w Clasificación: C.Di. – 4
Título / Title: Tamaño / Size: Fecha / Date:
S/T N/T
37,5 x 53,5 cm.
Década 1970 / Decade 1970 Fondo / Collection: Escritos Continuos / Continuous Writings Serie / Series: Cuadernos Diarios / Notebook Diaries Nº pág. / pages: 50 Descripción /
Observación de la gráfica; Exigencia de la regularidad de la horizontal y la vertical; Lo arabesco y no – arabesco; Trazos, Punto, Perfil o Acto de la Línea; Arquitectura de la mano; Grafica como trazar; La grafía ante la plástica; La mano – La máquina en el acto de la grafía, Bauhaus; El trazo de la orla; Enmarcamiento de la extensión gráfica; Ritmo de letras y esquemas; La caligrafía; La grafía ante la plástica; Grafía del barroco en el espacio no barroco; Corpus del trabajo de la grafía; Matrices; Escala abstracta de la caligrafía; Margen; Fondos plásticos./ Observation of the graph; Demand of the regularity of the horizontal and the vertical; The Arabesque and the non-arabesque; Outlines, Point, Profile or Act of the Line; Architecture of the hand; Graphics like drawing; Graphics before plastic; The hand - the machine in the act of graphics, Bauhaus; The outline of the border; Framing the graphical extension; Rhythm of letters and schemes; The handwriting; The graphics before the plastic; graphics of the baroque in the non-baroque space; Corpus of the work of the graphics; Matrices; Abstract scale of the handwriting; Margin; Plastic collections.
Description:
(*) Patricio Cáraves S. : arquitecto Pontificia Universidad
(*) Patricio Cáraves S.: Architect of the Pontifical Catholic University of Valparaíso (PUCV) 1976 and academic since 1969. Has been chief of Faculty, academic secretary and currently secretary of the College of Architecture and Urbanism PUCV. He is Doctorate of the Department of Architectural Projects of the Superior Technical College of Architecture of the UPC, Spain, with the “Open City of Amereida, Architecture as from Hospitality”, 2007. David Jolly M.: Architect of the Pontifical Catholic University of Valparaíso 1977 and candidate to Doctorate ETSAB, Polytechnical University of Catalunya. Founding member of the Open City of Amereida and its works since 1972. From 1978 he is Studio Professor of the College of Architecture and Design PUCV, where he was director between 1999 and 2003. At the moment he is Dean of the College of Architecture and Urbanism PUCV. Tomás Browne C.: Architect of the Pontifical Catholic University of Valparaíso 1979. From 1973 he is a member of the Cultural Corporation Amereida - Open City, where architect, designers, sculptors, painters and philosophers work altogether, amongst each others, united under an American poetic vision of the occupation. He has participated in numerous Passages. Author of many articles and publications, is invited professor to the College of Architecture PUC and member of the publishing committee of the Magazine ARQ. Partner of Cruz & Browne Architects.
The File (9) is ordered as follows:
Católica de Valparaíso 1976 y académico desde 1969. Ha sido jefe de Docencia, secretario académico y actualmente se desempeña como secretario de la Facultad de Arquitectura y Urbanismo PUCV. Es Doctor del Departamento de Proyectos Arquitectónicos de la Escuela Técnica Superior de Arquitectura de la UPC, España, con la tesis “La Ciudad Abierta de Amereida, Arquitectura desde la Hospitalidad”, 2007. Católica de Valparaíso 1977 y candidato a Doctor ETSAB, Universidad Politécnica de Catalunya. Miembro fundador de la Ciudad Abierta de Amereida y sus obras desde 1972. Desde 1978 es profesor de Taller de la Escuela de Arquitectura y Diseño PUCV, donde fue director entre 1999 y 2003. Actualmente es decano de la Facultad de Arquitectura y Urbanismo PUCV. David Jolly M .: arquitecto Pontificia Universidad Tomás Browne C .: arquitecto Pontificia Universidad Católica de Valparaíso 1979. Desde 1973 es miembro de la Corporación Cultural Amereida – Ciudad Abierta, donde trabajan en conjunto arquitectos, diseñadores, escultores, pintores y filósofos, entre otros, reunidos bajo una visión poética americana del oficio. Ha participado en numerosas Travesías. Autor de diversos artículos y publicaciones, es profesor invitado en la Escuela de Arquitectura PUC e integrante del comité editor de Revista ARQ. Socio de Cruz & Browne Arquitectos.
- F1 - DRAWING COLLECTIONS: Corresponds only to drawings. Series: Graphic exercises (220 notebooks approx); Palimpsest (200 notebooks approx); Several (100 notebooks approx); Large format; in general of 50 cm x 30 cm. They are not notebooks. - F2 - NOTEBOOK COLLECTIONS: Composed by notebooks with drawings and texts. Series Diaries (87). Sub-series: Diversion; Minimum (10 approx); Drawings (15 approx); Quotes; Graphics (72 approx); Painters (62 approx); City, Dailies; Places; Body; Animals; Nature; Painting; Notes; Literature; Art; Cinema; Several (30 approx). - F3 - CONTINUOUS WRITINGS COLLECTIONS: They are written notebooks without drawings. Bound Notebooks “in progress” (14); Travel Notebooks (20); Teaching (28); Newspapers (6). - F4 - HISTORICAL EXTRACTS COLLECTIONS: Large notebook with sheets of vellum paper and Chinese pen drawings. There are polyptychs with drawings by Cruz C. and poems of Godofredo Iommi. - F5 - CORRESPONDENCE COLLECTIONS: Different letters and writings to friends, other architects, students, children, grandsons, etc. As concluding we realize that the graphic work united in Albert Cruz’s and which now portrays this “accommodation” is nothing else of what he calls “offering” or “reverent act”. “The offering, is found in the habitation act: we can observe it in church, when we advance towards the altar, our steps become lighter each time, which –if it can be said – we advance without swimming. This observation we have called the reverent act. This act not only occurs in church, before the Saint, but also comes out in the city, on the worker’s daily life and on their breaks on the beach during the holidays, because anywhere the men finds himself like a donated in gratitude with the Donor, in the responsibility of a mission. It is up to architects, the one act that conforms within itself of an reverent act, in which the reverent is the highest habitability - which goes in peregrination towards the definitive thing, with all the donated ones”. (10)
(1). “(…) A way of thinking, the oriented extension that accommodates. Architecture co-generated with poetry. Why? Because the word is inaugural” . Alberto Cruz in the Exhibition 20 Years of the College of Architecture of the Catholic University of Valparaíso. Fine Arts Museum of Santiago, September 1972. (2). Alberto Cruz C.: “It is absolutely necessary to be modern” , study regarding architectural observation. Four America studios, 1979. (3). Ídem. (4). Alberto Cruz C. on the Pajaritos Farm Chapel, 1952.
(5). Alberto Cruz C.: “It is absolutely necessary to be modern” , study regarding architectural observation. Four America studios, 1979. (6). Exhibition 20 Years of the College of Architecture of the Catholic University of Valparaíso. Fine Arts Museum of Santiago, Septermber 1972.
(7). Alberto Cruz C.: Don - Arquitectura chapter 4 -4l. (8). Alberto Cruz C.: Don - Arquitectura chapter 6-6g. (9). Archives Alberto Cruz Covarrubias - Sara Browne Cruz, 2009-2010. (10). Alberto Cruz C.: Don - Arquitectura, Presentation p. 20. Images and Plans of Music Room, Banquet Inn, Palace of Dawn and Twilight, Chapel of Pajaritos, Achupallas and Amereida projects: Historical Archive José Vial A., College of Architecture and Designs of the Pontifical Catholic University of Valparaíso.
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