How did you/ do you decide whether to do a competition, and how did you choose which competition to try? I consider competitions primarily as a platform for exposure. Today, major competitions offer global reach through online streaming, allowing anyone worldwide to listen. The Geneva Competition stood out to me because of its emphasis on originality in musical interpretation and programming. This focus on artistry rather than just technical skill was something I found fascinating. What is your biggest motivation while preparing for a competition? What are you aiming for? My main objective is to achieve a performance quality on stage that I can be happy with. The competition itself serves as a motivation, but ultimately, my goal is a sense of growth as a musician. How long before a competition do you begin to prepare? Do you change your practice habits and practice hours? Preparation time depends on my concert schedule and the demands of the repertoire, but starting early is ideal. If time is limited, I have to push myself to the limit, which is of course, stressful.
How do you mentally prepare? What would your advice be to younger colleagues? Playing the program repeatedly in front of others was very important for me. My mentor, Pieter Wispelwey, gave me opportunities to perform for classmates, allowing me to build confidence and improve my performance. Are there any special things (food, drink, meditation, mental or breathing exercises etc.) you do before you go on stage? I find that a small amount of sugar, like chocolate, helps me focus before a performance. When I’m nervous, deep breathing also helps steady my heart and center my mind. What is most important for you in winning a competition (i.e. money, concerts, recordings, meeting other artists etc)? For me, the preparation process itself is the most important part, as it improves my technical skills and deepens my understanding of the repertoire. Winning provides wonderful opportunities, like concerts and recordings, which further contribute to my growth and development as an artist.
« ©Anne-Laure Lechat
Laureates in Focus
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