Biola_Catalog_19980101NA

COURSE DESCRIPTIONS

332 Principles of Editing and Design (3) Emphasis on copy editing and design skills necemry for quality publication of newspapers, magazines and public rela­ tions literature. Editing for style, gram­ mar and punctuation; improving copy; writing headlines and cutlines; effective use of type; use of color and art; and principles of page design. Fee: $15. 334 Article Writing (3) The writing and marketing of non.fic­ tion articles for newspapers and maga­ A laboratory course in radio and tele­ vision journalism, including all aspects of writing and delivery of broadcast news programs and documentaries. Television studio newscasting 1s zines. Prerequisite: Permission. 336 Broadcast Journalism (3)

genre theory, technology, and rhetori­ cal intent Lab fee: $20. 358 Motion Picture - Pre-Production (3) The first course of a three-course sequence (358, 359, 452) in which a dra­ matic film will be produced. This course emphasizes the essential pre-production aspects including script development, budgeting, casting, set construction, and/ or location surveys, and develops skills in using production equipment. Prerequisite: 352. Lab fee: $50. 359 Motion Picture Production (3) Principal photography will be done for the film project begun in 358. Emphasizes lighting, camera opera­ tion, sound recording, directing, etc. Prerequisites: 352, 358. Lab fee $50. 363 Acting (3) Introduction to acting technique rang­ ing from solo and ensemble improvisa­ tion to basic scene work with theatrical texts. Prerequisite: Comm 263. 364 Acting for FIim and Television (3) Use of acting skills in front of televi­ sion cameras using scenes from actual television and film scripts. Includes critiques of acting methods. Prerequi­ site: 261 or permission. Fee: $25. 383 Survey of Rhetorical Theories (3) Major theories of rhetorical and pub­ lic address from classical to contempo­ rary periods. 384 Public Relations (3) The nature, methods and responsibili­ ties of public relations in contempo­ rary society. 385 Persuasive Communication (3) Techniques of persuasive speaking and communication persuasion theories. Experience in the preparation and delivery of speeches. Prerequisite: 100. 386 Forms of Public Communication (3) Application , practice and analysis of selected communication forms from a rhetorical perspective . Sections offered in religious, political and social issues communications. May be repeated with different course content 387 Organizational Communication (3) The dynamics of organizational com­ munication centering in systems , structures and patterns; the role of communication in organizational development 3B8 Principles of Information Gathering (3) Fundamentals of gathering informa­ tion for the mass media. Strategies for finding and utilizing information sources, techniques and psychological

six units. Prerequisite: 312, 321, 326, 426, and departmental consent 431 Advanced Reporting (3) Public affairs and investigative report­ ing. Use of local government, courts and community sources in developing stories. Prerequisite: 331. 433 Mass Media Law (3) Legal aspects of the mass media: con­ stitu tional freedom of expression, news gathering, access to public records and proceedings, libel, pri- vacy, copyright, advertising, broadcast regulation, and antitrust. 435 Writing for Performance (3) Creation of original material for solo or corporate dramatic performance. Workshop for the presentation of cre­ ated original materials for the stage. 439 Articulation and Phonological Problems (3) Overview of the etiologies, diagnosis and remediation of articulation and phonological problems. Prerequisites: 321, 324. 440 Communication Internship (1-3) Limited to qualified juniors or seniors who wish to gain practical experience usually off campus in a work situation. Department permission required. May be repeated for a maximum of six units. 444 Voice and Organic Disorders (3) Topics to be covered include: etiolo­ gies, assessment and treatment of func­ tional and organic voice disorders, tra­ cheostomy, laryngectomy, cleft palate and cranio-facial anomalies and related communication disorders . Prerequisites: 321, 324 or permission. 450 Communication Practicum (1-3) Directed practical experience in the various fields of communication. Per­ mission of the department must be secured the semester prior to enrolling for course. May be repeated for a maximum of six units. 451 Advanced Audio Production (3) Advanced techniques in miking, mix­ ing, recording, processing and rein­ forcement of sound. Both technical and artistic aspects are covered, with a strong laboratory emphasis. Prerequi­ site: 251. Lab fee : $50. 452 Motion Picture Post-Production (3) The final course in a three-course film production sequence (358, 359, 452). Emphasizes editing, music , sound effects, mixing, laboratory coordination, and distribution. Prerequisites: 352, 358, 359. Lab fee: $50.

dynamics of interviews. Emphasis on learning by doing. 391 The Director as Performer/Author (3) Art of direction, examining principles of script analysis, staging, picturiza­ tion , rhythm, dramatic action, style, meaning, and other relevant issues facing the director. Prerequisite: Con­ sent of Instructor. 409 Production Practicum 2 (3) Advanced practical experience in dra­ matic process of a work. Credit for performing in a play, set construction, costume construction, publicity or other aspects of the theatrical process. Permission of instructor required May not be repeated for academic credit 422 Neurogenlc Communication Disorders and Dysphagia (3) Covers assessment and treatment of cog­ nitive/ communication and swallowing disorders resulting from stroke, trau­ matic brain injury, degenerative diseases and other adult neurogenic disorders. Diagnosies include aphasia, apraxia, dysarthia, dementia and dysphagia. Pre­ requisite: 321, 324 or permission. 424 Aural Rehabllltatlon (3) Review of management procedures used by professionals for the rehabili­ tation/ habitation of persons with hear­ ing impairments. Includes speech reading, auditory training , hearing aids and other communication systems an assistive listening devices. 425 Audiology (3) Anatomy and physiology of the ear; hearing problems, testing and rehabil­ itation. Practical experience in pure tone threshold testing. Lab fee: $15. 426 Diagnostic and Therapeutic Methods (5) Methods of evaluation and assessment of speech voice and language prob­ lems. Introduction to therapeutic approaches and specific techniques related to speech and language habili­ tation and rehabilitation. Prerequisites: 321, 324 or permission. Lab fee: $15. 428 Audiometry (3) Advanced study of procedures and problems in hearing measurement. Areas covered will include speech audiometry, masking, recruitment, diagnostic testing and amplification.

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required. Lab fee: $15. 347 Photojournalism (3)

Further study in black and white tech­ niques and introduction to color, with special emphasis on the structure, law and ethics of photojournalism. Lab intensive, portfolio oriented. Fee: $30. 350 Advanced Studies In Media Production (1-3) Aspects of theory and practice in media production. May be repeated with dif­

ferent course content Fee: $30. 351 Broadcast Announcing and Performance (3)

Theory and practice of professional announcing , newscasting, sports announcing, interviewing and other performance for radio and television. Fee: $10. 352 Introduction to Television and FIim Production (3) Introduces student to scripting forms, film and television cameras, lighting, editing, much more. Lab fee: $40. 353 Television Production (3) Students write and serve on produc­ tion teams to produce a variety of for­ mats of television programs. Prerequi­ site: 352. Lab fee: $50. 355 Broadcast Programming and Pro­ motion (3) Includes audience analysis and consid­ eration of various programming theo­ ries and techniques. Also promotion techniques for audience acquisition and retention. Fee: $25. 356 Screen Writing (3) Writing of dramatic scripts for televi­ sion or film production. Fee: $25. 357 History of Cinema (3) Survey of the development of the motion picture (1890 to the present) Films screened in the course will be analyzed from perspectives of art,

429 Clinical Practicum: Blola Speech/language Clinic (1-2)

Supervised experience working with persons with communication disorders in the Biola Speech Clinic. Permission of the department must be secured the semester prior to enrolling for this course. May be repeated for a total of

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