The never-ending narrative Named after the trick of deception, Katelansky used a variety of mediums to create her exhibit Hoodwinked. The art offers black students a chance to re ect on their identities in a context separate from the in uences of a predominately white campus. Her exhibit links past African-American injustices and hostilities with the current narrative spreading across social networks and media outlets. The alarming rate of police-related deaths in the black community have especially taken a toll on black students. “Black people are getting gunned down over parking tickets,” Katelansky says. “It’s hard to keep going each day without any place where you can let your guard down.” The constant exposure to racial brutality has spread depression among students of color. She’s watched her friends skip class, barricading themselves in their dorms and apartments to avoid outside contact. Illuminating the black Originally from New Jersey, the move to Madison was an awakening experience for Katelansky. She had always lived in diverse areas along the East Coast. In comparison, the university-based town appeared privileged. She’s noted that the university caters to the majority population rather than helping bridge gaps between students of all backgrounds. “The winters are so long in Madison,” says Katelansky, a recent MFA graduate from UW-Madison. “I hope my exhibit keeps students warm even when it’s cold. I want to give them a space that glows.” Under the growing shadow of racial tension throughout the country, Jay Katelansky still sees the African-American experience in hues of gold. ARTIST CELEBRATES BLACK JOY DURING NATIONAL RACIAL STRIFE
54
Made with FlippingBook - Online Brochure Maker