LIVING
but held space with confidence. Zuchowicki’s philosophy was never about décor for décor’s sake; the home needed to feel collected, personal, and deeply lived-in. The couple wanted warmth and resonance, objects with memory and sentiment—not staging, not styling, but atmosphere. “The transformation was never about décor for décor’s sake; it was about warmth, memory, and sentiment.” The tension between Ressler’s romantic traditionalism and Zuchowicki’s disciplined midcentury clarity became the home’s true design spine—each aesthetic nudging the other into new territory. In the kitchen, blue-and-white plates from the Resslers’ wedding sit beside a cascade of burnished copper cookware, rush barstools, and clean architectural lines. The balance feels instinctive rather than intentional, like a conversation between heritage and restraint. In the living room, Studio Zuchowicki’s bespoke roll-arm sofa cohabits gracefully with antique Chinese chairs, a pair of streamlined 1950s armchairs, and an Art Deco mirror whose patina adds a touch of cinematic nostalgia. It is a constellation of eras held in quiet equilibrium—never shouting, always humming.
36
EC Magazines | Busan Edition 2025
Made with FlippingBook Proposal Creator