JONKERS RARE BOOKS
INSCRIBED FOR PERCY MUIR
ten by the poet T.W.H. Crosland, mocking Yeats), and awarded it the invented Chantrey Prize prior to publication. In Goodbye To All That, Robert Graves de- scribed the poem as “a satire on Masefield which, about halfway through, had forgotten to be a satire and was rather good Masefield”. Edmund Gosse, an early supporter of Sassoon, also thought it better than mere satire, describ- ing it as “a tale of rustic tragedy told with real pathos and power, only exactly as Masefield would tell it. The end is extremely beautiful”. Indeed, Gosse was so impressedwith the work that he sent it on to Eddie Marsh, publisher of Georgian Poetry, who asked Sassoon to send on more of his work, hence introducing him to one of the most influential figures in pre-war poetic circles. PROVENANCE: Percy Muir (1894–1979), an- tiquarian bookseller.
3. The Daffodil Murderer Being the Chantrey Prize Poem John Richmond Ltd, 1913. First edition. Original yellow paper wrappers, lettered red. Inscribed by Sassoon for Percy Muir on the front endpaper, “P. H. Muir from Siegfried Sassoon. 4.10.29.” Housed in a cus- tom cloth case. A very good copy, with very light edge wear to the wrappers, and some light spotting internally. [41566] £2,750 Sassoon’s early satire of Masefield, whose in - vented praise on the cover, “brilliant beyond belief”, barely covers the fictitious depths on the publication. Sassoon published the work under the pseudonym ‘Saul Kain’ (taken from the protagonist of Masefield’s The Everlasting Mercy), prefaced it with a pseudonymous in- troduction by ‘William Butler’ (actually writ-
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