materials, and other written works; musical and dramatic works; pictures, films, videos, sculptures and other works of art; computer software; and electronic chip designs. c) Fixed in a Tangible Medium (17 U.S.C. § 102): A copyright interest arises in a Work once it is " fixed in a tangible medium" of expression. A tangible medium is one from which the Work can be perceived, reproduced, or otherwise communicated, directly or with the aid of a machine or device. d) Non-Copyrightable Material . Copyright interest does not extend to and copyright law does not protect ideas, procedures, processes, systems, methods of operation, concepts, principles, facts or discoveries, regardless of the form in which they are described, explained, illustrated, or embodied in a Work. e) Categories of Works : Works typically fall into one of the following categories: i) literary works;
ii) musical works, including any accompanying words; iii) dramatic works, including any accompanying music;
iv) pantomimes and choreographic works; v) pictorial, graphic, and sculptural works; vi) sound recordings; and vii) architectural works.
f) Ordinary Use of Resources . Ordinary use of UNA resources occurs when an author/creator uses UNA resources or facilities in a manner consistent with use expected for the day-to- day performance of the individual's obligations to UNA, such as ordinary use of library facilities, office space, office supplies or equipment including copiers, telephones, and fax machines, or UNA owned personal computers or other electronic devices. g) Substantial Commitment of Resources. UNA makes a substantial commitment of resources to a Work if the author/creator makes use of UNA personnel, equipment and/or facilities beyond the Ordinary Use of Resources. A substantial Commitment of Resources by UNA may include, for example purposes, use of laboratory facilities, designated research equipment, equipment of any kind provided through a grant or corporate sponsorship, or work or materials the funding for which was otherwise subsidized by UNA. h) Work Made for Hire (17 U.S.C. § 101): i) A "work made for hire" is: (i) a work prepared by an employee within the scope of their employment; or (ii) a work specially ordered or commissioned for use as a contribution to a collective work, as a part of a motion picture or other audiovisual work, as a translation, as a supplementary work, as a compilation, as an instructional text, as a test, as answer material for a test, or as an atlas, if the parties expressly agree in a signed written agreement that the work shall be considered a work made for hire. ii) Supplementary Work . A "supplementary work" is a Work prepared for publication as a an addition to or revision of the Work of another author for purposes of introducing, concluding, illustrating, explaining, revising, commenting upon, or assisting in the use of the other work, such as forewords, after words, pictorial illustrations, maps, chairs, tables, editorial notes, musical arrangements, answer material for tests, bibliographies, appendixes, and indexes.
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