renowned saxophonist Bob Mintzer. He has performed with the Oklahoma City Jazz Orchestra, and Lyric Theatre of Oklahoma, and continues to perform with his trio, BRD, and as a freelance guitarist across the state of Oklahoma. Juli Buxbaum Dr. Juli Buxbaum is the Assistant Professor of Horn at Arkansas State University in Jonesboro, Arkansas where she works with applied horn students, teaches graduate writing classes, conducts chamber music and horn ensembles, and performs as a member of the Arkansas State Faculty Brass and Woodwind Quintets. She also currently serves as the Assistant Chair for the A-State Department of Music. An avid chamber musician, Juli is a founding member of Bantam Winds, a mobile woodwind ensemble with oboe, flute, clarinet, saxophone, and horn as well as a trio for trumpet, horn, and piano called Nordestrio. Nordestrio recorded a CD celebrating new compositions by Brazilian composers titled Braziliana that was released in Spring 2022 and received a Silver Medal in the Global Music Awards. Juli has also toured with various chamber groups internationally in Brazil, Japan, Switzerland, and Germany. She has served as faculty for chamber festivals such as the Brass Institutes of America and the Saarburger Serenaden Music Festival. 53
Orchestral engagements include playing third horn with The Jackson Symphony and regular appearances with the Arkansas Symphony, Memphis Symphony, Delta Symphony, Symphony of Northwest Arkansas, Wichita Symphony, Oklahoma City Philharmonic, and Tucson Symphony. Solo accomplishments include placing as a semi-finalist in the university division of the International Horn Competition of America. Juli received both a DMA (2018) and MM (2016) in Horn Performance from Arizona State University and holds a BM (2014) in Music Education from Oklahoma State University. Her primary teachers include Lanette López-Compton and Dr. John Ericson. Steven Cohen Steven Cohen , Founder and Artistic Director of NU CORNO, has been heard internationally as a solo, orchestral, Broadway and chamber musician. Hailing from New York, he is in demand as a recital soloist, and has been a featured and guest artist at numerous horn events throughout the world. A proponent for the creation of new music, Cohen has commissioned and premiered over 25 works from a distinguished collective of composers. He gave the world premiere of Kevin Day’s “Windborne: Concerto for Horn” in 2022 and his debut album, Cruise Control, features the world premieres of five major works for horn. Paul Compton Paul Compton is Professor of Trombone at Oklahoma State University, and an artist for EdwardsTrombones and Griego Mouthpieces. Paul studied at UT Arlington, UNT, and the Henry Mancini Institute. Paul was lead trombonist of the UNT One O’clock Lab Band for 4 albums and a tour of Scandinavia. Paul also played lead trombone on the album Bicoastal Collective Chapter Five, featuring the music of Paul Tynan and Aaron Lington. During his time at the Henry Mancini Institute, and HMI Alumni Orchestra, Paul performed with Tony Bennett, Terrance Blanchard, Herbie Hancock, Diane Reeves, Quincy Jones, and Bob Brookmeyer.
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