The collection contains all but a handful of the British first editions and a similar showing from America (more than small number of which precede their British counterparts). Brightly illustrated dustwrappers abound from the 1920s onwards and the condition is generally excellent.
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JONKERS RARE BOOKS Rare Books at Christmas
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CATALOGUE 93
Rare Books at Christmas
Offered for sale by:
Jonkers Rare Books 27 Hart Street Henley on Thames RG9 2AR
01491 576427 (within the UK) +44 1491 576427 (from overseas)
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All items in this catalogue may be ordered via our secure website. The website also lists some 3,000 books, manuscripts and pieces of artwork from our stock, as well as a host of other information.
FRONT COVER: Based upon the Faber Christmas Card for 1958 (see item 188) REAR COVER: From the Faber Christmas Card for 1956 (see item 188)
Rare Books at Christmas
Illustrated Gift Books Travel & Exploration History & Economics
Sports & Pastimes Children’s Books Literature
JONKERS RARE BOOKS MMXXV
Illustrated Gift Books
1. ALDIN, Cecil BLACK BEAUTY The autobiography of a horse. By Anna Sewell. Boots the Chemist, [c1930]. Handsome gift edition with Aldin illustrations. 4to. Original blue cloth with gilt embossed design and titles on the spine and top panel. Eighteen colour plates by Aldin mounted under cap- tioned tissue guards. A very good copy indeed, foxed to edges and with some spots of foxing within. Contemporary ownership inscription to front paste- down. [46576] £150 A charming version of this horse tale.
A beautiful collection of favourite fairy tales from Hans Christian Andersen and the Brothers Grimm, including Hansel and Grethel, Rapunzel, The Shoes Which Were Danced to Pieces and many more.
3. BARKER, Cicely Mary FLOWER FAIRIES OF THE GARDEN Blackie & Son Ltd., [c1950]. Early edition. 12mo. Paper covered boards with colour illustra- tion on the upper cover in pictorial dustwrapper. Pictorial end- papers and 24 colour illustrations of different fairies, each with
accompanying poem. A very good copy indeed with bumping to the back board and the spine ends, in a very good dustwrap- per indeed, with tiny chips to the spine ends. [46205] £75 These delightful books are part of a series which Cicely Mary Barker be- gun in the 1920’s when she provided rhymes and illustrations for three books of the seasons, spring, summer and autumn. After a gap of almost two decades, she added to the canon of flower fairy books with books of British flowers and trees.
2. ANDERSON, Anne THE FAIRY TALES OF GRIMM AND ANDERSEN Collins, [c.1925]. First edition. 4to. Original blue boards, lettered and decorated in gilt, in the original dustwrapper which has a colour onlay to the upper panel. Eight colour plates, nine full page line drawings and further illustrations in line, all by Anne Anderson. A very good copy, spine a little uneven due to the chunky size, repairs to tears to the top edge of pages 157 and 159 (book 2) and a gift inscription to the free front endpaper, in the very good, rare orig- inal dustwrapper, which is bright and attractive. [46162] £650
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4. BARKER, C.M. FAIRIES OF THE TREES Blackie, [c.1940]. Early printing. 12mo. Onlaid pictorial boards in printed pic- torial dustwrapper. Twenty-four charming colour plates and pic- torial endpapers. A near fine copy with wear to spine ends, in a very good dustwrapper indeed with a short close tear to the rear fold. [46203] £75
6. CHAUCER, Geoffrey; GOBLE, Warwick THE COMPLETE POETICAL WORKS OF GEOFFREY CHAUCER Now First Put into Modern English by Percy Mackaye and John Tatlock The Macmillan Company, 1912. First edition. 4to. Navy boards decorated with gilt vignette and borders to the upper cover and spine. Top edge gilt. Pictorial endpapers. Thirty-two colour plates by Warwick Goble under captioned tissue guards. A very good copy, with some light gen- eral wear, internally very bright and clean. [46020] £300
5. BRONTË, Charlotte; DULAC, Edmund SHIRLEY Dent, 1905. First edition illustrated by Edmund Dulac. Two volumes, 12mo. Original decorative white cloth with titles stamped in gilt. Top edge gilt and others untrimmed. Twelve colour plates by Ed- mund Dulac. A very good set, bright externally with some foxing to contents. Previous owner’s name to each volume. [46400] £125 Dulac’s water colours for the series of books by the Bronte sisters were his first real commission to illustrate books and set him on his path as one of the great book illustrators of the Golden Age of Illustration.
Includes The Canterbury Tales, Troilus and Cre- seyde, The Book of the Duchess, The Legend of Good Women, The House of Fame and his minor poems. Wonderfully atmospher- ic illustrations, from ethereal glades peopled with fairy inhabitants to maritime adventure, the diversity of the pilgrim’s tales giving the artist an opportunity to employ different styles, all ac- companied by his excep- tional use of colour.
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“a voyage of the artist’s fancy” 7. CLARKE, Harry; AN- DERSEN, Hans Christian FAIRY TALES BY HANS CHRISTIAN ANDERSEN Harrap, [1916]. First edition in publisher’s deluxe limp suede bind- ing. 4to. Purple suede with yapp edges, gilt lettering and blind stamped decora- tion. Top edge gilt. Sixteen tipped in colour plates and twenty-four full page black and white plates, plus nu- merous smaller black and white drawings. A very
large advertisement in the 1919 Bookman, “whose work will certainly command extreme admiration. Mr Clarke brings to Hans Andersen an entirely fresh interpretation and he appeals to the intellectual emotions of art lovers.” Contemporary reviews made comment on the influence of Beardsley upon Clarke’s illustration, and it is true that the black and white drawings are very reminiscent of the intricacy of Beardsley’s work. Clarke, however, has a very distinctive style of his own which is most marked in his colour illustrations, some of which have a delicate colour palette and a distinctly Art Nouveau feel, while others use the deep, bold colours seen in the artist’s stained-glass designs. This deluxe binding is very uncommon, due to the nature of the soft suede which perishes easily and the fact that the book is slightly too heavy for its binding it rarely survives in original condition. 8. DICKENS, Charles; MICHAEL, A. C. A CHRISTMAS CAR- OL [1911]. First edition illustrated by A.C. Michael. Small 4to. Publisher’s deluxe leather binding with gilt lettering and decoration. Top edge gilt. Pictorial endpapers, eight mounted colour plates and six line drawings. A very good copy indeed, with a little wear to extremities, but gilt still very bright and clean. [46508] £850 A beautifully produced edition of Dickens’s Christmas tale, in the un-
good copy, bright and attractive, with just light wear to the suede top of the spine. Lacks front free endpaper, there is occa- sional looseness between gatherings and some of the early pages have been carelessly opened. Plates are all fine and pages clean. [46547] £950 Clarke’s first Gift Book and one of the rarest and most sought after books of this Golden Age period. “A new Irish artist” announced Harrap’s
common publisher’s deluxe binding. Michael’s illus- trations are very evocative, portraying the spirit of a Victorian Christmas.
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9. DICKENS, Charles; REYNOLDS, Frank THE PERSONAL HIS- TORY OF DAVID COPPERFIELD The Westminster Press, [1911]. A sumptuous Christmas Gift book. Large quarto. Red cloth, lettered in gilt and black, with gilt and black vignette. Pictorial endpapers. Tipped-in colour frontispiece with eighteen further tipped-in colour plates, under captioned tissue guards, plus a coloured illustration on title page, by Reynolds. A very good copy indeed, some foxing to page edges and a previous ownership inscription to the verso of the front free endpaper. Bright and clean. [46494] £150 One of Dickens’ most enduring tales. 10. DISNEY, Walt WALT DISNEY’S SKETCH-BOOK Of SNOW WHITE AND THE SEVEN DWARFS Collins, 1938. First edition. 4to. Buff canvas boards with black lettering on the front panel, in a pictorial dustwrapper and pictorial end papers. Twelve tipped-in colour plates on brown paper and behind captioned tissue guard and many line drawings, showing Walt Disney’s studies for the characters in his 1937 film. A very good copy indeed, with some foxing, in a near fine dustwrapper, which is unusually bright and crisp with just light wear to the spine ends. [46390] £850 In 1934, Walt Disney began his preliminary sketches on Snow White and the Seven Dwarfs which was inspired by the Grimm’s story. The sketches formed the basis of his first full length cartoon film, which premiered in De- cember 1937 and this book was published shortly thereafter, in April 1938. “A truly opulent gift book” 11. DULAC, Edmund THE SLEEPING BEAUTY and Other Fairy Tales from the Old French, retold by Sir Arthur Quiller-Couch. Hod- der & Stoughton, [1910]. First Dulac edition. 4to. Red brown mock leather binding decorated with gilt stamped decoration to both covers and spine. Thirty beauti- ful tipped in colour plates with captions below (three with light cor- ner turns), under protective tissue guards. A near very good copy, a small split to rear joint and contents a little loose between sections. [46128] £350 The colour illustrations in this book of fairy tales are very beautiful, with rich colours and plenty of Dulac’s trademark starry skies. Stories are The Sleeping Beauty, Blue Beard, Cinderella and Beauty and the Beast.
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“We are such stuff as dreams are made on” 13. DULAC, Edmund; SHAKESPEARE, William SHAKESPEARE’S COMEDY OF THE TEMPEST Hodder and Stoughton, 1908.
12. DULAC, Edmund; HOUSMAN, Laurence STORIES FROM THE ARABIAN NIGHTS Boots, [c.1930]. Beautifully illustrated gift edition. 4to. Brown cloth with gilt lettering and vignettes. In the original dustwrapper, which has a colour plate to the up- per cover. Twenty tipped-in colour plates, including a colour- ed frontispiece, and nu- merous black and white vignettes. A near fine copy, previous owner’s
First edition illustrated by Dulac. 4to. Green cloth with gilt lettering and decoration. Green end papers. Forty colour plates mounted onto green art paper under cap- tioned tissue guards, the plate on p.142 has small crease to the lower left hand corner. A near fine copy, very clean in - ternally with slight fading to the spine. [46121]
£300 Dulac’s richly detailed and colourful illustrations are perfectly suited to the vibrant story of the wild magician and his fantastical companions. 19a Hughey
inscription and a couple of light marks to page edges. In a bright and attractive dustwrapper, which has some strengthening to the rear. [46517] £165 Edmund Dulac’s beautifully illustrated copy of Arabian Nights, in- cluding stories such as The King of the Ebony Isles, The Wicked Half-Brothers, The Princess of Deryabar, The Magic Horse and The Fisherman, and the Genie.
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14. ELIOT, George; BROCK, C.E. SILAS MARNER The Weaver of Raveloe J.M. Dent & Co., 1905. First Deluxe edition. 8vo. Full white vellum, decorated with elaborate gilt decoration. Top edge gilt. Decora- tive endpapers. Twenty four colour illustrations by C. E. Brock. A near fine copy, with a slight crease to the plate on page 13 and a pale red mark on the back board. [45890] £150
Swiss-born Boston author, Anna Eichberg King was the daughter of composer and violinist Julius Eichberg, and wife to publisher John Lane. She wrote a number of poems and short stories; her works in- clude: Brown’s Retreat, and Other Stories (1893); Kitwyck Stories (1895), American Wives and English Housekeeping (1905), as well as the lyrics for the national hymn “To Thee, O Country!” (1918). FIRST ILLUSTRATED EDITION OF WIND IN THE WILLOWS 16. GRAHAME, Kenneth; BRANSOM, Paul THE WIND IN THE WILLOWS Methuen, 1913.
First UK edition illustrated by Bransom, first issue. 8vo. Pub - lisher’s green cloth with gilt let- tering to spine and upper cover, with black and white vignette to upper cover. Top edge gilt and all others untrimmed. Pic- torial endpapers and ten colour plates by Paul Bransom, as well as one in black and white by Graham Robertson. A near fine copy, some wear to spine ends
AUTHOR’S PRESENTATION COPY
15. GRAHAME, Kenneth THE GOLDEN AGE John Lane, 1896. Sixth edition. 8vo. Presentation copy, inscribed by the author to publisher John Lane’s future wife on the front free endpa- per “Anna Eichberg King/ with friendly greetings from Kenneth Grahame/ 10th Sep- tr 1897.” Bound in publisher’s yellow buckram cloth with dark blue lettering and pictori- al decoration to the spine and boards, pages uncut. A near fine copy, with slight dustiness to the spine and hairline splits to hinges, housed in a custom
and spots of foxing to the pages. [46564] £500 This is the first illus- trated version of Gra- hame’s tales of the riverbank. The first edition of the book has only the frontispiece by Robertson and no other illustrations. Bransom is the first of many to enjoy the role of illustrator.
made quarter brown morocco slipcase with red morocco title labels. [45947] £950
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A fine copy, housed in original green cloth box. [46146] £2,250 This is a beautiful production published to mark the book’s centenary.
17. GRAHAME, Kenneth; SHEPARD, E.H. THE WIND IN THE WILLOWS Methuen, 1931. First edition with illustrations by E.H. Shepard. 8vo. Original dark green cloth with gilt vignettes on upper cover and titles on the spine. Top edge green. Map endpapers. Illustrated throughout in line by E. H. Shepard. A very good copy, light signs of wear, but generally bright. [46563] £395 Grahame’s children’s classic was orig- inally published in 1908 with no illus- trations in the text. Although the work
Sandwyk’s illustrations of- fer a fresh style, using a vi- brant colour palette, whilst also being influenced by the drawings of Arthur Rack- ham and E.H. Shepard, creating a beautiful and im- pressive volume.
was subsequently illustrated by several artists, none matched the success of the text until, E.H. Shepard, fresh from his success- ful collaboration on A.A. Milne’s Winnie the Pooh books, brought the narrative to life with his evoc- ative line drawings in 1931. His illustrations have been barely out of print since and have become in- exorably linked to the book.
18. GRAHAME, Kenneth; SANDWYK, Charles Van THE WIND IN THE WILLOWS The Folio Society, 2008. Centenary edition deluxe. One of 1,000 copies with an original copperplate etching signed by the artist, this copy numbered 659. Folio. Vellum backed green paper covered boards. The boards embossed with gilt vignettes and corners tipped with vellum. Housed in the publisher’s cloth drop over box, with gilt title label on the spine. Pictorial endpapers, an original copperplate signed etching, sixteen large tipped in colour plates, plus many line drawings in the text by Charles Van Sandwyk.
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IN THE RARE DUSTWRAPPER
“Tess is the most eloquently written of the novels, and the one in which the natural world and the topography it- self—the landscapes Tess so doggedly traverses—are most continuously and richly represented” (Michael Millgate, ODNB). 20. HARRISON, Florence; GRO- ZIER HERBERTSON, Agnes THE HOUSE OF BRICKS Blackie and Son, 1917. First edition. Small 8vo. Tan cloth titled in black to cover and spine with pictorial onlay. In original tan
19. HARDY, Thomas TESS OF THE D’URBER- VILLES A Pure Woman Macmillan, 1926. First illustrated edition, limited to 325 copies on large handmade paper, signed by Hardy. Orig- inal publisher’s quarter vellum over marbled boards, with the rare buff dustwrapper, printed in navy. Forty-one wood en- graved plates by Vivien Gribble. Fold-out map of Wessex to the rear. A near fine copy, with some very slight foxing to the endpa- pers and page edges only,
dustwrapper, titled in black to cover and spine with a different pictorial onlay. Four colour plates two of which reproduced for cover and dustwrapper, and twenty further black and white il- lustrations to text. A fine copy, a small dent to the top edge of page 19/20, in a very good dustwrapper with tanning to spine and light chips to the head and tail of the spine. [46334] £175 Florence Harrison was a Australian illustrator who relocated to Lon- don in the 1920s, clearly influenced by the Pre-Raphaelite and Art Nouveau movements. She worked with watercolours to create dreamy scenes, characterised by thick outlines and strong decorative elements. Her work spanned from illustrations of her own poetry for children, to fairy tales and Romantic poets such as Rossetti, Tennyson and Morris.
in a very good dustwrapper which shows some wear to the head of the spine with a small chip to the upper corner and some spot- ting to the spine and light scuffing to the rear panel. [46558] £4,500 A beautifully bound, printed and illustrated edition of Hardy’s great novel, issued two years after its stage debut.
21. IRVING, Washington; BROCK, C.E. THE KEEPING OF CHRIST- MAS AT BRACEBRIDGE HALL The Series of English Idylls Dent, 1906. First Brock edition. 8vo. Deluxe issue. Full white vellum, elaborately deco- rated and titled with gilt. Top edge gilt, others untrimmed. Twenty-four coloured plates by C.E. Brock. A fine copy, with a small, closed tear to the tissue guard on the title page. [45887] £150
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do seem slightly more striking as a result. A very good example of this ephemeral work, Macbeth’s of King Street Christmas label and a neat contemporary inscription to the upper cover. [46292] £500 These colour illustrations are proba- bly amongst Jessie’s most impressive. They use bold striking colours and lines, Colin White notes that “Jes- sie’s hitherto Art Nouveau style was undergoing a metamorphosis into the strident new Art Deco.” White #117
22. KING, Jessie M. HAND PAINTED TEA- POT [c.1940]. An earthenware tea- pot with lid, 16cm high. Hand painted by Jessie King with a wraparound illustration of a forest scene featuring flowers, bluebirds, rabbits and an elfin man in full green costume. The decora-
tions cover the entire teapot including the handle, spout and lid. Signed by the artist with her initials and illustrations of a brown rabbit and green gate to the base. In fine condition. A superb, large and detailed example of Jessie King’s scenic designs for pottery. [46178] £3,000 Jessie King’s nickname “Rabbit” and her house in Kirkudbright “Greengate” are referred to on the base, as was her custom when sign- ing her pottery pieces. PROVENANCE: Jessie Marion King and Ernest Archibald Tay- lor by descent to their daughter Merle Taylor.
24. KING, Jessie M.; MILTON, John COMUS A Masque Rout- ledge, 1906. First edition illustrated by Jessie M. King. 8vo. Red and green boards lettered in gilt. Top edge gilt. The upper cover has a gilt vignette of a design by King. Black and white frontispiece, picto- rial page with details of the cast, plus 8 other beautiful plates in detailed line. A near fine copy. [46106] £225 Comus is the renowned masque in honour of chastity, first performed at
23. KING, Jessie M. A CAR- OL: GOOD KING WENCE- SLAS Leopold Hill, [1920]. Second issue, first tipped in plate edition. Grey paper wrappers with illustration pasted onto the upper cov- er.244 This is a stunning rep- resentation of this popular Christmas Carol, containing a decorative title page, 11 full page colour plates and two music plates. Unlike the first issue the plates in this edition are tipped in and
Ludlow Castle in 1634 to celebrate the Earl of Bridgewater’s new posi- tion as the Lord President of Wales. This edition of Comus was the first instance of Jessie M. King using photogravure, a process that in- volves a photograph being etched into a copper plate and then printed with ink. Her art nouveau illustra- tions depict angular and dramatic figures that integrate seamlessly with the organic woodland scenery to portray the dramatic story of Co- mus, with Pre-Raphaelite charm.
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white. Signed by Oakley to bottom right corner. In very good condition, one very short, closed tear to left margin. [44858] £950 Graham Oakley’s delightful series of Church Mice books were inspired by observing the former inhabitants (the mice) of an old mill the art- ist was renovating in Wiltshire. The escapades of the church mice are closely monitored by their friend, Sampson, the church’s ginger tabby cat. In this tale, after hopeless attempts to raise money for the Christmas party, Sampson and the mice decide to raise their spirits by dressing up as Father Christmas and his reindeer. LITERATURE: The Church Mice At Christmas, 1980. PROVENANCE: From the artist’s estate. 27. LE CAIN, Errol; BRICUSSE, Leslie CHRISTMAS 1993 OR SANTA’S LAST RIDE An Absolutely Amazing Christmas Story Faber & Faber, 1987. First edition. 4to. Brown cloth with black lettering on the spine in a pictorial dustwrapper. Eleven colour plates and black and white illustrations by Errol Le Cain. A fine copy in a fine dust - wrapper. [45695] £95 “This sparkling poem tells how wars, bureaucracy and politics make life more and more difficult for Santa Claus... Leslie Bricusse’s witty vers- es are perfectly matched with Errol Le Cain’s delectable illustrations
25. LANG, An- drew; LANG, Mrs PRINCES AND PRIN- CESSES Long- mans, 1908. First edition. 8vo. Blue cloth with gilt letter- ing and deco-
ration. All edges gilt. Eight colour plates and numerous black and white illustrations by H. J. Ford. A very good copy, light wear to covers. [46401] £150
All the 14 stories about Princes and Princesses in this book are true stories of historical figures, including Napoleon, Frederick and Wil- helmina (of Prussia) and Princess Elizabeth, (Queen Elizabeth I) and the central characters in the Wars of the Roses.
26. OAKLEY, Gra- ham SAMPSON AT CHRISTMAS Original Watercol- our Artwork For The Church Mice at Christmas 1980. Original illustra- tion of Sampson the cat dressed as one of Santa’s reindeer, leading a mouse dressed as Santa, heading to- wards a group of Christmas revellers. 11.2cm x 15.5cm. Watercolour on pa- per, heightened in
to make a sumptuous picture book” (Blurb) In the story Fa- ther Christmas has a very “bad night” on 24th December 1993; the elves have trouble with the new gadgetry, the sleigh gets hijacked and to cap it all he gets a parking ticket in London! Le Bricusse is perhaps better known as a songwriter, having composed many songs for films, including “Goldfinger”, sung by Shirley Bassey, and “The Candy Man” for “Willie Wonka and the Chocolate Factory.”
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“Water, water, every- where, nor any drop to drink” 28. LE CAIN, Errol; COL- ERIDGE, Samuel Taylor THE RIME OF THE AN- CIENT MARINER Callig- raphy by David Howells. The Arcadia Press, 1972. First edition. Folio. Num- ber 61 of 110 copies, ten of which were not for sale. Signed by Errol Le Cain, David Howells, the calligrapher and Philip Rowson, the paper-mak-
A spectacular and beautiful production, manufactured entirely by hand, from the ‘seaweed paper’ created by The Wookey Hole Mill for the covers and the text, the hand printing of the calligraphic text by Wood Westworth and the half vellum binding hand-crafted by the Zaehnsdorf bindery.
29. RACKHAM, Arthur FABLES D’ÉSOPE Ha- chette, 1913. First French language edi- tion illustrated by Rack- ham. Signed limited edi- tion. Copy number 419 of 430. Cream cloth with gilt titles to upper cover and spine. Top edge gilt, oth- ers untrimmed. Colour frontispiece and twelve further colour illustra- tions tipped in on brown
er. This is a magnificent production half bound by Zaehnsdorf in white vellum over “seaweed boards”. Top edge gilt and others untrimmed. Housed in the original slipcase. Original advertis- ing leaflet from Arcadia Press, explaining that the publication was timed to coincide with the 200th Anniversary of Coleridge’s birth, loosely inserted. The paper used is hand-made paper specially designed with a seaweed motif. There are ten magnificent tipped in colour plates,
art paper as well as numerous black and white illustrations by Rackham. A very good copy, tanned to spine and with short, closed tears to the half title, a small scratch to the frontispiece and two plates with creased corners, end papers neatly replaced. [46311] £300
which measure 30 cm x 21 cm., in Le Cain’s vibrant early style, reminis- cent of some of the great golden age il- lustrators, such as Nielsen and Clarke. A fine bright copy, in a fine slipcase. [46523] £2,500
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Gardens. Plain endpapers. A near fine copy, bright and clean, with light spotting to page edges. Neat contemporary gift inscription. [46560] £750 J.M. Barrie’s tale of Peter Pan was first pub- lished as a Christmas Gift book with colour illus- trations by Arthur Rackham. Both the tale and the illustrations were a hit with the critics and public and have become very collectable. A contemporary review of the book published in “The World” reads “Mr Barrie has done what no one else has done since the inventor of “Al- ice”, he has invented a new legend, a modern folk story which comprehends all the innermost se- crets of the modern child, be he four or forty. Mr Rackham, for his part, has been bewitched in his cradle: he does not dream of fairies or hobgoblins, he knows them.” Riall p 114.
30. RACKHAM, Arthur THE WIND IN THE WILLOWS by Kenneth Grahame. Introduc- tion by A.A. Milne. Methuen, 1960. A reprint of the Arthur Rackham illustrated edition. Finely bound in full polished tan calf by Frost & Co. of Bath bindery signature to verso of the front free endpapers, gilt ruled borders to boards and gilt dentelles to turn ins and edges, raised bands to spine with two morocco title labels and four gilt floral vignettes. All edges gilt. Marbled endpapers. Frontispiece under tissue guard and eleven
full page colour plates. A fine copy. [46483] £650 Kenneth Grahame asked Rackham to illustrate the first edition of his book, but it was not until many years later that Rackham was able to take on the task. By this time the author had died. His widow accompanied Arthur Rackham to some of the spots on the Thames which had in- spired her husband to write the tale. Arthur Rackham’s illustra- tions of trees have always been amongst his most striking and memorable, and the ones he draws here for the Thames-side tale are no different.
32. RACKHAM, Arthur; DICKENS, Charles A CHRISTMAS CAROL Heinemann, 1915.
First Rackham edition. 8vo. Original purple cloth with titles and decoration in gilt. Top edge black. Pictorial endpapers, twelve full page colour plates and various line drawings in the text. A very good copy indeed, spine gilt tarnished, internally occasion- al marks. [46562] £450 Rackham’s illustrations for A Christmas Carol were “decidedly suc-
31. RACKHAM, Arthur; BARRIE, J.M. PETER PAN IN KENSINGTON GAR- DENS Hodder and Stoughton, [c.1912]. A new edition, with Rackham’s illus- trations interspersed with the text. 4to. Green cloth with gilt embossed decora- tion by Rackham. Fifty tipped-in colour il- lustrations by Rackham, under captioned tissue guards. Twenty two black and white drawings, including some full page illustrations and a map of Kensington
cessful, for he contrived to adapt the tradition of ‘Phiz’ and Cruikshank to his own characteristic style in the pictures of Victorian London and at the same time found scope for his fantasy in the ghost scenes. We also find him here developing his special talent for silhouette, rare among il- lustrators” [Hudson, p106].
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33. RACKHAM, Arthur; GRIMM, Brothers HANSEL AND GRETHEL and Other Tales by the Brothers Grimm Constable, 1920. First edition thus. 4to. Blue cloth with gilt lettering and vignettes. Top edge blue. In original dustwrapper. Twen- ty colour plates are mounted onto stiff cream paper and there are 28 line draw- ings, some magnificent images accom - pany these classic fairy stories. A near fine copy; three plates with creased corners, in a very good dustwrapper in- deed with a tanned spine and chips to the spine’s head. [46319] £850 Stories include Hansel and Grethel, Rapun- zel, Tom Thumb and Rumpelstiltskin and other favourites. 34. RACKHAM, Arthur; WAGNER, Richard SIEGFRIED AND THE TWI- LIGHT OF THE GODS Heinemann, 1911. First edition illustrated by Rackham. 4to. Tan buckram with gilt lettering and illustration to cover and spine, top
35. RACKHAM, Arthur; WALTON, Izaac THE COMPLEAT ANGLER Or The Contemplative Man’s Recreation. being a dis- course of rivers, fishponds, fish and fishing not unwor - thy the perusal of most an- glers Harrap, 1931.
First edition illustrated by Rackham. 4to. Original cloth with gilt titles and vignette. Top edge gilt. Pictorial end- papers with Rackham de- signs in silhouette. Twelve colour plates under captioned tissue
guards and numerous black and white drawings. A very good copy with a little wear to the spine ends. [46497] £150 Walton’s discursive descriptions of angling and the English countryside have served to make this book one of the most reprinted ti- tles in the English language. The river side setting is perfect for Rackham’s observa- tions of nature, rippling water, overhanging willow trees, summer skies and scudding clouds.
edge brown. Pictorial endpa- pers. Thirty mounted colour
plates and numerous small line drawings in the text, two small abrasions to the plate on page 172. A very good copy. Previous owner’s book plate on the paste down end paper, heavily foxed to the front blank and half title, and gift inscription to the previous owner. [46313] £275 Wagner’s epic tale of dwarves, Gods and heroes allowed Rackham the chance to draw on the German art which in- spired him so greatly. His paintings for these volumes are often considered amongst his best work.
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Heath Robinson’s first major work which was written by him as well being completely designed by him from cover to cover including setting the text. IN ORIGINAL PUBLISHER’S BOX 38. ROBINSON, William Heath; KIPLING, Rudyard A SONG OF THE ENGLISH Hodder & Stoughton, [1909]. First edition with W.H. Robinson illustrations. Large 4to. Blue cloth with gilt lettering and decoration to upper cover and spine. In the rare
36. RANSOME, Arthur; MACKENZIE, Thomas ALADDIN IN RHYME retold by Arthur Ransome Nisbet, [1920]. First edition. 4to. Publisher’s pictorial cloth with lettering and designs in red and purple. Top edge gilt. Pictorial endpapers with striking silhouette drawings. 12 wonderful art nouveau style colour plates and each page decorated with silhouette and line drawings. A very good copy, previous owner’s inscription on the free front endpaper and indentation from some rubbed out pencil marks on the verso of the title page. [46021] £450 This book is a wonderful co-operation of Ransome telling the story of Aladdin and his lamp in rhyme and beautiful decorations by Thomas Mackenzie. Yorkshire born artist Mackenzie wrote to a friend about the book, “there are mistakes in it due to inexperience and immaturity which I hope you will close your eyes to.” Despite the artist’s criticism of his work the book is a delight, with strong lines and colours perfectly complementing the Oriental tale. 37. ROBINSON, William Heath UNCLE LUBIN Richards, 1902. First edition. 8vo. Original blue-green pictorial cloth stamped in red, green and white. Pictorial endpapers, colour frontispiece, fifteen chapter title pages illustrated in red and black, 43 full page black and white illustrations and 64 line drawings in the text, as well as 44 decorative initials printed in red. A very good copy, internally fresh and crisp, but with some of the habitual loss to the spine enamel. [46073] £750
original publisher’s box, with printed labels to the upper cover and side. Thirty mounted colour plates captioned tissue guards (one with light corner crease) and fifty black and white draw - ings. A near fine copy, bright and fresh, with small indentation to the front endpaper and some light foxing. The box has minor wear to the edges but remains bright and attractive. [46516] £850 A fine combination of poetry and illustration. Poems include: A Song of the English; The Coastwise Lights; The Song of the Dead, The Deep-Sea Cables; The Song of the Sons; The Song of the Cities and England’s An- swer. Beautiful illustrations include views of cities, such as, Bombay, Hong-Kong, Calcutta and Sydney.
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with a scratch to one cover. [46454] £195 A collection of 25 French poems which follow the “romantic pathway” from adolescent love [Rimbaud] through the offering of a lover’s heart to his beloved [Paul Verlaine] to a vision of a beautiful and shared after- life [Baudelaire]. A gorgeously presented collection of Romantic Love poetry.
39. SWIFT, Jonathan; RACK- HAM, Arthur GULLIVER’S TRAVELS into Several Remote Nations of the World Dent, 1909. First edition illustrated with col- our plates by Arthur Rackham. 8vo. Bound by William Jackson of Aberdeen (binder’s label to upper turn in) in full tan calf, gilt rules, blind stamped bor- der to covers and additional gilt vignette to upper cover, raised bands to spine with two red morocco title labels, decorated
AUTHOR’S PRESENTATION COPY 41. VICKERS, V.C. THE GOOGLE BOOK Written and illustrated by V.C.V. Medici Society, 1931. First trade edition. Large 4to. Green
and gold dappled boards with a green cloth spine, lettered in red and with a large colourful illustration of a bird pasted on the upper board. Inscribed by the author on the front free end paper; “Poss./ from VCV. 1931.” “Lear-esque” style poems about rare birds, a black and white vignette on the title page and twenty five colour illustrations. Illustrations are in deep, striking col - ours, somewhat reminiscent of some of Detmold’s work. A fine, bright copy, with the slightest rubs to the fore-edge. Exceedingly uncommon in such nice condition. [46345] £1,250 Vincent Cartwright Vickers was Director of the Bank of England, who sadly died age 39. The Google is a magical bird creature that inhabits
with gilt detailing. Marbled endpapers and marbled page edges. Twelve col- our plates with captions printed below. Numerous line drawings in the text. A handsome copy, with just light signs of usage. [46528] £375 Riall p.91
40. VARIOUS: RIMBAUD; MALLARME; HUGO; BAUDE- LAIRE et al. L’AMOUR ROMANTIQUE Club de Livre, 1985. One of twenty non commercially available copies out of a total limitation of 1,000 on vélins de Rives et de Renage, vellum pa- per. Forty pages in folded sections, loose in pink paper boards with a red floral vignette to upper cover, all housed in a red vel -
the Land of Google, visited by children in their dreams. Originally print- ed privately for the author in a limited edition of 100 cop- ies in 1913, this is the first regularly published edition and remains a rari- ty, exceptionally so when inscribed by the author.
vet slipcase with gilt titles to in- ner sleeve. Titles in red and four coloured engrav- ings under tissue guards by Alfon- so Ayuso. A fine copy in a near fine slipcase
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unwittingly killed the son of Charle- magne, must fulfil a series of seeming impossible tasks to avoid execution, is very much the sort favoured by the Arts & Crafts movement and this style of binding came to be described in the Guild of Women Binders catalogue as a ‘mediaeval binding’. The principle of Cardew’s hand colour- ing as a means of adding value was in- troduced by the enterprising booksell- er, Frank Karslake. Having established The Hampstead Bindery and later The Guild of Women Binders to enhance the books he was offering, Karslake em- ployed Cardew’s services to add colour to the woodcut illustrations. The pro-
42. [GUILD OF WOMEN BINDERS]; MOORE, Willa St George; CARDEW, Gloria HUON OF BORDEAUX: Done into English by Sir John Bourcier, Lord Berners: and Now Retold by Robert Steele George Allen, 1895 First edition with illustrations by Fred Mason. Finely bound by Willa Moore for the Guild of Women Binders in a characteristic binding of full tan morocco with an exquisite ‘mediaeval’ em- bossed design covering the entire binding and featuring charac- ters from the text. All edges gilt in the rough. Turn-ins tooled simply in blind with a single gilt rule and pink swirling, hand dyed endpapers. Binder’s label to the rear end paper. Six full page black and white plates by Fred Mason, in the style of Ed- ward Burne Jones, as well as a two page illustrated title page, illustrated and bordered chapter headings and a tail piece. All hand coloured by Gloria Cardew, with her label to the front end paper. A superb, fine copy, the binding very clean and crisp with just the slightest wear to the outer corners, housed in original slipcase. Internally very fresh. A superb copy. [46566] £8,500 An exceptional combination of Arts and Crafts bookbinding and book production. The narrative of the book: an Arthurian style, 13th century, French epic chivalric romance, telling the tale of a Knight, who having
cess was painstaking and doubtless time consuming but the effect could be spectacular. It would appear that Karslake bought small quantities of fine press books, or similar for colouring or binding, but the labour intensive nature of these productions mean the numbers must have been very small and they are now seldom offered in commerce. Willa St. George Moore, identified by a cutting from an early Guild of Women Binders catalogue inserted to the reverse of the front endpaper, was an early pupil of Annie Macdonald, who pioneered the revival of this style of moulded binding in the early 1890s, and became one of the most prominent members of Guild. Moore’s work is no less skilled and is characterised by working in detailed scenes from the text.
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Travel & Exploration
photographing on its journey south from New Zealand. He took two film-cameras with him and several still cameras, chiefly taking 7 x 5 inch glass plate negatives and developing them on ship, as in the present exam- ple. Once the ship had made it to Ross Island and ‘the hut’ was established on Cape Evans, Ponting set up a second dark-room where he would work, sleep and live for the remainder of the expe- dition. On this particular occasion, Ponting had to contend with more than just low temperatures as he made his pic- tures. That morning he left the ship alone and took his equipment by sled to a pool where he could picture the contrasts between floe-ice and berg- ice. “This pool was a most alluring feature of the vicinity, and its beauties were perpetuated in many pictures. When unruffled by the breeze, it was a
43. PONTING, Herbert George AN ICEBERG OFF CAPE ROYDS Fine Art Society, [taken 13 February 1911, printed 1913]. Original blue-tinted carbon print. 580 x 740mm. Ponting’s blind- stamped signature to lower right corner, with the original Fine Art Society label to rear. A near fine example, exceptionally bright and crisp retaining excellent colour rendition, with just a couple of trivial surface scratches and a small indentation. [45897] £9,500 A classic Ponting Icescape with Adelie penguins in the foreground con- trasting with the sculptural majesty of the looming tabular iceberg on the horizon, in its largest format. Ponting’s animal studies “necessitated weeks of patient watching for opportunities. Many days were spent, in temperatures well below zero, camping out on the ice, and hours of waiting, almost motionless, beside the camera, to secure records of curious habits, never before illustrated” (FAS exhibition catalogue). Ponting had fitted out a darkroom aboard the Terra Nova and begun
faithful mirror of the sky, and penguins were continually leaping out of it, to rest awhile or roost on the ice. They took little or no notice of me as I made my photographs. Whilst I was engaged on one of them, I heard a sound behind me, and on looking round I saw a Killer whale — with open jaws, and eight feet of its length out of water — leaning on the ice, surveying me with interest. I didn’t wait to pack my things. I almost threw them on to the sledge, and pulled off to a safer distance from the water — half expecting, as I did so, to feel the brute burst the ice under me, as I knew it was not very thick hereabouts.” (Ponting, The Great White South) The Fine Art Society Exhibition in 1913 sold carbon prints of 145 of Ponting’s choicest photographs. Examples such as this, the largest sized prints available and in such fine condition, are uncommon The British Antarctic Expedition: Exhibition of Photographic Pic- tures of Mr Herbert G. Ponting (Fine Art Society, 1913) 117
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R A R E B O O K S A T C H R I S T M A S
SHACKLETON’S NIMROD EXPEDITION 44. SHACKLETON, Ernest H. THE HEART OF THE ANTARCTIC Being the Story of the British Antarctic Expedition 1907 - 1909. Heinemann, 1909. First edition. Two volumes. Publisher’s blue cloth with gilt lettering on the spine and silver lettering and illustration to the upper cover in rare printed dustwrapper. Top edges gilt. Photogravure frontispieces to each volume; twelve colour plates after paintings by George Marston, all with captioned tissue guards; four double-page photographic plates, 271 photographic illustrations on 195 plates; diagrams, maps, plans & graphs in the text, including nine full-page. Also, three folding maps and one folding plate contain - ing two panoramic views in end-pocket of vol. II. A fine set, with exceptionally bright gilt and clean cloth in very near fine dustwrap - pers, clean and crisp with just a trace of wear to the head of the spine. [45369] £15,000 Shackleton’s famous account of the Nimrod expedition, which he led to the Antarctic in 1907-09. The expedition got within some hundred miles of the Pole, whereupon Shackleton gave the quest up famously claiming, “Better a live donkey than a dead lion.”, but it established Shackleton as a “bona fide English hero” (Books on Ice). A measure of the regard in which Shackleton was held can be gathered from the quote attributed to Raymond Priestley, who accompanied Shackleton on this and future expeditions, “For scientific leadership, give me Scott; for swift and efficient travel, Amundsen; but when you are in a hopeless situation, when there seems to be no way out, get on your knees and pray for Shackleton.”
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J O N K E R S R A R E B O O K S
SHACKLETON’S GREAT FEAT OF SURVIVAL 45. SHACKLETON, Ernest H. SOUTH The Story of Shackleton’s Last Expedition, 1914 - 1917 Heinemann, 1919. First edition. 8vo. Original dark blue cloth with titles and vi- gnette of Shackleton’s ship, Endurance, on the upper cover in silver. Colour frontispiece after a photograph by Frank Hurley, with 79 further black and white photographs by Hurley all full page, and eight drawings, on 44 plates. Fold out map to rear. A near fine copy, with the inevitable browning to the page edges, but externally very bright and crisp. [45370] £4,500 Shackleton’s account of the Endurance expedition is one of the finest in the Antarctic canon and a classic of all literature on exploration. The tale of the loss of the Endurance to the Weddell Sea, the perilous journey to Elephant Island, the unlikely voyage of the James Caird to South Georgia and the rescue mission that ensured every member of the crew survived has become legend due to Shackleton’s account. 46. PEARY, Robert E. NORTHWARD OVER THE GREAT ICE A Narrative Of Life And Work Along The Shores And Upon The Interior Ice-Cap Of Northern Greenland In The Years 1886 and 1891-1897 Methuen, 1898. First UK edition. Two volumes. 8vo. Publisher’s blue cloth, lettered in gilt to spine. Upper cover lettered in gilt, with silver vignette. Top edge gilt, other uncut. Over eight hundred illustrations across the two volumes. Including portrait frontispieces to each volume, numerous charts, maps, and photographic reproductions, one folding panorama, and one folding map. A good set, boards clean and bright, missing front endpapers in both volumes. [46195] £250
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47. BALL, John [ed.] PEAKS, PASS- ES AND GLACIERS A Series of Ex- cursions by Members of the Alpine Club Longman, Brown, Green, Long- mans, and Roberts, 1859.
49. HUNT, John AUTOGRAPH LETTER SIGNED 4/1/57. An autograph letter, signed to translator Malcolm Barnes in blue ink (approximately 200 words), on “BRITISH MOUNT EVEREST EXPEDITION, 1953” notepaper, crossed through with Hunt’s current address, “Highway Cottage, Aston, Henley on Thames”. Hunt discusses experiences of mountaineering “in Sikkim and Kashmir before the war. I realise that the ones I enjoyed most were not labelled as Expeditions at all; they were the treks under - taken at leisure through those wonderful mountain lands, meet- ing local folk, absorbing the atmosphere, being vividly aware of it all.” He praises Norman Hardie’s new book, describing it as “intensely interesting” and saying, “it is such a relief... to have the stage for these adventures described discerningly and filled with people”. A near fine letter, with a small pencil annotation to the top left corner. [46003] £950 A wonderful letter of reminiscence from John Hunt, the leader of the first successful British Mount Everest Expedition in 1953, discuss- ing his early mountaineering experiences: the vivid atmosphere and interpersonal experiences which made his mountaineering expedi- tions enjoyable and which breathe life into contemporary literature on Mountaineering. Written to the translator for the English version of “Forerunners to Everest: the story of the two Swiss expeditions of 1952” (1954), for which Hunt wrote the preface.
First edition. Bound in contempo- rary half morocco over wave grained cloth, raised bands to spine, gilt rules to cover and spine, with a brown page marker ribbon, all edges gilt. Marbled endpapers. Eight chromo- lithographs, twenty-three woodcuts and nine maps. A near fine copy with minor wear to one corner at the base of the spine. Two owner- ship bookplates, internally fresh. [46325] £350 This collection includes, among several others, accounts of excursions on Mont Blanc, a chapter on the old glaciers of Switzerland and Wales and an ascent of Etna.
SIGNED BY THE AUTHOR 48. HILLARY, Edmund HIGH ADVENTURE Hodder & Stought- on, 1955. First edition. 8vo. Original cloth in pictorial dustwrapper. Signed by Hillary on the front endpaper. Seventeen plates showing 59 pho- tographic illustrations and several line drawings and diagrams in the text. A very good copy indeed in a very good dustwrapper, with some light wear. [46525] £650
Hillary’s first book
and his account of his introduction to climb- ing and the 1953 climb to the summit of Mount Everest.
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J O N K E R S R A R E B O O K S
Excepting these minor faults an excellent, unusually well-pre- served set. [46321] £2,000 First editions of the accounts of the British Everest expeditions of the 1920s. Major General Geoffrey Bruce was an officer in the British Indian army and a member of the 1922 and 1924 expedition parties to climb Everest. In 1922 he set a new mountaineering world record height and was one of thirteen members of the expedition awarded an Olympic gold medal at the 1924 Winter Olympics.
SIGNED BY GENERAL GEOFFREY BRUCE 50. HOWARD-BURY, C. K.; BRUCE, C. G.; NORTON, E. F. MOUNT EVEREST THE RECONNAISSANCE; THE ASSAULT ON MOUNT EVEREST; THE FIGHT FOR EVEREST Arnold, 1922-1925. Three volumes, all first editions. 4to. All in the original publish - er’s cloth, lettered gilt to the upper covers and spines. Volumes two and three signed by the mountaineer, Geoffrey Bruce. Pro- fusely illustrated with maps and photographs across the three volumes. A near fine set, remarkably fresh and unfaded. The sec - ond volume with a bump to the upper corner, and volume three with some chips to the edge of page 157. Previous ownership bookplates to front pastedowns of each and previous ownership inscriptions to volume two’s front free endpaper.
51. RUTTLEDGE, Hugh EVEREST: THE UNFINISHED ADVENTURE Hodder & Stoughton, 1937. First edition. 4to. Blue cloth with gilt letter- ing and bands on spine. Pencil sketches of the members of the expedition. Folding maps and a portfolio of sixty-three photographic plates at rear. A near fine copy with minor rubbing to head and tail of spine and spots of foxing to page edges. Previous ownership bookplate to front pastedown. [46322] £150 After his attempt to summit the mountain in
1933, Ruttledge was invited to lead the sixth British attempt on Ev- erest in 1936. Because of recent failed expeditions, the pres- sure on Ruttledge’s large and talented team to succeed was great, but heavy snow and an early monsoon forced them to abort their summit attempt.
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52. NOBLE, Percy PARK PLACE BERKSHIRE A Short History of the Place and an Account of the Owners and their Guests. Privately print- ed for the author by F. Calder Turner, 1905. First edition. 8vo. Original white buckram with gilt lettering to spine and up- per cover and top edge gilt. Author’s presentation copy, inscribed on the front blank, “To the Rector of Remenham with all good wishes from his churchwarden - the au- thor Xmas 1912” Forty-three
54. BRADLEY, A.G. RIVERS AND STREAMS OF ENGLAND Painted by Sutton Palmer A & C Black, 1909. First edition. 8vo. Pictorial blue cloth, lettered in gilt, decorated in gilt, green and white. Top edge gilt. Seventy-five colour illustrations by Sutton Palmer, each under cap- tioned tissue guards, plus a fold-out map at the rear. A very good copy indeed, light mark to lower spine. Previous owner’s contemporary inscription on the front pastedown. [46521] £125 One of 3000 copies, originally pub- lished at 20/-.
As a keen angler the author is well acquainted with the areas described in the book. Chapters cover the rivers Severn, Wye, Devon rivers, Chalk Streams (including the Thames), Border rivers, Rivers of the South East, the Yorkshire Dales and an East Anglian River (The Ouse). Inman 23. 55. CAREY, Edith F. THE CHANNEL ISLANDS Painted by H. B. Wimbush A & C Black, 1904. First (sole) edition. 8vo. Dark blue pictorial cloth with gilt letter- ing to both upper cover and spine. Red and gilt heraldic device
black and white plates of portraits, engravings and photographs. A very good copy, with some dents and marks to the boards, minor foxing within and an ownership ex libris plate to the front pastedown. [45948] £950 ONE OF 100 COPIES, NUMBERED AND SIGNED BY AUTHOR 53. POPE, E.B. HISTORY OF WARGRAVE Printed for Subscribers only by Wm. Carling & Co., 1929.
First (sole) edition. 4to. White buck- ram lettered in gilt. Numbered and signed by the author, this being number 61 of 100. Illustrated with photographs of local houses and public buildings, as well as coats of arms printed in colour. A very good
on the upper cover. Top edge gilt. Catalogue of adverts dated 1904. In original printed dust- wrapper. Seventy five colour illustrations under captioned tis- sue guards and a fold out map to the rear. A near fine book, in a good, but chipped, dustwrap- per. [45129] £175 One of 3000 copies, originally pub- lished at a price of 20/-. Inman 13.
copy indeed, the cloth a little dusty and a few small, scattered marks to the boards. [46518] £350
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