New Dances, New Choreographers is an enriching process for dancers and choreographers alike. The result is a graceful collaboration of imaginative and enticing concepts, dance moves and unique expression showcasing their passion for performance alongside original music created by local composers from Teton Music School. The dancers have been working hard to create dance pieces that speak to them and hopefully reach to your hearts as well.
presents
Celebrate years
2022 JUNIOR REPERTORY COMPANY SUM OF OUR PARTS
Dancer: Morgan May
presents
2022 JUNIOR REPERTORY COMPANY SUM OF OUR PARTS 6:00PM APR 22 / 23 THE CENTER THEATER IN-PERSON // LIVESTREAM
Dear Friends & Family,
I am so excited to share with you a project near and dear to me, and at the heart of the School at DW… New Dances / New Choreographers . Every year, our Junior Repertory Company Dancers look forward to this process and I love watching the dancers transform into artists and creators. Our student choreographers, ranging from 15-18 years old, take a class in choreography, learning tools and techniques to catalyze the creative process. In January, they audition their peers and begin to create and translate movement vocabulary to their classmates. As their pieces come to life, we see teamwork, problem solving, and young artists beginning to debate what is important to them and how they can present their ideas through movement.
Dancer: Kate Frederick
Choosing music becomes a large part of the process, and this year it was incredibly exciting to witness the collaboration of students fromTeton Music School with JRC Choreographers . The music composers worked alongside the dancers to create original music for three of the dances. Choreographers participated in marketing and funding tasks, making costume, staging, and lighting choices – all to culminate in this evening’s performance. Beyond the student work, this year the JRC students also had the amazing opportunity of working with Lily Gelfand of David Dorfman Dance and award-winning choreographer Gina Patterson . Lily and Gina challenged the dancers to find new layers of themselves and modeled a professional working environment. This process provides a valuable opportunity for our students – typically a college-level experience. This year’s theme “Sum of Our Parts” feels very relevant to me as an alum myself and current JRC director. As I think about all the students, faculty, staff, donors, and parents that I have encountered during my time at DW, every person feels integral to the growth and success of the DW program. I believe in dance education because I believe dance is a reflection of life and a beautiful practice in being present and creating community. Thank you to the community that is here today and the community that has been built over the last 50 years for your support and love of the arts. I am so honored to share with you this year’s NDNC Performance. If you are joining us in person from the Center Theater, or are joining us virtually from the comfort of your own home, I hope you enjoy tonight’s performance and that you will join us for more of the 50th Anniversary Celebrations to come.
Michaela Ellingson, Junior Repertory Company Director
A QUIET CHAOS
Choreographer Morgan May
Dancers Lane Brazell, Biz Carlin, Kate Frederick, Zoe Joralemon, Edie May, Lola Roberts, Avery Taylor
Music “Dreamland Street” by Estevan Lira and Micha Pfeiffer, local composers from Teton Music School.
“SunWill Set” by Zöe Keating
For my piece I explored the theme of control vs chaos, specifically how our individual relation to that theme influences our interactions with others. Where we find ourselves on the spectrum from control to chaos often dictates where we find ourselves in the world and how we perceive our individual purpose. This perception of ourselves and our place can remain stable over time or constantly change, which partially contributes to our own individuality. In this piece, one dancer tends to represent chaos while the rest represent control, but the dancer changes every so often to represent this sort of emotional turmoil that everyone experiences within their own identity.
Dancers: Edie May and Zoe Joralemon
LOVE YOU FROM A DISTANCE
Choreographers Edie May and Zoe Joralemon
Dancers Lottie MacGregor, Morgan May, Paschall McDaniel, Understudy: Delilah Irby
Music “Hearing” by Sleeping At Last
This piece explores the idea of feeling like you need someone, but not knowing how to express that need by creating a slight feeling of isolation throughout the piece.
SOUL TIED
Choreographer Kate Frederick
Dancers Zoe Joralemon, Morgan May, Edie May, Avery Taylor
Music “ The Center Song”
by Johnny Stout, Sebastian Lira, and Martin Contreras, local composers fromTeton Music School This piece embodies the emotions of leaving those you love, yet still embracing your connection to them from a distance. Rather than portraying a sad ending or goodbye, it aims to focus on remembrance. The choreography itself is meant to display strong relationships and connections between the dancers whilst simultaneously exhibiting a sense of freedom.
Dancers: Avery Taylor and Kate Ryan
CLOCKWISE CONNECTION
Choreographers Kate Ryan and Avery Taylor
Dancers Lane Brazell, Biz Carlin, Kate Frederick, Lola Roberts
Music “Communication” by Ari Fowler and EvalynWogoman, local composers from Teton Music School.
As people, we plan out our hours, days, months, and even years. We often forget that the present moment is more important than what’s going to happen a week from now, a month from now, or even a year from now. When a moment has passed, there’s no going back. This piece portrays a desperate search for connection and love, but not being able to fully commit to this, because of an obsession with time.
WEIGHT UNTIL
Choreographers Lane Brazell and Lola Roberts
Dancers Biz Carlin, Zoe Joralemon, Sadie Mae LaPrade, Lottie MacGregor, Edie May, Paschall McDaniel,
Kate Ryan, Avery Taylor, Understudy: Frances Reid
Music “Babel” by Gustavo Bravetti
In this piece we explore ideas of unity and individuality alongside a deeper need for each other.
I N T E R M I S S I O N
ENDLESSLY NEEDED
Choreographers Biz Carlin and Paschall McDaniel
Dancers Lane Brazell, Sadie Mae LaPrade, Lola Roberts, Kate Ryan, Understudy: Gemma Billimoria
Music “Emerald Rush” by Jon Hopkins
A piece contouring the importance of hearts, comfort, and holding something dear in the midst of your life’s journey.
Dancers: Lola Roberts and Lane Brazell
THE GARDEN
Choreographer Lily Gelfand in collaboration with dancers, with special thanks to rehearsal director Michaela Ellingson. Dancers Lane Brazell, Biz Carlin, Kate Frederick, Zoe Joralemon, Sadie Mae LaPrade, Lottie MacGregor, Edie May, Morgan May, Paschall McDaniel, Lola Roberts, Kate Ryan, Avery Taylor
Music “Crickets Sing for Ana Maria” byWalterWanderley “Dark Full Ride: Part 1” by JuliaWolfe, Talujon Percussion Quartet “For All Its Fury: III. Coil” by Devonté Hynes, Third Coast Percussion “Welcome” by Miloe
YES Choreographer Gina Patterson
Dancers Katelyn Ankeny, Gemma Billimoria, Delilah Irby, Frances Reid Music Adagio from “Concerto in D Minor” by David Francis Troy “Saman” by Olafur Arnalds
Dancer: Biz Carlin
SENIOR PIECE
Choreographers Kate Frederick and Morgan May
Dancers Kate Frederick and Morgan May
Music “We’re Going to Be Friends” by TheWhite Stripes “Landslide” by Fleetwood Mac “Cecilia and the Satellite” by Andrew MacMahon
in theWilderness “Ribs” by Lorde
This piece represents the lifelong friendship we’ve cultivated thus far and how it has shaped our lives.
Dancers: Morgan May Kate Frederick
GUEST CHOREOGRAPHERS
GINA PATTERSON A 2021 Bogliasco Fellow, Gina Patterson has won such honors as the Choo San Goh Award, a nomination for an Isadora Duncan Award, the Hubbard Street 2 National Choreographic Competition, New Choreographers on Pointe, the National Choreographic Initiative, and a commission by The Cowles Center / SOLO Commissioning Program, funded by the McKnight Foundation. During her long career as a principal artist, she was known as a versatile, consummate performer, dancing with Pittsburgh Ballet Theater, Ballet Austin, Ballet Florida, and as a guest artist in North America and Europe. Ms. Patterson has been a prolific dance maker since 1998, creating choreographies for companies, universities, and international audiences. Multi-disciplinary full- evening productions include Liquid Roads for MADCO, a contemporary adaptation of Romeo and Juliet for CoDa21, and a one act Hansel and Gretel created for the Croatian National Theatre. Her work appears in the repertoire of companies across the US and has been presented internationally in Italy, Croatia, Germany, Slovenia, Mexico, Puerto Rico, Dominican Republic, Cuba, and Spain. She educates through classes, creativity workshops and multi-disciplinary collaboration with young artists, working with University of North Carolina School of the Arts, Arts Umbrella in Vancouver, Dancers’ Workshop, Interlochen Arts Academy, Point Park University, Goucher College, Mercyhurst University, and the University of Iowa. Ms. Patterson advocates for empathy and compassion, searching to uncover the authentic and vulnerable – the voice within. She uses her art to examine our humanity and interconnection, believing in the art form’s power — to heal; and through the creative process, build unity and community. LILY GELFAND David Dorfman Dance Company Member / David Dorfman Dance is Company- in-Residence at Dancers’ Workshop. Lily Gelfand is a Brooklyn-based dancer, experimental cellist, composer, and teaching artist. Originally fromYoungstown, Ohio, Lily received her Bachelor of Fine Arts in Dance Performance and Choreography from Ohio University’s Honors Tutorial College. As a dancer, Lily has had the pleasure of performing works by Kyle Abraham, Joanna Kotze, Kendra Portier, David Dorfman, Jasmine Hearn, Thryn Saxon, Serena Chang, and Ani Javian. As a cellist, Lily is currently on staff as a dance musician at The Juilliard School, and has composed and performed original collaborative works for Christina Robson, Jasmine Hearn, Dance Lab NY, Toscana Dance Hub, Venza Dance, TheWooden Floor, Douglas Gillespie, and Nik Owens. Additionally, Lily is a 200 Hour RYT through the Yoga Alliance, and uses cello as a source of sound healing for a variety of meditations and restorative practices throughout the country. Her favorite color is green.
2022 Junior Repertory Company Choreographers Lane Brazell, Biz Carlin, Kate Frederick, Zoe Joralemon, Edie May, Morgan May, Paschall McDaniel*, Lola Roberts, Kate Ryan, Avery Taylor *not pictured Senior Students Special Thanks Morgan: Thank you to my family, friends, fellow dancers, teachers, coaches, and everyone in this community who has helped push me to succeed. I am inspired by and endlessly grateful for the love and support I’ve received as a dancer and student in Jackson and at DW. Special thank you to Michaela for constantly supporting me and pushing me to be my best, I wouldn’t have made it this far as a dancer without you. Thank you to my parents for always encouraging me, and my sister for dancing alongside me. Thank you especially to Kate, I couldn’t imagine growing up without you and the love and laughter you bring to my life. I would be a drastically different person without this program, so thank you to everyone who is a part of it. Kate: Thank you to my parents, teachers, and friends for always encouraging me to do what I love. I continue to find inspiration in you all daily and truly wouldn’t be the person or dancer I am without it. I would also like to give a special thank you to Michaela, though I have always admired you as a dancer I also truly admire you as a person; I strive to achieve your aptitude for kindness and your constant drive. I would also like to thank Morgan, my life long best friend and my other half. You’re the reason I have continued to show up 6 days a week for the last 6 years, I couldn’t have done it without you by my side. Thank you again to my parents and the rest of the company, I love you dearly. Special Thanks To our DW families, supporters and donors along with Center for the Arts, Willi Brooks, Patrick Millard, Abi Domingue, Fleur Pellet, Teton Music School, Melissa Elliot, Amanda Flosbach and Joe Rudd.
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