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The 17 previously unpublished works included in the exhibition Confessions of a Crowded Mind at Barcelona’s Moco Museum provide us with deep insight into this artist's universe, offering a raw and honest account of his personal growth ROBBIEWILLIAMSHASBEEN CONQUERINGTHEWORLDWITH HIS MUSIC FOR MORE THAN THREE DECADES . From a charis- matic member of the pop group Take That to a solo career that’s includ- ed hits like Angels and Let Me En- tertain You, he has become one of Britain's most beloved music artists. One of the most awarded entertain- ers in the world, he has created six of the top 100 best-selling albums in British history, with a whopping 80 million copies sold worldwide, 14 No.1 singles and a record 18 BRIT Awards - more than any other artist. Nonetheless, there is another, less well-known side to Williams: he is also a visual artist who uses the canvas as a vehicle for person- al exploration. Until 1 st February, visitors to Barcelona’s Moco Mu- seum can enjoy his artistic jour- ney, which – just like his musical one – is shaped by experienc- es, struggles and victories. Wil- liams’s visual art stands out for its bold colours and vibrant style. His works range from humorous and bright to deeply introspective, while each piece reflects a part of his personal journey. These works are vibrant, but beneath the sur- face they chronicle his inner strug- gles with mental health, fame and self-acceptance. Robbie’s excursion into the world of art hasn’t come all of a sud- den; it actually started decades ago, during his first period in rehab in the ‘90s. These works serve almost as a visual diary, following his evolution from boy band idol to the thought- ful, self-aware artist that he is to- day. The pressures of celebrity status

and draw every day,” he says. In his art he doesn’t avoid exploring shame, fear or self-doubt, but rath- er embraces them with humour and resilience, representing an honest reflection of his inner world. His first solo exhibition, pre- sented at Amsterdam’s Moco Mu- seum under the title Pride and Self-Prejudice, attracted over 100,000 visitors, thus confirming his appeal even in this new domain. His second exhibition, this time in Barcelona, continues in a sim- ilar tone, with works that encour- age visitors to confront their anxi- eties and insecurities. “I hope this exhibition will encourage people to accept themselves and express their truth,” noted Williams. Williams’s evolution as an artist testifies to his courage to embrace transformation, both on stage and on canvas. The essence of his art re- minds us that the path to self-accept- ance is an ongoing process. In the ex- hibition Confessions of a Crowded Mind, we see an artist who has spent his life in the limelight, but who has now found a way to redefine what it means to be seen. Whether on stage or in the gallery, Robbie Williams continues to inspire, demonstrat- ing that creativity is boundless and that self-expression is as liberating as it is profound.

are familiar territory for Williams. Alongside the excitement of sold- out shows and fans, constant pub- lic attention has often represented a heavy burden for him. That’s why art provides a mech- anism for him to deal with the pres- sures of public life. As he himself ex- plains, daily creation provides him with a form of release that has be- come key to his wellbeing. “I paint

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