Elevate September 2016 | Air Serbia

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bavile su se ručnim radom. Pored njih je vrlo rano posta- la svesna koliko je uzbudljivo posmatrati nastanak džem- pera od jedne niti. Osim pirotskog ćilima, Ani je celokupno srpsko kul- turno nasleđe inspirativno. Zapravo, za njen umetnički rad posebno su važni srednjovekovna umetnost, narodna književnost i zanati. Sigurna je da su svi ti tragovi prošlo- sti osnova za nove stvari. – Ljudima iz inostranstva uvek skre-

literature and crafts are particularly important. She is certain that all of those traces of the past are the ba- sis for new things. - I always draw the attention of people from abro- ad to everything that is authentically from this area, whether that is related to history, sport, culture or art. To them the Pirot rugs look familiar because they associate them with similar oriental

ones, but I always emphasise that the Pi- rot ones are specific due to the method of weaving and that they have very inte- resting indigenous decorative elements. In fact, the Pirot rug is a letter in pi- cture form and its patterns are sym- bols. They protected people from nega- tive energy. According to some written sources, Pirot rug making is five centu- ries old, while in 2002 it was officially re- gistered as a branded product. It thereby became the only national and artistic product with a geographical indication of origin in Serbia and under UNESCO protection. - In that curiosity, gathering informa- tion and learning, elements appear that

It is an honour for me to have once again received an invitation to show my collection at London Fashion Week. For me that is the centre of the fashion world Čast mi je što sam ponovo dobila poziv da prikažem kolekciju na Londonskoj nedelji mode. Za mene je to centar svetske mode

ćem pažnju na sve što je autentično sa ovih prostora, bilo da je vezano za isto- riju, sport, kulturu ili umetnost. Njima pirotski ćilim deluje poznato jer ga po- vezuju sa sličnim orijentalnim, ali uvek naglašavam da je pirotski specifičan po načinu tkanja i da ima veoma interesan- tne autohtone ukrasne elemente. U stvari, pirotski ćilim je slikovno pi-

smo, a njegove šare su simboli. Njima su se ljudi štitili od negativne energi- je. Po nekim pisanim izvorima, pirotsko ćilimarstvo staro je pet vekova, a 2002. zvanično je registrovan brend proizvod. Time je postao jedini narodni i umetnič- ki proizvod sa geografskom oznakom porekla u Srbiji i pod zaštitom je Uneska. – U toj radoznalosti, sakupljanju informacija, uče- nju, pojave se elementi koji se na kraju pokažu inspira- tivnim. Kreativna energija je sila koja upravlja umetni- kom i ona stalno traži dopunu, to jest novo znanje koje će je pokrenuti. Događa joj se u kreativnom zanosu da se polazna tač-

in the end prove inspirational. Creative energy is a for- ce that directs artists and it constantly seeks additi- ons, i.e. new knowledge that will launch it. It happens in her creative rapture that the starting point, the first impulse, are explained and submerged in some other elements that later comprise a

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