Moda / Fashion
All that glamour Black and audacious vs. romantic and pearly As it does every time, the award ceremony again brought new micro trends that will only be reflected in movements in global fashion over the coming months I n a very unexpected manoeuvre, the world’s most important red carpet (yes, sorry, Met Ga- la) changed colour this year. A delicate shade of champagne was tasked with harmonising the en- tire aesthetic of the Academy Awards experi- ence, as well as not competing visually with the scarlet draperies. But, if the “red carpet” does not exist in that most literal sense that’s been hyped for decades, then what does the fashion we associate with it look like? As is the case every time, the award ceremony again 1
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5 (5) Ledi Gaga je ostala verna
ateljeu „Versače“ Lady Gaga remained faithful to Versace
brought new micro trends that have yet to be reflected in move- ments in global fashion. It seems that this time white was the predomi- nant colour – most com- monly in tones of mother- of-pearl, richly decorated and resplendently chic in- terpretations that evoke all associations with designer wedding gowns.
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(1) Rijanina haljina nosi ime Azedina Alaje/ Rihanna’s dress bears the name of Azzedine Alaïa (2) Emili Blant dominirala je u „Valentinovoj“ toaleti/ Emily Blunt stood out in a Valentino gown (3) Nikol Kidman je odenula nenadmašni Đorđo/ Nicole Kidman was dressed by the peerless Giorgio
If half of the Hollywood su- perstar audience attended the wedding, then the other half de- cided to “spare no expense” and have fun with a choice of striking- ly bright colours and trendy naked- ness the likes of which we’ve seen many times on catwalks for the current season: drastic cleavages, deep necklines and slits through which the next fashionable erog- enous zone is revealed. But let’s advance in order... In the magic of a long white dress – that’s worn on the sec- ond “happiest day of your life”, when you are invited to the award ceremony of the Amer- ican Academy of Motion Pic- ture Arts – enjoying them- selves under the starry dome
Michelle Yeoh, chose a delicate yet voluminous Dior form decorated with feathers – but (it's worth noting that) this dress also had a tulle detail on the neck. Rooney Mara reached for a rare archival piece – her gown forms part of the epic collection of the late Alexander McQueen’s Autumn 1998 “The Girl Who Lived in the Tree” en- semble – while Zoe Saldana donned an equally dreamy slip gown in the lingerie style that was designed by Kim Jones for
(4) Kara Delevinj je stigla u velelepnoj kreaciji Eli Saba Cara Delevingne arrived in a gorgeous Elie Saab creation
of Los Angeles were Michelle Williams, Michelle Yeoh, Rooney Mara, Zoe Saldana and Emily Blunt, all prov- ing that the same fashion screenplay can have many different plots. Williams opted for a dress from Chanel’s haute cou- ture collection with a beaded tulle cape and an elab- orately embroidered busty neckline. Her namesake,
Italian fashion house Fendi. It could be described as a nightgown on steroids. One decidedly minimalistic look deviated from the general romantic tone – Emi- ly Blunt stood out in an ascetically tailored Valentino gown that resembles something that would be happi- ly worn by her alter ego from The Devil Wears Prada. However, Hollywood’s most important evening
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