Biola_Catalog_19250101NA

OF

BIBLE INSTIT U TE

LOS ANGELES

fo r work in ·voice, P iano , O rgan, Counter poi nt a nd Composi­ tion more adYanced than t hat out l ined in t he regul ar two , ·ears ' cou rse a nd mentioned in t he preced ing paragraph. T he in,-truction in Yo ice, pia no. organ a nd Yiolin i, inc!;­ v idual. and a cha rge of $ 1.00 fo r half-hour lessons is made fo r rn ice, piano a nd violin , and $3 .00 fo r pipe organ to enroll ed stud ent s . and their wi,·es, or hu sband s, r children . a nd tll mis­ sionari es on f url ough. To persons not enroll ed as students the rates fo r p ri,·ate instructi on are : YOice, piano a nd violin, $2 .00; pi pe orga n , $5.00 . ...\ cha rge of $ 1.00 a month is made fo r da il y use o f practice pianos for pia no a nd voice pupi ls . The rate for p ipe organ lessons includes free dai ly orga n p ract ice. l. XOTATJON. THEORY At\D S IGHT S l i\'CJ:-;G Th is subj ect g ;ves a founda t ion fo r a ll other mu sic tra in­ ing. a nd is pursued thoroug hl y . ::'\l'otation I. coYers t he rud iments of mu sic, a masren· of scale relat ion a nd the maj or keys. Xota tion II . cont inu es thi s work a nd g i,·es drill in more diffi cul t note read ing, chromati cs . mod ulat ions . and the natura l, melod ic a nd harmoni c fo rms of the sca le in m;nor keys. Sight s inging a nd ach ·anced choru s perfect the student st ill furthl"r in rap id reading o f notes and unaccompan ied singi ng of part songs . 2. VOTCE .-\ttent ion is g i,·en to the inc!iY; dua l needs of each , t udent - with emphas is upon breath control, open throa t. placement. the eYen sca le. enunciat ion. a rti cul ation . dict ion, phrasing and interpretation. Standa rd exercises of Root. Yacc i, S ieber. Con­ cone, :'.\ l a rches i. Behnke and others are used , a l. o a w;c!c rnriety of songs. with emphas is a lways upon the study and in ter preta-­ t ion of Gospel mu sic. 3. PIA:1\0 The course in piano meet s t he demands of a ll classes of student s fr om the beg inner to the stud ent oi ach ·anced stand­ ing. Stress is la id upon the development of techni que and its appli cat ion to t he play ing of hymn s and Gospel songs in church and eyengeli st ic meef ngs . Standard techni cal exe rci ses hy

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