The Inspiration of the Bible
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3. There is the variety, in style. Some think that if all the writers were alike inspired and the inspiration extended to their words, they must all possess the same style—as if the Holy Spirit had but one style! Literary style is a method of selecting words and putting sentences together which stamps an author’s work with the influence of his habits, his condition in society, his education, his reasoning, his experience, his imagination and his genius. These give his mental and moral physiognomy and make up his style. But is not God free to act with or without these fixed laws ? There are no circumstances which tinge His views or reasonings, and He has no idiosyncrasies of speech, and no mother tongue through which He expresses His character, or leaves the finger mark of genius upon His literary fabrics. It is a great fallacy then, as Dr. Thomas Armitage once said, to suppose that uniformity of verbal style must have marked God’s authorship in the Bible, had He selected its words. As the author of all styles, rather does he use them all at his pleasure. He bestows all the powers of mental indi viduality upon His instruments for using the scriptures, and then uses their powers as He will to express His mind by them. Indeed, the variety of style is a necessary proof of the free dom of the human writers, and it is this which among other things convinces us that, however controlled by the Holy Spirit, they were not mere machines in what they wrote. Consider God’s method in nature. In any department of vegetable life there may be but one genus, while its members are classified into a thousand species. From the bulbous root come the tulip, the hyacinth, the crocus, and the lily in every shape and shade, without any cause either of natural chem istry or culture. It is exclusively attributable to the variety of styles which the mind of God devises. And so in the sacred writings. His mind is seen in the infinite variety of expression which dictates the wording of every book. To
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