Directors Report

the paddle impacts may be identified by a listener as the primary sound source. To get a better correlation with the actual response of the surrounding community to this type of sound, metrics with a shorter time scale are needed. The paddle impact sound pressure level is better represented by a combination of peak sound pressure level and sound exposure level (SEL). Using the sound exposure level involves windowing the measured sound pressure in time to include only the paddle impact and reflections from nearby surfaces as seen in Figure 2.1. The equivalent-continuous sound pressure level of the windowed impact is then normalized to the length of the window giving a representation of the energy in the impact alone. Appropriate adjustments for impulsive sounds can then be applied to the impacts as described next. Most acoustical standards for sound pressure levels with regard to compatible land use provide adjustment factors for different types of sound, e.g. impulsive, tonal, time of day, etc. Each of these categories of sound produces different levels of community impact and annoyance due to their temporal or spectral characteristics in comparison to a broadband sound that does not vary in level or frequency content with time. The purpose of the adjustment factors is to normalize these types of sound to a neutral broadband sound pressure level so that they can be reasonably compared to a defined sound pressure level limit or the background noise level. ANSI S12.9 Part 4 gives criteria for assigning adjustment factors to a variety of impulsive sounds. Sounds produced by many impact processes are classified as ‘highly impulsive’ and assigned a 12 dB adjustment. Although not specifically enumerated in definition 3.4.1 of the standard, experience has shown that pickleball paddle impacts should be adjusted as highly impulsive sounds in order to set appropriate performance goals for abatement treatments. Inadequate abatement treatment may lead to ongoing complaints, strained relations with neighbors, legal action, the need for continued involvement on the part of authorities, retrofitting, and possibly demolition costs to improve the abatement later. 2.3 Problems with Exponential Time Weighting Fast exponential time weighting is often recommended for assessing impulsive sound. For highly impulsive sounds having short durations this metric does not work well. When the averaging time of the time weighting is longer than the duration of the impulse, the impulse is in the stopband of the filter. In other words, the time weighting is filtering out the impulsive sound source being measured. Figure 2.4 demonstrates the filter response to a burst of sound just long enough to achieve a reasonably accurate reading within 0.5 dB of the true sound pressure level. The red curve represents the envelop of a burst of sound 0.277 seconds in duration. This is the time required for the output of the fast exponential time averaging filter (blue curve) to rise to within 0.5 dB of the actual sound pressure level of the sound burst. When the sound burst ends, the output of the exponential time averaging filter begins to decay. The peak value in the output of the fast exponential time averaging filter, after being converted to sound pressure level, is known as the Lmax level.

9 of 58 Spendiarian & Willis Acoustics & Noise Control LLC

12/15/2019

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