THE SILKSCREEN COLLECTION
5
but it’s not the focal point. In Morning in Pittsburgh, the focal point would be the bridge in the background instead of the larger warehouse in the foreground. Just like in the Flat Top Diner, the focal point might actually be the green trees. I tried to create the two dimensional image using a mathematical system. At times, the background and foreground converge. Natural scenery is always the main feature. These are not crowded compositions. They are using basic structures to express feelings and ideas. Perfect proportion and logic instead of emotion. The nature of beauty, the lines, forms, shape and texture that emphasize the recognizable create harmony where natural scenery is the main feature. I restricted myself to traditional subject matter viewing nothing as shallow or gaudy. A simple hotdog stand can have classical features and I view it as such (Donut Shop, High Wire). Whiplash curves, flying buttresses, pointed steeples, arches and waves. They are all there, reflecting any time period, purposely trying to stay away from dramatic or theatrical lighting effects, bringing naturalism to the forefront. In some paintings, the brightness of reflected light was brought forth in evident brushstrokes. Sometimes sunlight hitting certain places would contrast deeply with areas of shadow (Sunset on the Prairie, Threatening Skies). I tried to avoid skewed perspectives or manmade light, yet sometimes it couldn’t be avoided. An expert painter is a master in color theory, which means he can turn white into black using a complex value system of colors and hues like a Mark Rothko. The Beaten Path however, reflects explorations in color, sometimes using colors that become less pronounced and outlines that become less precise. Other times tipping towards the monochromatic (Oil Rigger’s Shack, Twilight After Dusk). Flowing or curved lines form another visual vehicle, suggesting a far distance in a landscape painting. Architecture itself is always a vital source of ideas and inspiration but always, The Beaten Path tries to return to the traditional methods of perceptions – things that are perceived in the visible world – taking the three dimensional into a two dimensional format using contrast, location, isolation and convergence. If there is a soundtrack to this compilation of paintings, I would say it could be recordings by Peetie Wheatstraw in some places, Charlie Parker in others, Clifford Brown or Blind Lemon, maybe Guitar Slim – artists that make us a lot bigger when listening to them. It would have to be that way. Absolutely. There was a conscious attempt to dismiss consumer culture or popular culture, including mass media, commercial art, celebrities, consumer or product packaging, billboard signs, comic strips, magazine advertising. The Beaten Path works represent a different subject matter from the everyday imagery of consumer culture. There is nothing to suggest these paintings were inspired by the writings of Sigmund Freud or that they were based on any mental images that occur in dreams, no fantasy worlds, religious mysticism or ambiguous subject matter. In every picture the viewer doesn’t have to wonder whether it’s an actual object or a delusional one. If the viewer visited where the picture actually existed, he or she would see the same thing. It is what unites us all.
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