BILLY CONNOLLY
It was on a rainy day in 2007 that Billy Connolly first put pen to paper. Taking refuge from the grey drizzle of Montreal, Canada, the veteran comedian entered an ar t shop with a twinkling curiosity and left with an armful of supplies and the urge to create. Back in his hotel room, his felt-tips and sketchbook formed a por tal for his imagination, and over the next five years his drawings evolved into his debut fine ar t collection, Born On A Rainy Day. Upon its original release in 2012, the body of work was lauded for its humorous surrealism. Fellow star Vic Reeves, who attended its unveiling at Halcyon Gallery in Mayfair, revealed: “If I look at a painting and it makes me smile or makes me sad, then it’s achieved the effect it should have. I can smile at most of these.” Marking the sixth release from the series, the second 2020 collection comprises six limited edition graphics and a polished stainless steel sculpture. Just like his idiosyncratic, no-holds-barred comedy, each of the ar tworks reflects a refreshing honesty from the former welder, who in 2019 released his latest book, Tall Tales and Wee Stories, featuring his legendary storytelling and famous routines like 'The Last Supper' and 'Incontinence Pants'. Black-and-white lines, Escher-esque surrealism and an increased use of colour are underpinned by a sense of liberation and a keen application of observational humour. His process mirrors that of the Surrealist Automatism
movement, whereby the ar tist allows their hand to move randomly across the paper or canvas without a specific intent. While eagle-eyed viewers may try to spot references to his personal life, the dreamlike quality of his ar t is closer to the work of Salvador Dalí than an autobiography. Others have likened Billy’s sketches to the cave paintings of the Aurignacian period (40,000-25,000 BC), which were characterised by their linear, one-dimensional approach. Charmingly simplistic, his faceless figures possess an extraordinary self-awareness and humanity. Devoid of emotion or expression, their anonymity opens them up to individual interpretation, creating a unique bond with the viewer. An admirer of ar tists like René Magritte and David Hockney, Billy has made an impact on the ar t world beyond his own creations. In June 2017, the CBE recipient was immor talised in three 50ft murals in his hometown of Glasgow to celebrate his 75th bir thday, with his infamous ‘banana boots’ later displayed at the People’s Palace. In April 2020, following the headline-grabbing release of his fifth collection, he worked with an Edinburgh-based chocolatier to design a chocolate bar wrapper to raise funds for the NHS during COVID-19. For a man who has spent his life on stage, ar t – much like that Montreal ar t shop on a rainy day – is a welcome refuge. Billy adds: “My ar t is pure and unjudged; I am creating it for myself. It is personal and private, whereas with a film, comedy show or music, you expect people to be critiquing, watching, assessing. Ar t is different, it liberates you.”
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